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Leidenspraktiken
Das selbstgewählte, ja lustvolle Leid ist im 21. Jahrhundert mehr denn je verbreitet und in seiner sublimierten Form integraler Bestandteil der modernen, auf Selbstoptimierung trainierten Gesellschaft. Ihren Ursprung finden diese Leidenspraktiken in den psychoanalytischen Theorien zum Masochismus. In diesen entstehen zum einen die ethischen Voraussetzungen, die das selbstgewählte Leid für das Bürgertum legitimieren sollen. Zum anderen entstehen aber auch Bilder, Szenen und Narrative, die das selbstgewählte Leid zum Gegenstand ästhetischer Vermittlung erklären und in denen es bis heute Karriere macht. Denn die sexuellen Dimensionen dieses Leides sind lediglich ein untergeordneter, ja im Grunde genommen der unwichtigste Aspekt in einem komplexen sowohl ethisch begründeten als auch ästhetisch angelegten Arrangement von lang eingeübten Praktiken, die von den Texten dieses Heftes beleuchtet werden.
Hybrid Entrepreneurship
The preponderance of research regards entrepreneurial entry as a dichotomous choice between paid employment and entrepreneurship. Most classic models on the emergence of entrepreneurship either neglect or exclude the opportunity of engaging in both occupations at the same time. This view stands in contrast to increasing evidence that the majority of firm entry around the world occurs by individuals who simultaneously engage in paid employment and self-employment, an entry mode which has been termed hybrid entrepreneurship. 58% of all start-ups in Sweden have been found to be started in hybrid entrepreneurship and even in R&D-pursuing start-ups in Germany, this type of business entry represen...
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This volume uses theories of circulation to analyze the development of European secular and religious drama. It explores the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational
Poetics and Politics
Far from teleological historiography, the pan-European perspective on Early Modern drama offered in this volume provides answers to why, how, where and when the given phenomena of theatre appear in history. Using theories of circulation and other concepts of exchange, transfer and movement, the authors analyze the development and differentiation of European secular and religious drama, within the disciplinary framework of comparative literature and the history of literature and concepts. Within this frame, aspects of major interest are the relationship between tradition and innovation, the status of genre, the proportion of autonomous and heteronomous creational dispositions within the artef...
Entrepreneurial Universities
This book explores the idea of the ‘Entrepreneurial University’ within the institutional environment that focuses on the production, dissemination, and exploitation of knowledge. Keeping its gaze firmly on the constitutive elements of the knowledge-based institutional environment – the key actors and their interactions – the book makes important theoretical and empirical contributions to the burgeoning literature on academic entrepreneurship. The contributing chapters in the book draw insights from a range of disciplines including history, institutional and evolutionary economics, strategic management, entrepreneurship, and innovation studies to explore how institutions can create new business opportunities in turbulent times. This interdisciplinary approach has generated a rich and diverse set of insights on the idea of Entrepreneurial Universities for students, researchers, practitioners and policymakers interested in innovation and technology studies, entrepreneurship, and knowledge management.
The Transformative Power of Performance
In this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics. The peculiar mode of experience that a performance provokes – blurring distinctions between artist and audience, body and mind, art and life – is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes. With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.
Lexicon Palaeslovenico-Græco-Latinum emendatum auctum edidit Fr. Miklosich
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