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Anne Tyng
Anne Tyng: Inhabiting Geometry presents the sculptural works of the visionary architect, theorist, and pioneer of habitable space-frame architecture. After working closely with Louis Kahn and influencing many of his major works, Tyng went on to independently conduct a life-long study of advanced geometry, mathematical forms, and their application to built forms in a range of scales. The 2011 exhibition, presented at the Institute of Contemporary Art Philadelphia and Graham Foundation in Chicago, featured room-size models of five platonic solids created in collaboration with architect Srdjan Weiss. Project Projects designed a catalogue with documentation from both installations, in addition to supplementary materials, including drawings, plans, models, and an illustrated timeline of Tyng's significant life and work.
Dance with Camera
Edited by Jenelle Porter. Text by Jenelle Porter, Edwin Denby, Shirley Clarke, Yvonne Rainer, Charles Atlas, et al.
Annual Report
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
Jason Rhoades
This volume examines the remarkable legacy of Jason Rhoades's complex body of work. The Los Angeles-based sculptor Jason Rhoades was widely celebrated for sprawling, ambitious, and daring installations, editions, and events prior to his untimely death in 2006. Although he was far better known in Europe than America, many of Rhoades's peers considered him to be one of the most important artists of his generation. In his work, cultural touchstones ranged from high to low, including the artists Marcel Duchamp, Donald Judd, and Paul McCarthy, race-car driver Ayrton Senna, actor Kevin Costner, the big bang, Swedish erotica, and the California gold rush. This volume, accompanying the first US surv...
Colored People Time
Artworks, essays and poetry explore the racial implications of capitalist temporalities In 2019, the Institute of Contemporary Art at the University of Pennsylvania presented the experimental exhibition Colored People Time. Divided into three chapters--Mundane Futures, Quotidian Pasts, Banal Presents--it used the Black vernacular phrase "Colored People's Time" (CPT) to explore the ways that dominant notions of time have been used to control and condemn Black people. CPT names a political performance by Black people to evade and ridicule the enforcement of punctuality and productivity. Alongside reproductions of historical objects from the Black Panther Party, Sutton E. Griggs, the National I...
Sarah McEneaney
Essays by Ingrid Schaffner, Elyse Gonzales, Eileen Neff and Rob Nixon. Foreword by Claudia Gould.
