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"As we passed from the city center into the Fukushima suburbs I surveyed the landscape for surgical face masks. I wanted to see in what ratios people were wearing such masks. I was trying to determine, consciously and unconsciously, what people do in response. So, among people walking along the roadway, and people on motorbikes, I saw no one with masks. Even among the official crossing guards outfitted with yellow flags and banners, none. All showed bright and calm. What was I hoping for exactly? The guilty conscience again. But then it was time for school to start. We began to see groups of kids on their way to school. They were wearing masks." Horses, Horses, in the End the Light Remains P...
A startling novella from the heir to Haruki Murakami and Gabriel García Márquez Trapped in Tokyo, left behind by a series of girlfriends, the narrator of Slow Boat sizes up his situation. His missteps, his violent rebellions, his tiny victories. But he is not a passive loser, content to accept all that fate hands him. He attempts one last escape to the edges of the city, holding the only safety net he has known - his dreams. Filled with lyrical longing and humour, Slow Boat captures perfectly the urge to get away and the necessity of finding yourself in a world which might never even be looking for you.
Belka, Why Don’t You Bark? begins in 1943, when Japanese troops retreat from the Aleutian island of Kiska, leaving four military dogs behind. One of them dies in isolation, and the others are taken under the protection of U.S. troops. Meanwhile, in the USSR, a KGB military dog handler kidnaps the daughter of a Japanese yakuza. Named after the Russian astronaut dog Strelka, the girl develops a psychic connection with canines. A multi-generational epic as seen through the eyes of man’s best friend, the dogs who are used as mere tools for the benefit of humankind gradually discover their true selves, and learn something about us. -- VIZ Media
A shape-shifter arrives at Tokyo harbour in human form, set to embark on an unstoppable rampage through the city’s train network… A young woman is accompanied home one night by a reclusive student, and finds herself lured into a flat full of eerie Egyptian artefacts… A man suspects his young wife’s obsession with picnicking every weekend in the city’s parks hides a darker motive… At first, Tokyo appears in these stories as it does to many outsiders: a city of bewildering scale, awe-inspiring modernity, peculiar rules, unknowable secrets and, to some extent, danger. Characters observe their fellow citizens from afar, hesitant to stray from their daily routines to engage with them....
A startling novella from the heir to Haruki Murakami and Gabriel García Márquez Trapped in Tokyo, left behind by a series of girlfriends, the narrator of Slow Boat sizes up his situation. His missteps, his violent rebellions, his tiny victories. But he is not a passive loser, content to accept all that fate hands him. He attempts one last escape to the edges of the city, holding the only safety net he has known - his dreams. Filled with lyrical longing and humour, Slow Boat captures perfectly the urge to get away and the necessity of finding yourself in a world which might never even be looking for you.
In these two novellas, Kimura Yūsuke explores human and animal life in northern Japan after the natural and nuclear disasters of March 11, 2011. Kimura inscribes the “Triple Disaster” into a rich regional tradition of storytelling, incorporating far-flung voices and experiences to testify to life and the desire to represent it in the aftermath of calamity. In Sacred Cesium Ground, a woman from Tokyo travels to volunteer at a cattle farm known as the “Fortress of Hope,” tending irradiated animals abandoned after the reactor meltdown. The farm closely resembles an actual ranch that has been widely covered in Japan, and the story’s portrayal of those who stubbornly care for anima...
The Akutagawa Prize-winning stories from one of the most highly regarded and provocative contemporary Japanese writers 'The nightingale sang again. The plates on the table gleamed, and the food, in all its ceaseless variety, breathed, glossy and bright. The night had only just begun.' In these three haunting and lyrical stories, three young women experience unsettling loss and romance. In a dreamlike adventure, one woman travels through an apparently unending night with a porcelain girlfriend, mist-monsters and villainous monkeys; a sister mourns her invisible brother whom only she can still see, while the rest of her family welcome his would-be wife into their home; and an accident with a s...
Fukushima Fiction introduces readers to the powerful literary works that have emerged out of Japan’s triple disaster, now known as 3/11. The book provides a broad and nuanced picture of the varied literary responses to this ongoing tragedy, focusing on “serious fiction” (junbungaku), the one area of Japanese cultural production that has consistently addressed the disaster and its aftermath. Examining short stories and novels by both new and established writers, author Rachel DiNitto effectively captures this literary tide and names it after the nuclear accident that turned a natural disaster into an environmental and political catastrophe. The book takes a spatial approach to a new lit...
This book extensively analyzes the literary works of fiction that draw on the Great East Japan Earthquake and Tsunami that occurred on March 11, 2011. This disaster inspired literally hundreds of fictional works in Japan from the time of the events through 2017. This response represents a unique and perhaps unprecedented cultural phenomenon in the world. Since a variety of writers in different genres, and even amateurs, have written and published books inspired by their experiences of the disaster, it is extremely difficult to cover the entire body of Japanese “post-3.11 literature”. Because of the breadth of this literary response, there is a scarcity of research on the subject available. This book offers the first comprehensive review of Japan’s recent post-disaster literary production to the English audience.
Riding on the success of 3D cinema blockbusters and advances in stereoscopic display technology, 3D video applications have gathered momentum in recent years. 3D-TV System with Depth-Image-Based Rendering: Architectures, Techniques and Challenges surveys depth-image-based 3D-TV systems, which are expected to be put into applications in the near future. Depth-image-based rendering (DIBR) significantly enhances the 3D visual experience compared to stereoscopic systems currently in use. DIBR techniques make it possible to generate additional viewpoints using 3D warping techniques to adjust the perceived depth of stereoscopic videos and provide for auto-stereoscopic displays that do not require ...