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Today, Percy Bysshe Shelley is an emblem of the Romantic movement and one of the lights of English culture--his poems memorized by schoolchildren, his life honored with a memorial in Westminster Abbey's Poets' Corner. That wasn't always the case, however. In his own day, Shelley was widely loathed, seen as an immoral atheist and a traitor to his class for his revolutionary politics. His work was damned as well, receiving scathing reviews rooted as much in disapproval of his politics and personal life as in the verse itself. That's the Shelley that Jacqueline Mulhallen brings to life in this accessible, political biography: the Shelley who, though writing when the working class was in its inf...
Every week it seems there is a fresh scandal involving abhorrent, racist, misogynist behaviour by police officers. Yet these are the very people women are supposed to approach for help when faced with violence. And many feminists, hoping to use the criminal justice system to protect women, fight for stronger laws and longer sentences for those who harm them. Why Would Feminists Trust the Police? traces the history of British feminism's alliances and struggles with the law and its enforcers. Drawing on the legacy of Black British feminism, Leah Cowan reminds us of the vibrant and creative alternatives envisioned by those who have long known the truth: the police aren't feminist, and the law does not keep women safe.
Eternity in British Romantic Poetry explores the representation of the relationship between eternity and the mortal world in the poetry of the period. It offers an original approach to Romanticism that demonstrates, against the grain, the dominant intellectual preoccupation of the era: the relationship between the mortal and the eternal. The project's scope is two-fold: firstly, it analyses the prevalence and range of images of eternity (from apocalypse and afterlife to transcendence) in Romantic poetry; secondly, it opens up a new and more nuanced focus on how Romantic poets imagined and interacted with the idea of eternity. Every poet featured in the book seeks and finds their uniqueness i...
Exploring the Lives of Women, 1558-1837' is an engaging and lively collection of original, thought-provoking essays. Its route from Lady Jane Greys nine-day reign to Queen Victorias accession provides ample opportunities to examine complex interactions between gender, rank, and power. Yet the books scope extends far beyond queens: its female cast includes servants, aristocrats, literary women, opera singers, actresses, fallen women, athletes and mine workers.The collection explores themes relating to female power and physical strength; infertility, motherhood, sexuality and exploitation; creativity and celebrity; marriage and female friendship. It draws upon a wide range of primary materials...
This is the biography of Sylvia Pankhurst. A promising art student, she became involved in the Suffragette movement and was especially keen to take the cause to the East End of London. Much of her life was devoted to the causes of anti-fascism, anti-imperialism and the independence of Ethiopia.
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 — a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms — not just tragedy and comedy, bu...
This companion explores a range of conceptual and practical relationships between sound and space across various disciplines, providing insights from technical, creative, cultural, political, philosophical, psychological, and physiological perspectives. The content spans a wide range of spatial typologies, from large reverberant buildings to modest and intimate ones, from external public squares to domestic interiors, and from naturally formed environments to highly engineered spaces. These compiled insights and observations explore the vast diversity of ways in which sonic and spatial realms interact. This publication therefore forms important bridges between the intricate and diverse topic...
This critical edition of the working notes for Dombey and Son (1848) is ideal for readers who wish to know more about Charles Dickens’s craft and creativity. Drawing on the author’s manuscript in the Victoria and Albert Museum, London—and containing hyperlinked facsimiles—Dickens’s Working Notes for Dombey and Son offers a new digital transcription with a fresh commentary by Tony Laing. Unique and innovative, this is the only edition to make Dickens’s working methods visible. John Mullan has called Dombey and Son Dickens’s 'first great novel.' Set amid the coming of the railways, it tells the story of a powerful man—typical of the commercial and banking magnates of the period...
This book visits the Romantic legacy that was central to the development of literature and culture from the 1830s onward. Although critical accounts have examined aspects of this long history of indebtedness, this is the first study to survey both Nineteenth and Twentieth century culture. The authors consider the changing notion of Romanticism, looking at the diversity of its writers, the applicability of the term, and the ways in which Romanticism has been reconstituted. The chapters cover relevant historical periods and literary trends, including the Romantic Gothic, the Victorian era, and Modernism as part of a dialectical response to the Romantic legacy. Contributors also examine how Rom...