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The American West conjures up images of pastoral tranquility and wide open spaces, but by 1970 the Far West was the most urbanized section of the country. Exploring four intriguing cityscapes—Disneyland, Stanford Industrial Park, Sun City, and the 1962 Seattle World's Fair—John Findlay shows how each created a sense of cohesion and sustained people's belief in their superior urban environment. This first book-length study of the urban West after 1940 argues that Westerners deliberately tried to build cities that differed radically from their eastern counterparts. In 1954, Walt Disney began building the world's first theme park, using Hollywood's movie-making techniques. The creators of S...
This title focuses on vision as an active process, rather than a passive activity and provides an integrated account of seeing and looking. The authors give a thorough description of basic details of the visual and oculomotor systems necessary to understand active vision.
Outstanding Title by Choice Magazine On the banks of the Pacific Northwest’s greatest river lies the Hanford nuclear reservation, an industrial site that appears to be at odds with the surrounding vineyards and desert. The 586-square-mile compound on the Columbia River is known both for its origins as part of the Manhattan Project, which made the first atomic bombs, and for the monumental effort now under way to clean up forty-five years of waste from manufacturing plutonium for nuclear weapons. Hanford routinely makes the news, as scientists, litigants, administrators, and politicians argue over its past and its future. It is easy to think about Hanford as an expression of federal power, ...
The Manhattan Project—the World War II race to produce an atomic bomb—transformed the entire country in myriad ways, but it did not affect each region equally. Acting on an enduring perception of the American West as an “empty” place, the U.S. government located a disproportionate number of nuclear facilities—particularly the ones most likely to spread pollution—in western states. The Manhattan Project manufactured plutonium at Hanford, Washington; designed and assembled bombs at Los Alamos, New Mexico; and detonated the world’s first atomic bomb at Alamagordo, New Mexico, on June 16, 1945. In the years that followed the war, the U.S. Atomic Energy Commission selected additiona...
Cover -- Title -- Copyright -- Contents -- Introduction -- PART I: INDIANS AND NON-INDIANS -- Coboway's Tale: A Story of Power and Places Along the Columbia -- Violence, Justice, and State Power in the New Mexican Borderlands, 1780-1880 -- Making "Indians" in British Columbia: Power, Race, and the Importance of Place -- PART II: RACE IN THE URBAN WEST -- Federal Power and Racial Politics in Los Angeles during World War II -- Race, Rhetoric, and Regional Identity: Boosting Los Angeles, 1880-1930' -- Recasting Identities: American-born Chinese and Nisei in the Era of the Pacific War -- PART III: ENVIRONMENT AND ECONOMY -- Tourism as Colonial Economy: Power and Place in Western Tourism -- Creat...
When it comes to viewing art, living in the information age is not necessarily a benefit. So argues Michael Findlay in this book that encourages a new way of looking at art. Much of this thinking involves stripping away what we have been taught and instead trusting our own instincts, opinions, and reactions. Including reproductions of works by Mark Rothko, Paul Klee, Joan Miró, Jacob Lawrence, and other modern and contemporary masters, this book takes readers on a journey through modern art. Chapters such as “What Is a Work of Art?”, “Can We Look and See at the Same Time?”, and “Real Connoisseurs Are Not Snobs,” not only give readers the confidence to form their own opinions, but also encourages them to make connections that spark curiosity, intellect, and imagination. “The most important thing for us to grasp,” writes Findlay, “is that the essence of a great work of art is inert until it is seen. Our engagement with the work of art liberates its essence.” After reading this book, even the most intimidated art viewer will enter a museum or gallery feeling more confident and leave it feeling enriched and inspired.
First published in 2002. Written in 1958, this book offers a re-examination of Hegel's work, and is the volume I of a series of seven volumes on his work. Starting with a biography and the key ideas, the author offers his own explanations of ideas that are central in Hegel: being the notion of spirit, the dialectical method, the phenomenology of spirit, the doctrines of being, essence and notion; the philosophy of nature, absolute knowledge and subjective/objective spirit.
In 1978 the Reverend Billy Graham himself consecrated Las Vegas's place in the American cultural mainstream by taking his "crusade for Christ" there. He found the resort "a nice place to visit," and pointed out that, while he did not gamble himself, the Bible said nothing definitive against the practice. This book is a social history of American gambling in a series of frontier settings ranging from seventeenth-century Jamestown to twentieth-century Nevada. The book points out the affinity between gambling and frontiers, showing how both thrived on high expectations, risk-taking, opportunism and movement, and both helped to shape a distinctive culture. The first half of the book paints a viv...
This book brings together chapters from investigators on the leading edge on this new research area to explore on the leading edge on this new research area to explore common theoretical issues, empirical findings, technical problems, and outstanding questions. This book will serve as a blueprint for work on the interface of vision, language, and action over the next five to ten years.
For the first time, this volume presents a series of critical and constructive studies in the philosophy of J. N. Findlay. His contributions to both historical and systematic philosophy are examined by outstanding authors in the field, many of whom are his former students and colleagues. The value of these essays is heightened by Findlay's own contributions: two autobiographical chapters detail the evolution of his thought and relationships, and in a final section of comments, he evaluates and responds to the studies in this collection.