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Polkabilly
A freewheeling blend of continental European folk music and the songs, tunes, and dances of Anglo and Celtic immigrants, polkabilly has enthralled American musicians and dancers since the mid-19th century. From West Virginia coal camps and east Texas farms to the Canadian prairies and America's Upper Midwest, scores of groups have wed squeezeboxes with string bands, hoe downs with hambos, and sentimental Southern balladry with comic "up north" broken-English comedy, to create a new and uniquely American sound. The Goose Island Ramblers played as a house band for a local tavern in Madison, Wisconsin from the early 1960s through the mid-1970s. The group epitomized the polkabilly sound with the...
Down Home Dairyland
Drawing on decades of research, folklorists Jim Leary and Richard March have distilled a definitive presentation of Upper Midwestern traditional and ethnic music, from Ojibwa drums to Norwegian fiddles, from polka to salsa, from gospel choirs to southeast Asian rock bands. The book Down Home Dairyland: A Listener’s Guide provides a wonderful overview of Wisconsin’s musical heritage through forty essays, fifty-seven photographs, plus a rich discography and bibliography. Both the cassette and the music CD sets provide samplings from the Down Home Dairyland series of forty half-hour radio programs on Wisconsin Public Radio. These audio collections include interviews with traditional musicians, sample sound recordings, and discussion of the patterns of musical styles in the region. Distributed for the Center for the Study of Upper Midwestern Cultures, University of Wisconsin–Madison.
The Routledge Guidebook to James’s Principles of Psychology
The Routledge Guidebook to James’s Principles of Psychology is an engaging and accessible introduction to a monumental text that has influenced the development of both psychological science and philosophical pragmatism in important and lasting ways. Written for readers approaching William James’s classic work for the first time as well as for those without knowledge of its entire scope, this guidebook not only places this work within its historical context, it provides clear explications of its intertwined aspects and arguments, and examines its relevance within today’s psychology and philosophy. Offering a close reading of this text, The Routledge Guidebook to James’s Principles of Psychology is divided into three main parts: • Background • Principles • Elaborations. It also includes two useful appendices that outline the sources of James’s various chapters and indicate the parallel coverages of two later texts written by James, an abbreviated version of his Principles and a psychological primer for teachers. This is essential reading for anyone who wants to understand this influential work.
Wisconsin Talk
Wisconsin is one of the most linguistically rich places in North America. It has the greatest diversity of American Indian languages east of the Mississippi, including Ojibwe and Menominee from the Algonquian language family, Ho-Chunk from the Siouan family, and Oneida from the Iroquoian family. French place names dot the state's map. German, Norwegian, and Polish—the languages of immigrants in the nineteenth and early twentieth centuries—are still spoken by tens of thousands of people, and the influx of new immigrants speaking Spanish, Hmong, and Somali continues to enrich the state's cultural landscape. These languages and others (Walloon, Cornish, Finnish, Czech, and more) have shaped...
Pinery Boys
A newly annotated edition of a landmark 1926 collection of lumberjack songs, augmented by a biography of pioneering song collector Franz Rickaby and additional songs that he collected.
Ole Hendricks and His Tunebook
Ole Hendricks was an immigrant both representative and exceptional—a true artistic talent who nevertheless lived a familiar immigrant experience. By day, he was a farmer. But at night, his fiddle lit up dance halls, bringing together all manner of neighbors in rural Minnesota. Each tune in his repertoire of waltzes, reels, polkas, quadrilles, and more were copied neatly into his commonplace book. Such tunebooks, popular during the nineteenth century, rarely survive and are often overlooked by folk scholars in favor of commercially produced recordings, published sheet music, or oral tradition. Based on extensive historical and genealogical research, Amy Shaw presents a grounded picture of a musician, his family, and his community in the Upper Midwest, revealing much about music and dance in the area. This notable contribution to regional music and folklore includes more than one hundred of Ole's dance tunes, transcribed into modern musical notation for the first time. Ole Hendricks and His Tunebook will be valuable to readers and scholars interested in ethnomusicology and the Norwegian American immigrant experience.
Deblurring Images
Describes the deblurring algorithms and techniques collectively known as spectral filtering methods, in which the singular value decomposition, or a similar decomposition with spectral properties, is used to introduce the necessary regularization or filtering in the reconstructed image. The concise MATLAB® implementations described in the book provide a template of techniques that can be used to restore blurred images from many applications.
Bloodstoppers & Bearwalkers
Remote and rugged, Michigan's Upper Peninsula (fondly known as "the U.P.") has been home to a rich variety of indigenous peoples and Old World immigrants--a heritage deeply embedded in today's "Yooper" culture. Ojibwes, French Canadians, Finns, Cornish, Poles, Italians, Slovenians, and others have all lived here, attracted to the area by its timber, mineral ore, and fishing grounds. Mixing local happenings with supernatural tales and creatively adapting traditional stories to suit changing audiences, the diverse inhabitants of the U.P. have created a wealth of lore populated with tricksters, outlaws, cunning trappers and poachers, eccentric bosses of the mines and lumber camps, "bloodstopper...
The Accordion in the Americas
This collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneon and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde.
