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La Unidad Nacional para la Gestión del Riesgo de Desastres (UNGRD) a través de la Comisión Nacional Asesora de Investigación en Gestión del Riesgo de Desastres en cumplimiento de su misionalidad, de los planes y la agenda internacional, presentan el Libro de Investigaciones en Gestión del Riesgo de Desastres para Colombia. Contribuciones locales, regionales y nacionales. Esta publicación desarrolla capítulos sobre gestión del riesgo de desastres relacionados con: calidad de agua, amenaza por tsunami, corredores viales, avenidas torrenciales, incendios forestales, percepción del riesgo, campesinos, biodiversidad y servicios ecosistémicos, soluciones basadas en la naturaleza, lecciones aprendidas y respondedores de emergencias. Estos capítulos hacen avanzar el conocimiento nacional con aportes desde la academia, entidades técnico-científicas, profesionales independientes y otros actores del SNGRD.
Struggles for Recognition traces the emergence of melodrama in Latin American silent film and silent film culture. Juan Sebastián Ospina León draws on extensive archival research to reveal how melodrama visualized and shaped the social arena of urban modernity in early twentieth-century Latin America. Analyzing sociocultural contexts through film, this book demonstrates the ways in which melodrama was mobilized for both liberal and illiberal ends, revealing or concealing social inequities from Buenos Aires to Bogotá to Los Angeles. Ospina León critically engages Euro-American and Latin American scholarship seldom put into dialogue, offering an innovative theorization of melodrama relevant to scholars working within and across different national contexts.
Approach; Major ecosystem types, major habitat types, and ecoregions of LAC; Conservation status of terretrial ecoregions of LAC; Biological distinctiveness of territorial ecoregions of LAC at different biogeographic scales results; Integrating biological distinctiveness and conservation status; Conservation assessment of mangrove ecosystems.
This book traverses the cultural landscape of Colombia through in-depth analyses of displacement, local and global cultures, human rights abuses, and literary and media production. Through an exploration of the cultural processes that perpetuate the "darker side" of Latin America for global consumption, it investigates the "condition" that has led writers, filmmakers, and artists to embrace (purposefully or not) the incessant violence in Colombian society as the object of their own creative endeavors. In this examination of mass-marketed cultural products such as narco-stories, captivity memoirs, gritty travel narratives, and films, Herrero-Olaizola seeks to offer a hemispheric approach to t...
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