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The Vietnam War left wounds that have taken three decades to heal--indeed some scars remain even today. In A Time for Peace, prominent American historian Robert D. Schulzinger sheds light on how deeply etched memories of this devastating conflict have altered America's political, social, and cultural landscape. Schulzinger examines the impact of the war from many angles. He traces the long, twisted, and painful path of reconciliation with Vietnam, the heated controversy over soldiers who were missing in action, the influx of over a million Vietnam refugees into the US, and the plight of Vietnam veterans, many of whom returned home alienated, unhappy, and unappreciated. Schulzinger looks at how the controversies of the war have continued to be fought in books and films and, perhaps most important, he explores the power of the Vietnam metaphor on foreign policy, particularly in Central America, Somalia, the Gulf War, and the war in Iraq. Using a vast array of sources, A Time for Peace provides an illuminating account of a war that still looms large in the American imagination.
This book summarizes and briefly analyzes over 400 films about the Vietnam War.
The fall of Saigon in 1975 signaled the end of America's longest war. Yet in many ways the conflict was far from over. Although the actual fighting ended, the struggle to find political justification and historical vindication for the Vietnam War still lingered in American consciousness. A plethora of images from America's first "televised war" has kept the conflict all too fresh in the memories of those who lived through it, while creating a confusing picture for a younger generation. The political process of attaching meaning to historical events has ultimately failed due to the lack of consensus--then and now--regarding events surrounding the Vietnam War. Reviewing the record of American ...
Efforts to understand the impact of the Vietnam War on America began soon after it ended, and they continue to the present day. In After Vietnam four distinguished scholars focus on different elements of the war's legacy, while one of the major architects of the conflict, former defense secretary Robert S. McNamara, contributes a final chapter pondering foreign policy issues of the twenty-first century. In the book's opening chapter, Charles E. Neu explains how the Vietnam War changed Americans' sense of themselves: challenging widely-held national myths, the war brought frustration, disillusionment, and a weakening of Americans' sense of their past and vision for the future. Brian Balogh ar...
In varying circumstances, military organizations around the world are undergoing major restructuring. This book explores why, and how, militaries change.
Film is Like a Battleground: Sam Fuller's War Movies is the first book to focus on the genre that best defined the American director's career: the war film. It draws on previously unexplored archival materials, such as Fuller's Federal Bureau of Investigation files and WWII-era 16mm films, to explore the director's lifelong interest in making challenging, thought-provoking, and often politically dangerous movies about war. After establishing the roots of Fuller's cinematographic schooling in the trenches during World War II, including careful consideration of his 16mm footage of a Nazi camp at the end of that war, Film is Like a Battleground explores Fuller's first forays into hot war repres...
The legacy of defeat in war reverberates through private and collective memory and remains a sub-text in international relations and political discourse. This book examines the manner in which a series of military defeats have been understood and remembered by individuals and societies in the era of modern industrialised warfare.
American popular culture changed dramatically during the Vietnam era. This book explores the popular culture that shaped the baby boomers and the transformation that generation wrought in movies, television, sports, and music. It looks at the ways in which these cultural elements reflected the upheaval and unrest in Vietnam era America.
In the twenty-first century, why do we keep talking about the Fifties and the Sixties? The stark contrast between these decades, their concurrence with the childhood and youth of the baby boomers, and the emergence of television and rock and roll help to explain their symbolic power. In Happy Days and Wonder Years, Daniel Marcus reveals how interpretations of these decades have figured in the cultural politics of the United States since 1970. From Ronald Reagan's image as a Fifties Cold Warrior to Bill Clinton's fandom for Elvis Presley and John F. Kennedy, politicians have invoked the Fifties and the Sixties to connect to their public. Marcus shows how films, television, music, and memoirs have responded to the political nostalgia of today, and why our entertainment remains immersed in reruns, revivals, and references to earlier times. This book offers a new understanding of how politics and popular culture have influenced our notions of the past, and how events from long ago continue to shape our understanding of the present day.