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Searching for Cioran
Ilinca Zarifopol-Johnston's critical biography of the Romanian-born French philosopher E. M. Cioran focuses on his crucial formative years as a mystical revolutionary attracted to right-wing nationalist politics in interwar Romania, his writings of this period, and his self-imposed exile to France in 1937. This move led to his transformation into one of the most famous French moralists of the 20th century. As an enthusiast of the anti-rationalist philosophies widely popular in Europe during the first decades of the 20th century, Cioran became an advocate of the fascistic Iron Guard. In her quest to understand how Cioran and other brilliant young intellectuals could have been attracted to such passionate national revival movements, Zarifopol-Johnston, herself a Romanian emigré, sought out the aging philosopher in Paris in the early 1990s and retraced his steps from his home village of Rasinari and youthful years in Sibiu, through his student years in Bucharest and Berlin, to his early residence in France. Her portrait of Cioran is complemented by an engaging autobiographical account of her rediscovery of her own Romanian past.
On the Heights of Despair
It presents us with the youthful Cioran, who described himself as "a Nietzsche still complete with his Zarathustra, his poses, his mystical clown's tricks, a whole circus of the heights." It also presents Cioran as a connoisseur of apocalypse, a theoretician of despair. For Cioran, writing and philosophy are closely related to physical suffering: both share the "lyrical virtues" that alone lead to metaphysical revelation. The result is a book that becomes a substitute for as well as an antidote to suicide. By enacting the struggle of the Romantic soul against God, the universe, and itself, Cioran releases a saving burst of lyrical energy that carries him safely out of his desperation. On the Heights of Despair shows the philosopher's first grappling with themes he would return to in his mature works: despair and decay, absurdity and alienation, futility and the irrationality of existence.
Tears and Saints
"(Cioran's) statements have the compression of poetry and the audacity of cosmic clowning".--WASHINGTON POST. In TEARS AND SAINTS, Cioran touches on nearly all the themes that would preoccupy the writer over the course of his career. Self-consciously perverse, this collection will fascinate anyone interested in saints, mysticism, philosophy, the history of Christianity, or the ultimate strangeness of the sacred.
To Kill a Text
Ilinca Zarifopol-Johnston's book traces the covert manifestations of Hugo's romantic notion of the novel through later French and English realism, arguing that the anachronistic traces of past literary periods are always at work defining the aims of the present, no matter how radical a new departure it seems or tries to be.
Tonight and Always
AVAILABLE DIGITALLY FOR THE FIRST TIME At just twenty-five, Kasey Wyatt is already at the top of her field - a renowned anthropologist specialising in Native American culture. So when bestselling author Jordan Taylor hires her to help research his next novel she comes prepared for long hours of work and discussion. What she gets is something much more unexpected - a passionate affair that takes them both by surprise. Can it bloom into something much deeper? Includes a preview of Nora Roberts' latest novel, Dark Witch
The Serpent Prince
WHEN THE DEVIL MEETS AN ANGEL Country bred Lucy Craddock-Hayes is content with her quiet life. Until the day she trips over an unconscious man - a naked unconscious man - and loses her innocence forever. HE CAN TAKE HER TO HEAVEN Viscount Simon Iddesleigh was nearly beaten to death by his enemies. Now he's hell-bent on vengeance. But as Lucy nurses him back to health, her honesty startles his jaded sensibilities - even as it ignites a desire that threatens to consume them both. OR TO HELL Charmed by Simon's sly wit, urbane manners, and even his red-heeled shoes, Lucy falls hard and fast for him. Yet as his honor keeps him from ravishing her, his revenge sends his attackers to her door. As Simon wages war on his foes, Lucy wages her own war for his soul using the only weapon she has - her love.
All Gall Is Divided
Now in paperback, an "antidote to a world gone mad for bedside affirmation" (Washington Post). E. M. Cioran has been called the last worthy disciple of Nietzsche and "a sort of final philosopher of the Western world" who "combines the compassion of poetry and the audacity of cosmic clowning" (Washington Post). All Gall Is Divided is the second book Cioran published in French after moving from his native Romania and establishing himself in Paris. It revealed him as an aphorist in a long tradition descending from the ancient Greeks through La Rochefoucault but with a gift for lacerating, subversively off-kilter insights, a twentieth-century nose for the absurdities of the human condition, and ...
Tears
In Tears, the author explores theoretical issues raised by the intersection of philosophy, literature, art, architecture, and theology. The critical accounts of thinkers like Derrida, Blanchot, Jabès, Kierkegaard, Hegel, Heidegger, Ricoeur, Gadamer, Austin, Ayre, Rorty, Tillich, Barth, and Altizer developed in this book effectively reshape and refocus the terms of current debate.
A Short History of Decay
E. M. Cioran confronts the place of today's world in the context of human history—focusing on such major issues of the twentieth century as human progress, fanaticism, and science—in this nihilistic and witty collection of aphoristic essays concerning the nature of civilization in mid-twentieth-century Europe. Touching upon Man's need to worship, the feebleness of God, the downfall of the Ancient Greeks and the melancholy baseness of all existence, Cioran's pieces are pessimistic in the extreme, but also display a beautiful certainty that renders them delicate, vivid, and memorable. Illuminating and brutally honest, A Short History of Decay dissects Man's decadence in a remarkable series of moving and beautiful pieces.
The New Gods
Dubbed “Nietzsche without his hammer” by literary critic James Wood, the Romanian philosopher E. M. Cioran is known as much for his profound pessimism and fatalistic approach as for the lyrical, raging prose with which he communicates them. Unlike many of his other works, such as On the Heights of Despair and Tears and Saints, The New Gods eschews his usual aphoristic approach in favor of more extensive and analytic essays. Returning to many of Cioran’s favorite themes, The New Gods explores humanity’s attachment to gods, death, fear, and infirmity, in essays that vary widely in form and approach. In “Paleontology” Cioran describes a visit to a museum, finding the relatively pede...
