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Awaken Your Healing Power
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John Dies at the End
My name is David Wong. My best friend is John. Those names are fake. You might want to change yours. You may not want to know about the things you'll read on these pages, about the sauce, about Korrock, about the invasion, and the future. But it's too late. You touched the book. You're in the game. You're under the eye. The only defence is knowledge. You need to read this book, to the end. Even the part about the bratwurst. Why? You'll just have to trust me. Unfortunately for us, if you make the right choice, we'll have a much harder time explaining how to fight off the otherwordly invasion currently threatening to enslave humanity. I'm sorry to have involved you in this, I really am. But as you read about these terrible events and the very dark epoch the world is about to enter as a result, it is crucial you keep one thing in mind: NONE OF THIS IS MY FAULT...
What the Hell Did I Just Read
From the writer of the cult sensation John Dies at the End comes another terrifying and hilarious tale of almost Armageddon at the hands of two hopeless heroes. It's the story "They" don't want you to read. Though, to be fair, "They" are probably right about this one. No, don't put the book back on the shelf – it is now your duty to purchase it to prevent others from reading it. Yes, it works with ebooks, too; I don't have time to explain how. While investigating a fairly straightforward case of a shape-shifting interdimensional child predator, Dave, John, and Amy realized there might actually be something weird going on. Together, they navigate a diabolically convoluted maze of illusions, lies, and their own incompetence in an attempt to uncover a terrible truth that they - like you - would be better off not knowing. Your first impulse will be to think that a story this gruesome – and, to be frank, stupid – cannot possibly be true. That is precisely the reaction "They" are hoping for.
Global Trade in the Nineteenth Century
An innovative new study of the Canton trade networks that helped to shape the modern world.
Producing China in Southeast Asia
This book presents studies on Chinese intellectuals in Southeast Asia and how they understand China and Chineseness in the 21st century. It posits, through analyses of works and oral histories of a number of Chinese scholars in the region, that the dominant but distinctive approaches adopted by them are those that are rooted in humanism and pragmatism. In doing so, the book explores the significant population, local conditions and strategy of survival among the Southeast Asian Chinese as factors that influence their views and perspectives. Studies presented in the book simultaneously implicate subjectivity, where authors and their readers position themselves among ethnic, national, and civil...
Deadly Dreams
Wong argues that the opium trade played a large causative role in the Anglo-Chinese Arrow War.
Advancing Singapore-China Economic Relations
This book presents a detailed account of the development of strong and substantive economic relations that existed between Singapore and China since the time when the two countries established diplomatic ties in October 1990. The chapters provide a comprehensive discussion of the main areas of cooperation, such as the institutional framework for pursuing economic links, the Suzhou Industrial Park, the Sino-Singapore Tianjin Eco-City, investments, trade, finance, tourism and education. The economic opportunities and challenges in these economic sectors in the two countries are examined in the context of the profound political and social changes taking place in mainland China and the globalization of the world economy. The book will be invaluable to policy-makers, academics and students specializing in Chinese studies, as well as businessmen and the general public interested in seeking a greater understanding of the complex economic relations between the two nations.
This Book Is Full Of Spiders: Seriously Dude Don't Touch It
Fan favourite David Wong takes readers to a whole new level with this blistering sequel to the cult sensation John Dies at the End, now a movie starring Paul Giamatti. As the sequel opens, we find our heroes, David and John, again embroiled in a series of horrifying yet mind-bogglingly ridiculous events caused primarily by their own gross incompetence. The guys find that books and movies about zombies may have triggered a zombie apocalypse, despite a complete lack of zombies in the world. As they race against the clock to protect humanity from its own paranoia, they must ask themselves, who are the real monsters? Actually, that would be the shape-shifting horrors secretly taking over the world behind the scenes that, in the end, make John and Dave kind of wish it had been zombies after all. Hilarious, terrifying, engaging and wrenching, This Book Is Full of Spiders, the next thrilling installment, takes us for a wild ride with two slackers from the midwest who really have better things to do with their time than prevent the apocalypse.
WKW: The Cinema of Wong Kar Wai
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong’s complete oeuvre in the locations of some of his most famous scenes. The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shot In the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong’s eleven films, the conversations also explore Wong’s trademark themes of time, nostalgia, and beauty, and their roots in his personal life. This first book by Wong Kar Wai, lavishly illustrated with more than 250 photographs and film stills and featuring an opening critical essay by Powers, WKW: The Cinema of Wong Kar Wei is as evocative as walking into one of Wong’s lush films.
Zoey Punches the Future in the Dick
Zoey Ashe, suddenly in charge of the most decadent city in the world is just trying to cope with nightmarish superhuman villains, an all-seeing social network; mysterious, smooth-talking power players; and her very, very smelly cat. But when a disembowled corpse rampages through her house and accuses her of murder, Zoey has to work out what she owns, who works for her, and if she was responsible...
