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Lina Bo Bardi
From furniture and exhibition design to monumental domestic and public architectural projects, the breadth of Lina Bo Bardi's multidisciplinary work is showcased in this richly illustrated book. Lina Bo Bardi is regarded as one of the most important architects in Brazil's history. Beginning her career as a Modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of WWII. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed "Casa de Vidro" ("Glass House"), her first built work, where she and her husband would live for the rest of their lives. She ...
Jonathas de Andrade
"Brazilian artist Jonathas de Andrade (b. 1982) weaves fact and fiction to reveal the complex intersections among class, labor, race, and identity that are relevant both in the developing Northeast region of Brazil where he lives and across the globe. Offering an in-depth look at the artist's major projects, including a never-before-seen video commission, Jonathas de Andrade: One to One examines the tangled affair between nature and human development, people and capital, history and memory through four themes--land, house, body, voice--that course through his work"--
Empty Plinths
Empty Plinths responds to the debate around the Columbus monument in Mexico City and probes the unstable narratives behind other memorials and public sculptures in the city. This collection of essays, interviews, artistic contributions, and public policy proposals reveals and reframes the histories embedded within contested public spaces in Mexico.
Lina Bo Bardi
div The first major retrospective of the Brazilian modernist architect's life and work/DIV
Frida Escobedo. Serpentine Pavilion 2018
Inspired by the geometries and materials of the Serpentine Pavilion design by Escobedo, this catalogue is the first publication to focus on her practice.It brings together writing and images that have acted as inspiration and reference points for Escobedo, with newly-commissioned texts that review her work to date and discuss the themes that informed her design for this year's structure.'I am curious about how we define time and how architecture reflects it... this process of creation and accumulation that happens slowly but steadily, so itbecomes a continuous flow of happenings, one after the other.'Frida Escobedo
Lina Bo Bardi, Drawings
Published on the occasion of an exhibition at the Fundaciâo Joan Mirâo, February 15-may 19, 2019.
The City on Display
The City on Display: Architecture Festivals and the Urban Commons reflects on the biennials, triennials, and other festivals of architecture and design that have been held over the last two decades, as they expand and transform in response to the exigencies of ‘planetary urbanisation’. Joel Robinson examines the development of these large-scale, international, and perennial exhibitions as they address such challenges as urban regeneration, heritage preservation, climate change, and the migration crisis. Homing in on examples of festivals in Venice, Rotterdam, Oslo, Tallinn, Sharjah, Seoul, Shenzhen, and Hong Kong, the author describes how they alter the public spaces that host them, eith...
Archive, Matrix, Assembly
Archive, Matrix, Assembly: The Photographs of Thomas Struth 1978-2018' presents the first comprehensive, systematic theory of contemporary German artist Thomas Struth's main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018.0The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterises the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. In covering all phases of the artist's work, it also develops a comprehensive critical reading of the work, serves as a monograph of the artist, and provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with his earlier work for which Struth first became internationally renowned.
