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History of a Disappearance
Lying at the crucible of Central Europe, the Silesian village of Kupferberg suffered the violence of the Thirty Years War, the Napoleonic Wars, the World War I. After Stalin's post-World War II redrawing of Poland's borders, Kupferberg became Miedzianka, a town settled by displaced people from all over Poland and a new center of the Eastern Bloc's uranium-mining industry. Decades of neglect and environmental degradation led to the town being declared uninhabitable, and the population was evacuated. Today, it exists only in ruins, with barely a hundred people living on the unstable ground above its collapsing mines. Springer catalogs the lost human elements: the long-departed tailor and deceased shopkeeper; the parties, now silenced, that used to fill the streets with shouts and laughter, and the once-beautiful cemetery, with gravestones upended by tractors and human bones scattered by dogs. In Miedzianka, Springer sees a microcosm of European history, and a powerful narrative of how the ghosts of the past continue to haunt us in the present--Provided by the publisher.
The Motion Demon
Macabre trains and maverick railwaymen inhabit the world of THE MOTION DEMON, a translation of the highly-original short story collection from the pen of Stefan Grabinski, first published in 1919. Sometimes called the "Polish Poe" or the "Polish Lovecraft," Grabinski is a unique voice in fantastique literature who crafted his own style and addressed themes that no other horror/fantasy writer at the time was exploring. Grabinski's work was largely ignored in his native country during his life, but in recent times there has been growing international interest in this writer, with notable voices, such as author China Mieville, proclaiming him a master of horror/fantasy. Translator Miroslaw Lipinski introduced the writings of Stefan Grabinski to English-speaking readership, first with translations in the small press, and then with the short story collections THE DARK DOMAIN (1993), THE MOTION DEMON (2005) and ON THE HILL OF ROSES (2012). Of Polish ancestry and British-birth, Lipinski resides in New York. He is currently working on a mammoth volume of Grabinski stories for Centipede Press' "Masters of the Weird Tale" series.
Europe Against the Jews, 1880–1945
From the award-winning historian of the Holocaust, the first book to move beyond Germany’s singular crime to the collaboration of Europe as a whole. The Holocaust was perpetrated by the Germans, but it would not have been possible without the assistance of thousands of helpers in other countries: state officials, police, and civilians who eagerly supported the genocide. If we are to fully understand how and why the Holocaust happened, Götz Aly argues in this groundbreaking study, we must examine its prehistory throughout Europe. We must look at countries as far-flung as Romania and France, Russia and Greece, where, decades before the Nazis came to power, a deadly combination of envy, comp...
The Heathen
Narcyza Zmichowska (1819–76) was the most accomplished female writer to come out of Poland in the mid-nineteenth century. In terms of influence and popularity, she was the George Eliot of East European letters, but her fiction was written less in the realist style than in the Romantic one. Her novel The Heathen, rendered here in a crystalline English translation by Ursula Phillips, is the tale of a doomed love affair between Benjamin, a young man from a poor but patriotic rural family, and Aspasia, a femme fatale who is older, beautiful, worldlier, and more sexually liberated. As the story unfolds, Benjamin falls in love with Aspasia, accompanies her to Warsaw, and under her influence achi...
Hollywood's War with Poland, 1939–1945
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In ...
