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A Critical Companion to Christopher Nolan
A Critical Companion to Christopher Nolan provides a wide-ranging exploration of Christopher Nolan's films, practices, and collaborations. From a range of critical perspectives, this volume examines Nolan's body of work, explores its industrial and economic contexts, and interrogates the director's auteur status. This volume contributes to the scholarly debates on Nolan and includes original essays that examine all his films including his short films. It is structured into three sections that deal broadly with themes of narrative and time; collaborations and relationships; and ideology, politics, and genre. The authors of the sixteen chapters include established Nolan scholars as well as academics with expertise in approaches and perspectives germane to the study of Nolan's body of work. To these ends, the chapters employ intersectional, feminist, political, ideological, narrative, economic, aesthetic, genre, and auteur analysis in addition to perspectives from star theory, short film theory, performance studies, fan studies, adaptation studies, musicology, and media industry studies.
The Roots of Organic Development
The development of organic intermediates requires high performance and original technologies. This book reviews recent work on some fifteen basic technologies in intermediates development including; hydrogenation, fluorination, chlorination, nitration, enzymatic catalysis, hydroxylation, alkylation, carboxylation and the Friedel Crafts reaction. Problems and industrial constraints involved in industrial development are highlighted from a research viewpoint and new technologies with potential for use in industry, particularly catalyst-based technologies clean chemical processes, are described. A chapter dealing with reviews on sodium amidure and polymerisation inhibitors is included.
Le cinéma et ses objets
Basées sur les méthodes d'analyse de films, des études sur les objets, les accessoires, les appareils, les effets dans le cinéma anglophone.
A Critical Companion to David Fincher
The thirteen chapters in this collection analyze David Fincher’s development as a filmmaker, from television commercials and music videos to serving as front runner on the series Mindhunter. The contributors explore a variety of characteristics, including Fincher’s attitudes toward his audiences, his attention to detail, his Gothic sense of evil, his modernization of film noir, and his reinvention of the serial killer. The diversity of approaches highlights the paradoxes of Fincher’s films and style, accentuating the tensions between his innovative methods and storytelling and unpacking the perennial questions of love, life, and death that his films raise. Scholars of film, television, and media will find this book especially salient.
Index of Patents Issued from the United States Patent and Trademark Office
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Official Gazette of the United States Patent and Trademark Office
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