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Cosmopolitan Dreams
In late nineteenth-century South Asia, the arrival of print fostered a dynamic and interactive literary culture. There, within the pages of Urdu-language periodicals and newspapers, readers found a public sphere that not only catered to their interests but encouraged their reactions to featured content. Cosmopolitan Dreams brings this culture to light, showing how literature became a site in which modern daily life could be portrayed and satirized, the protocols of modernity challenged, and new futures imagined. Drawing on never-before-translated Urdu fiction and prose and focusing on the novel and satire, Jennifer Dubrow shows that modern Urdu literature was defined by its practice of self-...
Making a Muslim
Using primarily Urdu sources from the nineteenth century, this book allows us to rethink notions of 'the Muslim', in its numerous, complex and often contradictory forms, which emerged in colonial North India after 1857. Allowing the self-representation of Muslimness and its manifestations to emerge, it contrasts how the colonial British 'made Muslims' very differently compared to how the community envisaged themselves. A key argument made here contests the general sense of the narrative of lamentation, decay, decline, and a sense of self-pity and ruination, by proposing a different condition, that of zillat, a condition which gave rise to much self-reflection resulting in action, even if it was in the form of writing and expression. By questioning how and when a Muslim community emerged in colonial India, the book unsettles the teleological explanation of the Partition of India and the making of Pakistan.
The Visceral Logics of Decolonization
In The Visceral Logics of Decolonization Neetu Khanna rethinks the project of decolonization by exploring a knotted set of relations between embodied experience and political feeling that she conceptualizes as the visceral. Khanna focuses on the work of the Progressive Writers' Association (PWA)—a Marxist anticolonial literary group active in India between the 1930s and 1950s—to show how anticolonial literature is a staging ground for exploring racialized emotion and revolutionary feeling. Among others, Khanna examines novels by Mulk Raj Anand, Ahmed Ali, and Khwaja Ahmad Abbas, as well as the feminist writing of Rashid Jahan and Ismat Chughtai, who each center the somatic life of the body as a fundamental site of colonial subjugation. In this way, decolonial action comes not solely from mental transformation, but from a reconstitution of the sensorial nodes of the body. The visceral, Khanna contends, therefore becomes a critical dimension of Marxist theories of revolutionary consciousness. In tracing the contours of the visceral's role in decolonial literature and politics, Khanna bridges affect and postcolonial theory in new and provocative ways.
Print and the Urdu Public
Print and the Urdu Public: Muslims, Newspapers, and Urban Life in Colonial India addresses Urdu print publics from the perspective of Madinah newspaper, published in Bijnor qasbah of the then-United Provinces, in order to demonstrate how an Urdu newspaper published from the margins became central to the Muslim public constituted in the first half of the twentieth century.
Remaking History
With evidence from a wide variety of sources, this book explores the development of modernity in Hyderabad after 1947.
The Making of Persianate Modernity
From the ninth to the nineteenth centuries, Persian was the pre-eminent language of learning far beyond Iran, stretching from the Balkans to China. In this book, Alexander Jabbari explores what became of this vast Persian literary heritage in the nineteenth and twentieth centuries in Iran and South Asia, as nationalism took hold and the Persianate world fractured into nation-states. He shows how Iranians and South Asians drew from their shared past to produce a 'Persianate modernity', and create a modern genre, literary history. Drawing from both Persian and Urdu sources, Jabbari reveals the important role that South Asian Muslims played in developing Iranian intellectual and literary trends. Highlighting cultural exchange in the region, and the agency of Asian modernizers, Jabbari charts a new way forward for area studies and opens exciting possibilities for thinking about language and literature.
Beyond Death
The twelfth-century Iranian mystic ‘Ayn al-Quḍāt al-Hamadhānī (d. 1131) wrote vividly of his explorations of death as a state of consciousness which he experienced while alive. This state and his visions of Doomsday and the innumerable non-corporeal worlds that lie past the world of matter confront him with paradoxical realities that upset the notional understanding of faith. The present book concerns itself with a discussion on the subject of death as it is viewed by one of the defining mystic scholars of medieval Iran. Based on medieval manuscripts and primary sources in classical Persian and Arabic, this book explores the significance of this important Iranian mystic and his insights on the nature of reality in light of death.
A Voyage to Modernism
The nature of Muslim knowledge concerning the West through travel accounts makes for fascinating reading. The eighteenth-century encounters of Munshi Ihtisamuddin and Mirza Abu Taleb Khan, embedded in their travelogues, however, seem very distant and less urgent. With Syed Ahmed, however, begins an entirely new phase with his interplay between Muslims and the West, on the one hand, and between Islam and Christianity, on the other. Even though his portrait of England is sometimes facile, his account of his travels opens the door to new questions, particularly because this was the period when the relations between Europeans and Indians were at the centre of many debates. Consequently, passages...
The Quotidian Revolution
In thirteenth-century Maharashtra, a new vernacular literature emerged to challenge the hegemony of Sanskrit, a language largely restricted to men of high caste. In a vivid and accessible idiom, this new Marathi literature inaugurated a public debate over the ethics of social difference grounded in the idiom of everyday life. The arguments of vernacular intellectuals pushed the question of social inclusion into ever-wider social realms, spearheading the development of a nascent premodern public sphere that valorized the quotidian world in sociopolitical terms. The Quotidian Revolution examines this pivotal moment of vernacularization in Indian literature, religion, and public life by investi...
Amar Akbar Anthony
The 1977 blockbuster Amar Akbar Anthony about the heroics of three Bombay brothers separated in childhood became a classic of Hindi cinema and a touchstone of Indian popular culture. Beyond its comedy and camp is a potent vision of social harmony, but one that invites critique, as the authors show.
