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This new collection of literary essays includes pieces on the fiction of Joe Brainard, Guy Davenport, Alice Hoffman, Kenneth Koch, Ann Lauterbach, Ishmael Reed, and Samuel R. Delany, among many others. Bamberger also adds an unpublished diary of his 2007 trip to Manhattan, Long Island, and Philadephia, detailing the many literary and artistic figures he met along the way. Another remarkable journey by a major modern critic.
What is an “American” identity? The tension between populism and pluralism, between homogeneity and heterogeneity, has marked the United States since its inception. In The Divided States, leading scholars and critics argue that the US is, and has always been, a site where multiple national identities intersect in productive and challenging ways. Scrutinizing conflicting nationalisms and national identities, the authors ask, Whose stories get told and whose do not? Who or what promotes the idea of a unified national identity in the United States? How is the notion of a unified national identity disrupted? What myths and stories bind the US together? How representative are these stories? W...
An essential and field-defining resource, this volume brings fresh approaches to major US novels, poetry, and performance literature of the twentieth century. With sections on 'structures', 'movements', 'attachments', and 'imaginaries', this handbook brings a new set of tools and perspectives to the rich and diverse traditions of American literary production. The editors have turned to leading as well as up-and-coming scholars in the field to foregroundmethodological concerns that assess the challenges of transnational perspectives, critical race and indigenous studies, disability and care studies, environmental criticism, affect studies, gender analysis, media and sound studies, and other cutting-edge approaches. The 20 original chapters include the discussionof working-class literature, border narratives, children's literature, novels of late-capitalism, nuclear poetry, fantasies of whiteness, and Native American, African American, Asian American, and Latinx creative texts.
Since the nineteenth century, the Western realistic novel has persistently represented the addict as a morally toxic force bent on destroying the institutions, practices, and ideologies that historically have connoted reason, order, civilization. Addiction, Representation undertakes an investigation into an alternative literary tradition that unsettles this limited portrayal of the addict. The book analyzes the practices and politics of reading the experimental addiction novel, and outlines both a practice and an ethics of reading that advocates for a more compassionate response to both diegetic and extra-diegetic addicts—an approach that, at its core, is focused on understanding.
Challenging the conventional wisdom that the 1930s were dominated by literary and photographic realism, Entin uncovers a rich vein of experimental work by politically progressive artists. Examining images by photographers such as Weegee and Aaron Siskind
The Emotional Life of the Great Depression documents how Americans responded emotionally to the crisis of the Great Depression. Unlike most books about the 1930s, which focus almost exclusively on the despair of the American people during the decade, this volume explores the 1930s through other, equally essential emotions: righteousness, panic, fear, awe, love, and hope. In expanding the canon of Great Depression emotions, the book draws on an eclectic archive of sources, including the ravings of a would-be presidential assassin, stock market investment handbooks, a Cleveland serial murder case, Jesse Owens's record-setting long jump at the 1936 Berlin Olympics, King Edward VIII's abdication...
The Past Is Not Dead is a collection of twenty-one literary and historical essays that will mark the 50th anniversary of the Southern Quarterly, one of the oldest scholarly journals (founded in 1962) dedicated to southern studies. Like its companion volume, Personal Souths, The Past Is Not Dead features the best of the work published in the journal. Essays represent every decade of the journal's history, from the 1960s to the 2000s. Topics covered range from historical essays on the French and Indian War, the New Deal, and Emmett Till's influence on the Black Panther Party to literary figures including William Faulkner, Robert Penn Warren, Richard Wright, Eurdora Welty and Carson McCullers. ...
"Sovereign Intimacy investigates the relationship between the settler-colonial state and its citizens through the intimating work of media and memory. Using Israel-Palestine as a case study, it tracks how personal family commemoration was channeled and shaped by an emerging private media complex--family videos, freelance filmmaking, grassroots campaigns, and privatized television--enabling a disavowal of the state project of colonial violence through mundane and affective kinship. To the sovereign constitutive rights--the right to life, the right to kill--the book adds another right: the right to love, a right for private life, in the name of which other lives are denied"--
In this moment of climate precarity, Victorian studies scholar Barbara Leckie considers the climate crisis as a problem of time. Spanning the long nineteenth century through our current moment, her interdisciplinary treatment of climate change at once rethinks time and illustrates that the time for climate action is now. Climate Change, Interrupted argues that linear, progress-inflected temporalities are not adequate to a crisis that defies their terms. Instead, this book advances a theory and practice of interruption to rethink prevailing temporal frameworks. At the same time, it models the anachronistic, time-blending, and time-layering temporality it advances. In a series of experimental ...
The World Health Organization's post-World War II work on the epidemiology and classification of mental disorders and its vision of a "world psyche." In 1946, the World Health Organization undertook a project in social psychiatry that aimed to discover the epidemiology and classification of mental disorders. In Mad by the Millions, Harry Y-Jui Wu examines the WHO's ambitious project, arguing that it was shaped by the postwar faith in technology and expertise and the universalizing vision of a "world psyche." Wu shows that the WHO's idealized scientific internationalism laid the foundations of today's highly highly metricalized global mental health system.