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Another Way of Telling
A new edition of John Berger and Jean Mohr's classic investigation into the nature of photography and what makes it so different from other art forms 'One of the world's most influential art critics ... Berger sees clearly with fresh surprise yet profound understanding' Washington Times In one of the most eloquent accounts of photography ever devised, the writer John Berger and the photographer Jean Mohr set out to understand the fundamental nature of photography and how it makes its impact. Asking a range of questions – What is a photograph? What do photographs mean? How can they be used? – they give their answers in terms of a photograph as 'a meeting place where the interests of the p...
The Art of Interruption
This is the first monograph-length study that charts the coercive diplomacy of the administrations of Richard Nixon and Gerald Ford as practised against their British ally in order to persuade Edward Heath's government to follow a more amenable course throughout the 'Year of Europe' and to convince Harold Wilson's governments to lessen the severity of proposed defence cuts. Such diplomacy proved effective against Heath but rather less so against Wilson. It is argued that relations between the two sides were often strained, indeed, to the extent that the most 'special' elements of the relationship, that of intelligence and nuclear co-operation, were suspended. Yet, the relationship also witnessed considerable co-operation. This book offers new perspectives on US and UK policy towards British membership of the European Economic Community; demonstrates how US détente policies created strain in the 'special relationship'; reveals the temporary shutdown of US-UK intelligence and nuclear co-operation; provides new insights in US-UK defence co-operation, and re-evaluates the US-UK relationship throughout the IMF Crisis.
A Fortunate Man
In 1966 John Berger spent three months in the Forest of Dean shadowing an English country GP, John Sassall. Sassall is a fortunate man - his work occupies and fulfils him, he lives amongst the patients he treats, the line between his life and his work is happily blurred. In A Fortunate Man, Berger's text and the photography of Jean Mohr reveal with extraordinary intensity the life of a remarkable man. It is a portrait of one selfless individual and the rural community for which he became the hub. Drawing on psychology, biography and medicine A Fortunate Man is a portrait of sacrifice. It is also a profound exploration of what it means to be a doctor, to serve a community and to heal. With a new introduction by writer and GP, Gavin Francis.
A Seventh Man
In A Seventh Man, John Berger and Jean Mohr come to grips with what it is to be a migrant worker -- the material circumstances and the inner experience -- and, in doing so, reveal how the migrant is not so much on the margins of modern life, but absolutely central to it. First published in 1975, this finely-wrought exploration remains as urgent as ever, presenting a mode of living that pervades the countries of the West and yet is excluded from much of its culture.
At the Edge of the World
"This book is a ecord, in words and more than 90 black-and-white photographs, of Mohr's journeys to such places as Romania, Karachi, NManilla, Algeria, Lapland and Nicaragura. It illuminates his ongoing concern with humanitarian issues as well as his bemused observations regarding clashes between international policy and local politics and personalities, between media hype and traditional magic". -- Jacket.
Postcolonial Masquerades
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Spoken Image
The Spoken Image considers the nature of photography, examining the language used in titles, captions and commentaries, particularly as they relate to documentary photography, photojournalism and fashion photography.
Visual Methods in Social Research
There has been an explosion of interest in visual culture - coming largely from work in sociology, anthropology and cultural studies and while there are a number of practical and technical manuals available for film, photographic and other visual media, there is a dearth of writing that combines both the practical and the technical. This book redresses this with a balanced approach that is written primarily for students in the social sciences who wish to use visual materials in the course of empirical, qualitative field research. It should also be of interest to experienced researchers who wish to expand their methodological approaches. Visual methods provides empirical approaches to both im...
