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The Dance
In dance, the choreographer creates, the dancer performs and the viewer observes. This work is a handbook for the viewer. By presenting historical and artistic perspectives of dance, dance events are made more approachable and appreciation for the art form is heightened. The choreographic components of body language, content, structure, music, design and interpretation are included. Also discussed is the development of critical reaction over time. Examples are drawn from Western theatrical dance and worldwide cultural variations. Terms are explained throughout the text, and an extensive bibliography gives sources in print and on tape for further study. Instructors considering this book for use in a course may request an examination copy here.
Insanity
The most complex of all legal/psychological issues, the insanity defence, has been employed thousands of times, but there is still little understanding by psychologists and lawyers of its proper use. By analysing some of the most well-known insanity cases in legal history, this book sheds light on its peculiarities.
"But First a School"
This is an account of the rise and growth of the School of American Ballet. The idea was born in London in 1933 when Lincoln Kirstein, then a brilliant and idealistic young Harvard graduate, invited an equally brilliant and young Russian choreographer, George Balanchine, to direct a ballet company in the U.S. Balanchine's reply, "Yes, but first a school," planted the seed that bloomed into one of the most celebrated institutions of its kind. The school has fashioned not only the great dancers of the New York City Ballet but the best teachers, choreographers, directors and performers in ballet companies and studios all over the United States. Dunning vividly describes the extraordinary ambience, the professional vigor and the outstanding influence of this unique institution through its first 50 years. ISBN 0-670-80407-X : $20.00.
Terrible Freedom
From her childhood in Detroit to her professional career in New York City, American composer Lucia Dlugoszewski (1925–2000) lived a life of relentless creativity as a poet and writer, composer for dance, theater, and film, and, eventually, choreographer. Forging her own path after briefly studying with John Cage and Edgard Varèse, Dlugoszewski tackled the musical issues of her time. She expanded sonic resources, invented instruments, brought new focus to timbre and texture, collaborated with artists across disciplines, and incorporated spiritual, psychological, and philosophical influences into her work. Remembered today almost solely as the musical director for the Erick Hawkins Dance Company, Dlugoszewski's compositional output, writings on aesthetics, creative relationships, and graphic poetry deserve careful examination on their own terms within the history of American experimental music.
My American History
Sarah Schulman’s writing is bold, provocative, and refreshingly unrepentant. First published in 1994, My American History: Lesbian and Gay Life During the Reagan and Bush Years combines critical commentary with a rich and varied collection of news articles, letters, interviews, and reports in which the author traces the development of lesbian and gay politics in the U.S. In her coverage of many tireless campaigns of activism and resistance, Sarah Schulman documents a powerful political history that most people – gay or straight – never knew happened. In her Preface to this second edition, Urvashi Vaid argues for the continued relevance of Schulman’s writing to activism in the 21st ce...
Dancing Revelations
He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution."--Jacket.
America's Japan and Japan's Performing Arts
America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. The author’s transdisciplinary approach makes the book appealing to those in the performing arts studies, Japanese studies, and cultural studies.
The American Dance Festival
The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services.
Tap Dancing America
Here is the vibrant, colorful, high-stepping story of tap -- the first comprehensive, fully documented history of a uniquely American art form. Writing with all the verve and grace of tap itself, Constance Valis Hill offers a sweeping narrative, filling a major gap in American dance history and placing tap firmly center stage.
