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Katherine Blue Carroll explores the dynamic link between Jordan's business community and the state between 1983 and 2000.
Ashlyn Baptiste is falling. One moment she was nothing—no memories, no self—and then suddenly, she's plummeting through a sea of stars. Is she in a coma? She doesn't remember dying, and she has no memories of the life she left behind. All she knows is that she's trapped in a consciousness without a body and she's spending every moment watching a stranger. Breckon Cody's on the edge. He's being ripped apart by grief so intense it literally hurts to breathe. On the surface, Breckon is trying to hold it together for his family and his girlfriend, but underneath he's barely hanging on. Even though she didn't know him in life, Ashlyn sees Breckon's pain, and she's determined to find a way hel...
With Reading the Obscene, Jordan Carroll reveals new insights about the editors who fought the most famous anti-censorship battles of the twentieth century. While many critics have interpreted obscenity as a form of populist protest, Reading the Obscene shows that the editors who worked to dismantle censorship often catered to elite audiences composed primarily of white men in the professional-managerial class. As Carroll argues, transgressive editors, such as H. L. Mencken at the Smart Set and the American Mercury, William Gaines and Al Feldstein at EC Comics, Hugh Hefner at Playboy, Lawrence Ferlinghetti at City Lights Books, and Barney Rosset at Grove Press, taught their readers to approa...
Sharp 9th - A Skinner Malloy Mystery After a combat stint as a U.S. Marine, Skinner Malloy had a successful career in rock music - until he trashed the men who raped his band mate, Gillian Carroll. Convicted of assault and out on parole, gigs have dried up. As she tries to heal herself after the assault, Gillian needs the stability of her advertising job. But her client, Consolidated Insurance, has her fired for bogus reasons. Worse, someone is still spreading lies. Skinner and Gillian team up to find the real reason shes been fired. They discover that Consolidated employees are dying in accidents that are anything but. And haltingly, they find tender feelings for each other. Then Gillian disappears. Murder, conspiracy, corruption and attempted love, Sharp 9th reveals a world of homicide, insurance-government collusion, crooked cops, pornographers and private security goons - in which Gillian and Skinner try to find intimacy despite the emotional damage caused by rape and war.
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National Review's Literary Network traces the careers of novelists, journalists, and literary critics who wrote for William F. Buckley, Jr.'s National Review. In the 1950s, the magazine sought to establish itself as a conservative alternative to liberal journals like Partisan Review. To do so, it needed a robust book review section, featuring nationally recognized writers. Between the 1950s and the 1980s, Whittaker Chambers, John Dos Passos, Hugh Kenner, Guy Davenport, Joan Didion, Garry Wills, and D. Keith Mano wrote for the magazine. The magazine boosted their careers and they, in turn, helped make Buckley's version of conservatism respectable. In the pages of National Review and elsewhere...