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The focus of the Hungarian architecture practice, 3h architects, which was founded in 1994 by Katalin Csillag and Zsolt Gunther, is on the sensitive transformation of urban spaces and historic buildings. They set spaces with great intensity and complexity against a world that seems incomprehensible, often linking them with interrupted strands of history and creating unmistakable space effects using daylight and artificial lighting. Their work covers offices, housing and educational buildings, as well as castles and churches, and has already attracted a number of awards. The monograph documents nine completed and five not-yet-completed buildings. The essays by various authors focus on the practice’s key interests in the context of Hungary’s architectural culture: space and light, typology, context, and ornament
The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of spatial composition are traced from the study of three assembly buildings of the early modern period in Venice. Theatre, film, music, and theory provide background knowledge on dramaturgy. Detailed analyses of 18 international case studies offer new perspectives on contemporary architecture. The book ends with a systematic presentation of the dramaturgy of space, its parameters and tools, in architectural design.
In 1994 fib Commission 6: Prefabrication edited a successful Planning and Design Handbook that ran to approximately 45,000 copies and was published in Spanish and German. Nearly 20 years later Bulletin 74 brings that first publication up to date. It offers a synthesis of the latest structural design knowledge about precast building structures against the background of 21st century technological innovations in materials, production and construction. With it, we hope to help architects and engineers achieve a full understanding of precast concrete building structures, the possibilities they offer and their specific design philosophy. It was principally written for non-seismic structures. The h...
This book examines the key role of the digital image in architecture over four decades – in the process of digitizing knowledge in theory and practice – as well as its influence on architectural design and visualization: The transition from the analogue to the digital age is analyzed on the basis of 51 design visualizations, from hand drawings to hybrid methods to computer renderings, in order to illustrate how architecture has been impacted by digital methods and media. Architecture Transformed is the result of a collaboration between the Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg and the Chair of Architecture and Visualization at Brandenburg University of Technology Cottbus-Senftenberg as part of the German Research Foundation program entitled “The Digital Image.” On the practice of the digital image in architecture With essays and 51 design visualizations by David Chipperfield, Odile Decq & Benoît Cornette, Gramazio & Kohler, Herzog & de Meuron, Greg Lynn, Jean Nouvel, Oswald Mathias Ungers, among others With in-depth explanatory texts
Buildings can breathe naturally, without the use of mechanical systems, if you design the spaces properly. This accessible and thorough guide shows you how in more than 260 color diagrams and photographs illustrating case studies and CFD simulations. You can achieve truly natural ventilation, by considering the building's structure, envelope, energy use, and form, as well as giving the occupants thermal comfort and healthy indoor air. By using scientific and architectural visualization tools included here, you can develop ventilation strategies without an engineering background. Handy sections that summarize the science, explain rules of thumb, and detail the latest research in thermal and fluid dynamics will keep your designs sustainable, energy efficient, and up-to-date.
Using language - speaking and understanding it - is a defining ability of human beings, woven into all human activity. It is therefore inevitable that it should be deeply implicated in the design, production and use of buildings. Building legislation, design guides, competition and other briefs, architectural criticism, teaching and scholarly material, and the media all produce their characteristic texts. The authors use texts about such projects as Berlin's new Reichstag, Scotland's new Parliament, and the Auschwitz concentration camp museum to clarify the interaction between texts, design, critical debate and response.
Populism, Demagoguery, and Rhetoric in Historical Perspective explores the connections between contemporary populism, populist rhetoric, and a wide range of thinkers and topics in the history of political thought, from the ancient to the modern world. Throughout the volume, contributors demonstrate links between contemporary populism and the tradition of rhetoric, as well as new connections between populism and demagoguery, a phenomenon that has been discussed by political theorists and philosophers since antiquity. With this wide range of connections in mind, the volume draws on diverse perspectives and methodologies to theorize populist politics in historical perspective, and to enrich the debate surrounding it.
Studio environments can be defined as multi-dimensional integrated production spaces where basic design trainings take place and where design issues including theoretical notions such as sociological, political, phenomenological, and other dimensions are discussed. Present approaches within the literature and social media on this topic gives cause for students to evaluate their future professions over finished and pictorial products rather than ontological and processual means. While there are many resources available on the present approaches of aesthetics and visuality of interior spaces, there is not much research available on new design methodologies, related design processes, and new ap...
After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and ‘20s. As Modernism as Memory illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror. While others have characterized contemporary Berlin’s museums and memorials as postmodern, Kathleen James-Chakraborty argues that these...
Originally presented as the author's thesis (doctoral)--Universitèat Mainz, 1999.