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Oblivion is a heartbreaking, exquisitely written memorial to the author's father, Héctor Abad Gómez, whose criticism of the Colombian regime led to his murder by paramilitaries in 1987. Twenty years in the writing, it paints an unforgettable picture of a man who followed his conscience and paid for it with his life during one of the darkest periods in Latin America's recent history.
Saint or sinner? Moralist or scoundrel? Ascetic or voluptuary? The reader must draw his or her own conclusions as Don Gregorio Benjamin Gaspar de Medina, aging memoirist and protagonist, offers up for scrutiny the events of his checkered life and the substance of his diverse opinions. His narrative begins at the age of 15 at his family's Colombian countryside villa, when he simultaneously discovers that he is wealthy and that kisses are not shared only with the lips. Six decades later in Vienna, the story culminates with his marriage to the delectable Cunegonde Bonaventura, his erstwhile secretary and transcriber of his memoirs.
'Oblivion' is a memorial to the author's father, Hector Abad Gomez, whose criticism of the Colombian regime led to his murder by paramilitaries in 1987."
A book of ambiguous genre and delicate, playful wisdom, Recipes for Sad Women is not a novel and not a cookbook. But should you wish to know what food to prepare in the case of sobbing or of nervousness, what the closest thing to dinosaur meat is (and therefore the best remedy for guilt), or what to eat when you are perfectly healthy and enjoying reciprocated love, you will find no better collection of recipes on the market. An acclaimed novelist, essayist, journalist and translator, Abad's eccentric, sensual and wry guide is neither unserious, nor entirely plausible in its advice. Elegant, melancholic, funny and full of morsels of insight, it is deftly and movingly instructional on the proper appreciation of sadness.
Oblivion is a heartbreaking tribute to the author's father, Hector Abad Gomez, whose criticism of the Colombian regime led to his murder by paramilitaries in 1987. Twenty years in the writing, it paints an unforgettable picture of a man who followed his conscience and paid for it with his life during one of the darkest periods in Latin America's recent history. Transcending the political, it also shines as one of the most exquisitely written accounts of profound love between a father and son that modern literature has to offer.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Closely knit Colombian siblings' internal rifts threaten to tear apart the hard-won legacy their father fought to establish against guerilla and paramilitary violence. An intimate and transgressive novel that confirms Héctor Abad as one of the great writers of Latin American literature today. Pilar, Eva, and Antonio Ángel are the last heirs of La Oculta, a farm hidden in the mountains of Colombia. The land has survived several generations. It is the landscape of their happiest memories but it is also where they have had to face the siege of violence and terror, restlessness and flight. In The Farm, Héctor Abad illuminates the vicissitudes of a family and of a people, as well as of the voices of these three siblings, recounting their loves, fears, desires, and hopes, all against a dazzling backdrop. We enter their lives at the moment when they are about to lose the paradise on which they built their dreams and their reality.
Aguliar returns home after a four-day business trip to discover that his beloved wife has gone mad. Desperate to rescue Agustina from her sudden, devastating insanity, Aguliar delves back into her shadowy past. Other narratives are intertwined with his frantic search for the truth; that of Midas, a flamboyant drug-trafficker and Agustina's former lover, and Agustina's splintered memories of her own troubled childhood. The key to her madness lies buried deep in a Colombian story of money, power and corruption.
In the years since his death in 1993, Colombian drug lord Pablo Escobar has become a globally recognized symbol of crime, wealth, power, and masculinity. In this long-overdue exploration of Escobar’s impact on popular culture, Aldona Bialowas Pobutsky shows how his legacy inspired the development of narcoculture—television, music, literature, and fashion representing the drug-trafficking lifestyle—in Colombia and around the world. Pobutsky looks at the ways the “Escobar brand” surfaces in bars, restaurants, and clothing lines; in Colombia’s tourist industry; and in telenovelas, documentaries, and narco memoirs about his life, which in turn have generated popular interest in other...
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.