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Art of the First Cities
Catalog of an exhibition being held at the Metropolitan Museum of Art from May 8 to Aug. 17, 2003.
Beyond Babylon
This important volume describes the art created in the second millennium B.C. for royal palaces, temples, and tombs from Mesopotamia, Syria, and Anatolia to Cyprus, Egypt, and the Aegean.
Testing the Canon of Ancient Near Eastern Art and Archaeology
This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The 'canon' is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In "testing" this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future.
Art of the Ancient Near East
"Provides the cultural, archaeological, and historical contexts for a selection of thirty works of art in the Metropolitan Museum's collection"--Slipcase.
The Connected Iron Age
An interdisciplinary consideration of how eastern Mediterranean cultures in the first millennium BCE were meaningfully connected. The early first millennium BCE marks one of the most culturally diverse periods in the history of the eastern Mediterranean. Surveying the region from Greece to Iraq, one finds a host of cultures and political formations, all distinct, yet all visibly connected in meaningful ways. These include the early polities of Geometric period Greece, the Phrygian kingdom of central Anatolia, the Syro-Anatolian city-states, the seafaring Phoenicians and the biblical Israelites of the southern Levant, Egypt’s Twenty-first through Twenty-fifth Dynasties, the Urartian kingdom of the eastern Anatolian highlands, and the expansionary Neo-Assyrian Empire of northern Mesopotamia. This volume adopts an interdisciplinary approach to understanding the social and political significance of how interregional networks operated within and between Mediterranean cultures during that era.
The Syro-Anatolian City-states
This book is the first to characterize the Iron Age city-states of southeastern Turkey and northern Syria, using archaeological, historical, and visual evidence to argue for a unified cultural formation characterized above all by diversity and mobility.
The Brummer Galleries, Paris and New York
This is the first thorough investigation of the Brummer brothers’ remarkable career as dealers in antiques, curiosities and modernism in Paris and New York over six decades (1906-1964). A dozen specialists aggregate their expertise to explore extant dealer records and museum archives, parse the wide-ranging Brummer stock, and assess how objects were sourced, marketed, labelled, restored, and displayed. The research provides insights into emerging collecting fields as they crystallised, at the crossroads between market and museum. It questions the trope of the tastemaker; the translocation of material culture, and the dealers’ prolific relationships with illustrious collectors, curators, scholars, artists, and fellow dealers.
The Lost Empire of Atlantis
The bestselling author of 1421: THE YEAR THE CHINESE DISCOVERED THE WORLD uncovers the truth behind the mystery of Atlantis. After a chance conversation in Egypt in 2008, bestselling historian Gavin Menzies launched himself on a quest that would reveal the truth behind the mystery of Atlantis and her destruction. Through an examination of documentary and academic research, metallurgy, ancient shipbuilding and navigation techniques, artefacts and DNA evidence, Menzies slowly and painstakingly reveals a trading empire that spanned from the Great Lakes in North America to Kerala in India. And in doing so finally explains the incredible reality behind the legendary civilisation described by Plato and its disappearance. Reading like a real-life Indiana Jones story as ex-Royal Navy submarine captain Menzies travels round the world in pursuit of his goal, this is epic, iconoclastic popular history.
Circulations in the Global History of Art
The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.
