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"Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.
European sculptors of the Neoclassical period often modelled their works in clay before producing finished pieces in marble. This book offers a comprehensive overview of Neoclassical terracotta models by European artists, featuring the works of0. Pajou, Houdon, and Canova, among many others.
Small medals to a monumental palace frieze, all of which present an indelibly Tuscan brand of rustic classicism. Beginning with a survey of Bertoldo's career, James David Draper sheds new light on Medici patronage and on the efforts of Renaissance artists to formulate the period's humanist values in visual terms. He examines in depth the nature of the informally organized "academy" of young artists, including Michelangelo, who are believed to have gathered under.
This volume and the exhibition it accompanies bring together eighty of the finest masterpieces in the collection of the Calouste Gulbenkian Museum, Lisbon. All of the works of art are richly illustrated in color and described in authoritative texts by the curators of the Gulbenkian Museum. These magnificent pieces, which reflect the renowned art collector Calouste Gulbenkian's eclectic taste, include paintings by Rubens, Fragonard, Gainsborough, Turner, and Manet; silver from services created for the nobility of Russia and Western Europe; Roman medallions; Ottoman ceramics; Japanese lacquerware; jewelry by Lalique; and books and textiles from both East and West. These works of art offer dazz...
This beautiful book features masterpieces of sculpture in the collection of the Metropolitan Museum dating from the Renaissance through the nineteenth century. Celebrated works by the great European sculptors - including Luca and Andrea della Robbia, Juan Mart©Ưnez Monta©ł©♭s, Gianlorenzo Bernini, Jean-Antoine Houdon, Bertel Thorvaldsen, Antoine-Louis Barye, Jean-Baptiste Carpeaux, Edgar Degas, and Auguste Rodin- are joined by striking new additions to the collection, notably Franz Xaver Messerschmidt's remarkable bust of a troubled and introspective man. The ninety-two selected examples are diverse in media (marble, bronze, wood, terracotta, and ivory) and size - ranging from a tiny oil lamp fantastically conceived and decorated by the Renaissance bronze sculptor Riccio to Antonio Canova's eight-foot-high Perseus with the Head of Medusa, executed in the heroic Neoclassical style. Incorporating information from the latest scholarly research and recent conservation studies, sculpture specialist Ian Wardropper discusses the history and significance of the highlighted works, each of which is reproduced with glorious new photography.
This book provides an overview of the bronze sculpture produced in France from the 16th to 18th centuries. Works by major sculptors such as Goujon, Pilon, Prieur, Anguier, Puget, Girardon, Desjardins, Coysevox, Le Loraain, Bertrand, Cafferi, Pigalle, and Houdon represent a spectacular phase of French art and history ranging from the Renaissance through Neoclassicism up to the French Revolution.
Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. Yet until now, Houdon's exquisite sculptures have never been the subject of a major exhibition. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and whi...
including the present towns of Wakefield, Reading, and North Reading, with chronological and historical sketches, from 1639 to 1874
Every two years the fall issue of The Met's quarterly Bulletin celebrates notable recent acquisitions and gifts to the collection. Highlights of Recent Acquisitions 2020–2022 include the Mantuan Roundel by Gian Marco Cavalli, a recently rediscovered tour de force from the early Renaissance; the archive of photographer James Van Der Zee, one of the most celebrated chroniclers of Black life in New York City during the Harlem Renaissance; a pair of sculptures by the renowned contemporary American artist Robert Gober; Thomas Sully’s magisterial portrait of Queen Victoria; and Poussin’s Agony in the Garden, one of only two accepted works by the artist in oil on copper. This publication also honors the many generous contributions from donors that make possible the continued growth of The Met collection.