Seems you have not registered as a member of localhost.saystem.shop!
You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
At the End of this Summer
"Fresh from the publication of his welcome collected poems (The Owl in the Mask of the Dreamer, LJ 8/93), Alaska-based poet Haines here bravely presents uncollected poems from the period before the appearance of his first volume, Winter News (1966). Although it is possible to discern in these lines the influences of such poets as Robinson Jeffers and Edgar Lee Masters, as well as that of William Carlos Williams, to whom the young Haines first sent these poems, he early developed his own way. These are the works of a young poet?and a young man (as evidenced by the prosodic and emotional awkwardness of "Admission" or "On a Point of Departure"), but there is an uncommon excitement in hearing Haines's mature voice already fully emergent by the end of the volume, as in "Verse" or "Two Horses, One by the Roadside." Haines's poems, characterized by a spartan lyricism and a distinctive, unshowy intelligence, ought to satisfy fastidious and inexperienced readers alike."--Graham Christian, Library Journal.
Never Leaving Laramie
Never Leaving Laramie takes readers from a small university town in Wyoming into the human and natural landscapes of remote and dangerous areas in the world. John Haines bicycles across Tibet and kayaks the length of West Africa's Niger River. He rides the Trans-Siberian train across the former Soviet Union and survives a traumatic train accident in the Czech Republic. For two decades, the author lived a restless life exploring pockets of the world in transition, always finding a route back to Laramie, the home that shaped him--a place he loved but needed to leave, and in the end never left.
Danny Mo
"There are legendary tales that transcend sport, and Haines' "Danny Mo" does just this with humor, heartbreak, triumph, and truth. With a tip of the visor to Dan Jenkins, it's a dead solid perfect debut."--Gary Van Sickle, "Sports Illustrated" senior writer.
Music in Films on the Middle Ages
This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema’s main development in the course of the twentieth century as an American appropriation of European culture. The book treats six perva...
Medieval Song in Romance Languages
Ranging from 500 to 1200, this book considers the neglected vernacular music of this period, performed mainly by women.
Descent
In 1947, two years after witnessing the death of a young Jewish woman in Poland, Charlie Berlin has rejoined the police force a different man. Sent to investigate a spate of robberies in rural Victoria, he soon discovers that World War II has changed even the most ordinary of places and people.When Berlin travels to Albury-Wodonga to track down the gang behind the robberies, he suspects he's a problem cop being set up to fail. Taking a room at the Diggers Rest Hotel in Wodonga, he sets about solving a case that no one else can - with the help of feisty, ambitious journalist Rebecca Green and rookie constable Rob Roberts, the only cop in town he can trust. Then the decapitated body of a young girl turns up in a back alley, and Berlin's investigations lead him ever further through layers of small-town fears, secrets and despair.The first Charlie Berlin mystery takes us into a world of secret alliances and loyalties - and a society dealing with the effects of a war that changed men forever.
Poets on Paintings
Ekphrasis, the description of pictorial art in words, is the subject of this bibliography. More specifically, some 2500 poems on paintings are catalogued, by type of publication in which they appear and by poet. Also included are 2000 entries on the secondary literature of ekphrasis, including works on sculpture, music, photography, film, and mixed media.
Eight Centuries of Troubadours and Trouvères
This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries.
Living Off the Country
Reflections on how landscape, the imagination, and the "real world" color the creative process
The Sounds and Sights of Performance in Early Music
The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of documents and materials. This volume of essays presents a cross-section of new research on performance issues in medieval and renaissance music. The subject is approached from a broad perspective, drawing on complementary disciplines such as dance history, art history, music iconography and performance traditions from beyond western Europe. In doing so, the volume continues some of the many lines of enquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music.
