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As seen on The Today Show with Kathy Lee and Hoda!Charismatic media celebrities John and Tony Alberti, share their love of Italian food, culture, and people in their debut cookbook. Having grown up in a traditional Italian family, food has always been an integral part of their lives. The Alberti twins offer easy-to-execute, authentic, and inspired recipes perfect for novices and experts alike. In four sections they celebrate the courses of the family meal: Antipasti, Primi, Secondi, and Dolci. From luscious and gluten-free Polenta Fries with Aioli Dip and Perfecto Polenta Cake, to hearty and nutritious Twinning Tuscan Vegetable Soup, Seductive Saltimbocca made with chicken, melt-in-the-mouth Romantic Ricotta Balls and the Big Cannoli-every recipe charms the taste buds. With their signature charm and sly wit, the Alberti twins make cooking their Italian favorites fun and sexy!
Born in a small town in western Pennsylvania in the late 1950s, Tony Cesare had everything a boy could want, from a father who played baseball with him to doting grandparents. But then the local factory began laying off workers, including members of his family—and his idyllic childhood came to an end. When he reached his teens, he turned to alcohol and drugs. Soon, he was stealing Social Security money from his grandparents to survive, rationalizing that they wouldn’t notice if he only took a little. In this memoir, he looks back at his battle with addiction as well as harrowing adventures, such as surviving multiple car crashes, drag racing on a local bridge, transporting marijuana from Florida to Pennsylvania, and losing his motorcycle during Daytona’s famous bike week. His party lifestyle did not come without repercussions, and he was only set straight after he faced the prospect of going to prison. Finally, he chose sobriety over alcohol and drugs. Join the author as he looks back on his childhood and how he overcame addiction and other struggles in this inspiring memoir.
Since its first appearance as a series of cartoon vignettes in 1987 and its debut as a weekly program in 1990, The Simpsons has had multiple, even contradictory, media identities. Although the show has featured biting political and social satire, which often proves fatal to mass public acceptance, The Simpsons entered fully into the mainstream, consistently earning high ratings from audiences and critics alike. Leaving Springfield addresses the success of The Simpsons as a corporate-manufactured show that openly and self-reflexively parodies the very consumer capitalism it simultaneously promotes. By exploring such topics as the impact of the show's satire on its diverse viewing public and t...
Screen Ages is a valuable guide for students exploring the complex and vibrant history of US cinema and showing how this film culture has grown, changed and developed. Covering key periods from across American cinema history, John Alberti explores the social, technological and political forces that have shaped cinematic output and the varied impacts cinema of on US society. Each chapter has a series of illuminating key features, including: ‘Now Playing’, focusing on films as cinematic events, from The Birth of a Nation to Gone with the Wind to Titanic, to place the reader in the social context of those viewing the films for the first time ‘In Development’, exploring changing genres, ...
This book examines the role of humor in modern American politics. Written by a wide range of authors from the fields of political science and communication, this book is organized according to two general topics: how the modern media present political humor the various ways in which political humor influences politics. Laughing Matters is an excellent text for courses on media and politics, public opinion, and campaigns and elections.
Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address ‘intellectual’ cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims women’s mainstream filmmaking for feminism through a recalibration of genre theory itself.
Pienza, a small hill town in north central Italy, represents one of the major architectural masterpieces of the Italian Renaissance. Starting in 1459, under the sponsorship of Pope Pius II, it was rebuilt into a model Renaissance cityscape. Renamed in the pope's honor, Pienza is both a monument to papal will and the high point in the career of the supervising architect, Bernardo Rossellino. Because its physical state has changed only slightly since the fifteenth century, Pienza offers us a unique opportunity to see a variety of building traditions (Roman, Florentine, Sienese) and theoretical positions (Brunelleschian and Albertian) combined in an almost perfectly preserved urban environment. "The town," writes Charles Mack, "is a Renaissance Williamsburg without the artificiality of restoration." Pienza, the first book-length treatment of the subject in English, traces the entire redevelopment of the community, from conception through construction, and establishes Pienza's place in the story of Renaissance architecture.
As the first book-length study of waterborne festivities in Renaissance and early modern Europe, this collection of essays draws on a rich array of sources, many previously un-researched, to explore aspects of scenography, choreography, music, fashion, painting, sculpture, architecture, stage-and personnel-management and urban planning as evinced in spectacles staged on water. Bodies of water in all their variety are explored here: seas, rivers, fountains, lakes and canals and flooded improvised locations within or adjacent to great buildings all provided stages for elaborate and costly performances, utilising the particular qualities of water to reflect light and distort sound. The volume e...
Reinventing (with) Theory in Rhetoric and Writing Studies collects original scholarship that takes up and extends the practices of inventive theorizing that characterize Sharon Crowley’s body of work. Including sixteen chapters by established and emerging scholars and an interview with Crowley, the book shows that doing theory is a contingent and continual rhetorical process that is indispensable for understanding situations and their potential significance—and for discovering the available means of persuasion. For Crowley, theory is a basic building block of rhetoric “produced by and within specific times and locations as a means of opening other ways of believing or acting.” Doing ...