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This book is the second volume of a proposed trilogy about the Spanish Civil War and some of the religious aspects of the war. Although this can stand as a self-contained work, it reintroduces the Alvart family and other characters from the first volume.
Excerpt from The Eternal Galilean This is Christmas eve! In tens of thousands of homes tonight there is gaiety and gladness; gardens come to the Windows in the form of wreaths, and forests into parlors in the form of trees; the chil dren's long advent is ended as they jump with joy about their toys: the very atmosphere is charged with cheer; love sparkles, gifts abound, greetings exchange, hearts soften. Everywhere there IS a new spirit, a new life, a new hope, a new joy! But What is it all about? Why are people mak ing merry? Why call this a season of joy? There must be some reason for it. I can understand why We shoot off firecrackers on the Fourth of July, be cause that is the day we cele...
The Meaning of the Church presents the Catholic Church as a living reality, the "Body of Christ, mystically living on," bearing "the fullness of salvation." Eloquent, enlightening, and exceptionally relevant, this book is an invaluable opportunity to meditate upon the true origin, nature, and destiny of the Church of Jesus Christ.
Wolf determines to restore the ancient wolf habit of singing that has been forbidden to wolves for generations.
This is a major English study of the novels of the Spanish Civil War. The book is based on an analysis of some eighty Spanish novels, written in Spain and abroad (in exile) during the Franco period (1936-1975), in which the Civil War is the major theme.
The Boom is the socio-literary movement that brought the Latin American writers Mario Vargas Llosa, Gabriel García Márquez, Carlos Fuentes, and Julio Cortázar and the Spanish writer Juan Goytisolo to fame during the 1960s. Prior studies of the Boom have essentially focused on the characteristics of the movement in Latin America and have been interested mainly in the originality or literary experimentalism of the Boom, in which these studies mirrored the ideals of the Cuban revolution. This groundbreaking book presents a history of the Boom in Spain as well as in Latin America and critiques the myth of originality of the Boom, which is only conventional inside the parameters of literary modernism. With this new perspective, the Boom appears as a manifestation of literary modernism, which repeats the history of the European avant-gardes of the second decade of the twentieth century.