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"In this new book, James P. Carley, a leading scholar in the emerging field of book history, describes Henry VIII's libraries and shows their key role in providing a more intimate understanding of this seemingly familiar monarch and his consorts. The books of the wives, moreover, show them to have been as independent and innovative as the king himself. The extensive illustrations allow us to examine both the bindings and the contents of the collection, and also provide us with examples of his immediate voice in the form of the marginalia that he inserted into his books."--BOOK JACKET.
This book focuses on how and why various cultures have appropriated the story of King Arthur. It is about re-vision, how cultures alter inherited texts and are, in turn, changed by them, and it deals with the ways in which various cultures have empowered the Arthurian legend so that power might be derived from it. The authors suggest that the vitality of the Arthurian legend resides in its ability to be transformed and to transform, in its potential for appropriation and use. Culture and the King deals with issues of literature, history, art, politics, economics, gender study, and popular culture. It crosses the boundaries traditionally erected around these disciplines and addresses emerging critical methodologies concerned with the "poetics of culture."
John of Glastonbury's chronicle represents an attempt to summarise the lore and learning about Glastonbury Abbey and its past available in the fourteenth century, a body of knowledge which changed very little before the Reformation. The author drew on a large number of sources and edited these skilfully to form his narrative, while preserving the earlier text almost intact. The result is the fullest medieval account of the abbey and its legends. A translation is included, which makes the important text available in English for the first time, and the whole volume is designed as a companion to John Scott's edition and translation of William of Malmesbury's twelfth-century account of the abbey's history.
Equipped with some sort of commission from Henry VIII, John Leland began to record the contents of English monastic libraries in 1533 and carried on until 1536 or shortly after, when the first dissolutions occurred. His booklists were compiled in preparation for his comprehensive dictionary of British writers entitled De uiris illustribus. This remarkable document, a proto Dictionary of National Biography, lay incomplete at Leland's death. The sole extant witness is the autograph manuscript, now Oxford, Bodleian Library, MS Top. gen. c. 4. Although antiquaries made use of De uiris illustribus over the next generations it did not see its way into print until 1709 when Anthony Hall produced a ...
King Arthur is arguably the most recognizable literary hero of the European Middle Ages. His stories survive in many genres and many languages, but while scholars and enthusiasts alike know something of his roots in Geoffrey of Monmouth's Latin History of the Kings of Britain, most are unaware that there was a Latin Arthurian tradition which extended beyond Geoffrey. This collection of essays will highlight different aspects of that tradition, allowing readers to see the well-known and the obscure as part of a larger, often coherent whole. These Latin-literate scholars were as interested as their vernacular counterparts in the origins and stories of Britain's greatest heroes, and they made their own significant contributions to his myth.
This volume is made up of five volumes of books associated with Henry VIII: one (H1) undertaken by an unnamed Frenchman at Richmond Palace in 1535, the second (H2) part of a general inventory at Westminster Palace in 1542. the third (H3) an account from the King's Printer Thomas Berthelet for the years 1541-43, the fourth (H4) a select list of books in the royal library seen by John Bale c.1548, and finally (H5) book titles extracted from the post-mortem inventories of Henry VIII's palaces. Using the evidence of inventory numbers in surviving books, moreover, it has been possible to recreate a lost list of more than 500 books which were brought to Westminster (primarily from Hampton Court an...
Examining the origins of the Arthurian legend and major trends in the portrayal of Arthur from the Middle Ages to the present, this collection focuses on discussion of literature written in English, French, Latin, and German. Its 16 essays, four published here for the first time, deal with such matters as the search for the historical Arthur; the depiction of Arthur in the romances Erec and Iwein of Hartmann von Aue; the way Arthur is depicted in 19th-century art and the Victorian view of manhood; and conceptions of King Arthur in 20th-century literature. Six of the essays, originally published in French and German, are translated into English especially for this book. Two essays have been s...
Francis Lovell is without a doubt the most famous - if not the only famous - Lovell of Titchmarsh. In 1483 he was he was made a viscount by Edward IV, the first Lovell to be raised into the titled nobility. He is most famous for being the chamberlain and close friend of Richard III, the 'dog' of William Collingbourne's famous doggerel. Though Francis Lovell is the best known member of his family, the Lovells were an old aristocratic family, tracing their roots back to eleventh-century Normandy. Aside from the Battle of Hastings, a Lovell can be found at virtually all important events in English history, whether it was the crusade of Richard I, the Battle of Lewes, the siege of Calais, the La...
"The present volume [3] is the first to appear of the five that will comprise The Oxford History of Classical Reception in English Literature (henceforth OHCREL). Each volume of OHCREL will have its own editor or team of editors"--Preface.
Review: "In this groundbreaking new biography, G.W. Bernard offers a fresh portrait of one of England's most captivating queens. Through a wide-ranging forensic examination of sixteenth-century sources, Bernard reconsiders Boleyn's girlhood, her experience at the French court, the nature of her relationship with Henry and the authenticity of her evangelical sympathies. He depicts Anne Boleyn as a captivating, intelligent and highly sexual woman whose attractions Henry resisted for years until marriage could ensure legitimacy for their offspring." "He shows that it was Henry, not Anne, who developed the ideas that led to the break with Rome. And, most radically, he argues that the allegations of adultery that led to Anne's execution in the Tower could he close to the truth."--BOOK JACKET