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Set mainly in a remote westerly tip of Ireland in the 1940s and '50s, this stunning new novel from one of Canada's bestselling authors is at once intimate and epic in scope. Tam, an Englishwoman, has been living in this harshly beautiful region since shortly after World War II, in which she served as an auxiliary pilot. She is now leaving her lover, Niall, who, like his father before him, is a meteorologist. On her way to New York, the airliner she is traveling on becomes grounded by heavy fog at Gander Airport in Newfoundland. As she waits for the fog to clear, she notices an enigmatic mural that moves her to revisit not only the circumstances that brought her to Ireland but her intense rel...
Set in the first half of the twentieth century, but reaching back to Bavaria in the late nineteenth century, The Stone Carvers weaves together the story of ordinary lives marked by obsession and transformed by art. At the centre of a large cast of characters is Klara Becker, the granddaughter of a master carver, a seamstress haunted by a love affair cut short by the First World War, and by the frequent disappearances of her brother Tilman, afflicted since childhood with wanderlust. From Ontario, they are swept into a colossal venture in Europe years later, as Toronto sculptor Walter Allward's ambitious plans begin to take shape for a war memorial at Vimy, France. Spanning three decades, and moving from a German-settled village in Ontario to Europe after the Great War, The Stone Carvers follows the paths of immigrants, labourers, and dreamers. Vivid, dark, redemptive, this is novel of great beauty and power.
The Underpainter is a novel of interwoven lives in which the world of art collides with the realm of human emotion. It is the story of Austin Fraser, an American painter now in his later years, who is haunted by memories of those whose lives most deeply touched his own, including a young Canadian soldier and china painter and the beautiful model who becomes Austin’s mistress. Spanning decades, the setting moves from upstate New York to the northern shores of two Great Lakes; from France in World War One to New York City in the ’20s and ’30s. Brilliantly depicting landscape and the geography of the imagination, The Underpainter is Jane Urquhart’s most accomplished novel to date.
Jane Urquhart has published three books of poetry, a collection of short stories and five best-selling novels. Her fiction has won many honours including Canada's 1997 Governor General's Award, and France's prestigious Prix du Meilleur Livre Etranger. She lives in Ontario, Canada. The essays in this book investigate Jane Urquhart's interweaving of historical events, myth, folk tales, journeys and landscape with her acute perceptions of memory and self-transformation. The many critical voices in this collection invite readers to consider Jane Urquhart's very special vision of the world, one made up of migrations, dreams, spiritual quests and prophecy. Along with an interview with Urquhart recorded by the editor, there are essays by David Staines, Allan Hepburn, T.F. Rigelhof, Mary Conde, Caterina Ricciardi, John Moss, Marlene Goldman and Anne Compton.
Two worlds are intertwined in this hauntingly beautiful story as it moves from Toronto to the English moors and to Venice, Italy. The time frame shifts between present and past, linking the lives of a young Brontë scholar (a woman in the throes of a troubled love affair), a turn-of-the-century female balloonist, and an elusive explorer with the ghost - or the memory - of Emily Brontë. Urquhart reveals something about the act of artistic creation, the ways in which stories enter our lives, and about the cyclical nature of love throughout time. This is a novel of darkness and light, of intense weather and inner calm.
A stunning, evocative novel set in Ireland and Canada, Away traces a family’s complex and layered past. The narrative unfolds with shimmering clarity, and takes us from the harsh northern Irish coast in the 1840s to the quarantine stations at Grosse Isle and the barely hospitable land of the Canadian Shield; from the flourishing town of Port Hope to the flooded streets of Montreal; from Ottawa at the time of Confederation to a large-windowed house at the edge of a Great Lake during the present day. Graceful and moving, Away unites the personal and the political as it explores the most private, often darkest corners of our emotions where the things that root us to ourselves endure. Powerful, intricate, lyrical, Away is an unforgettable novel.
This stunning collection of 60 stories--over a century's worth of the best Canadian literature by an extraordinary array of our finest writers--has been selected and is introduced by award-winning writer Jane Urquhart. Urquhart's selection includes stories by major literary figures such as Mavis Gallant, Carol Shields, Alistair MacLeod, and Margaret Atwood, and wonderful stories by younger writers, including Dennis Bock, Joseph Boyden, and Madeleine Thien. This collection is uniquely organized into five parts: the immigrant experience, urban life, family drama, fantasy and metaphor, and celebrating the past.
It's summer 1889, a season of reckless stunts and river casualities in Niagara Falls. Four lives become entangled by the whirlpool at the Falls and the woods surrounding it. Darker and more sinister currents gain momentum and ultimately release them from their obsessions.
Alice Munro hails Urquhart's "most compelling depiction of the sense of place in human lives." "Urquhart's writing is poetic, in the sense that it is beautifully compact and restrained when describing the most powerful emotions," says The Times. The author Claire Messud praises her as having "a great gift for the historical novel, for the melding of ideas, events and individuals into a significant whole." In Sanctuary Line Urquhart has created a nuanced and moving novel about family legacies, love, and betrayal. Solitary, nostalgic Liz Crane returns to her family's now-deserted farmhouse--once the setting for countless happy summers spent on the northern shore of Lake Erie--to study the migr...
With stunning virtuosity, the stories in Jane Urquhart’s dazzling first book of fiction unearth universal truths as they reach across countries and eras. A woman runs away to a cottage in the English moors to escape a love affair; shards of glass reconcile a middle-aged wife to her husband’s estrangement; a grandmother makes a startling confession from her youth; a young woman discovers herself through the life of an Italian saint; and, in a spellbinding story of artistic jealousy, we enter the mind of poet Robert Browning at the end of his life. In these beautifully crafted stories, ordinary objects brim with meaning and memories radiate with significance as Jane Urquhart illuminates the things that lie just beneath the surface of our lives.