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Fleet
In 1878, in London, a woman served a prison sentence for deserting two of her children, a charge she denied. Almost nothing else is known of her life or that of her husband, a dealer in 'foreign birds and curiosities', who was himself a migrant. The two children vanished from the record. This is where Fleet begins, with elusive histories and lost voices. The title suggests imperial power, conquest, traffic in commodities (which in the nineteenth century included vast numbers of exotic birds). It is shadowed by other meanings: the fleeting glimpse and swift flight; floating memories, enigmatic and insistent. Judith Willson's second book of poems was written during years when migration and displacement have become central facts of the human condition. The collection works outwards from found text - historical documents, archive materials - into other places and times. In the silences of such records, their erasures and omissions, are stories that haunt our present.
New Poetries VI
'With this, the sixth New Poetries,' write the editors, 'the anthology series comes of age. It is twenty-one years since New Poetries I set the pattern, introducing new and relatively new writers, among them Sophie Hannah, Vona Groarke and Miles Champion, three poets so different that their art had to go into the plural.' And there it has stayed: there is no common descriptor for the work of Sinéad Morrissey, Patrick McGuinness and Matthew Welton (II); Caroline Bird, David Morley, Togara Muzanenhamo and Jane Yeh (III); Kei Miller (IV); and Tara Bergin, Oli Hazzard, Katharine Kilalea and William Letford (V), among many others. New Poetries has never identified a school or a generation: the p...
Poems, Stories and Writings
Margaret Tait (1918–1999) was a pioneering filmmaker for whom words and images made the world real. 'In a documentary', she wrote, real things 'lose their reality... and there's no poetry in that. In poetry, something else happens.' If film, for Tait, was a poetic medium, her poems are works of craft and observation that are generous and independent in their vision of the world, poems that make seeing happen. Sarah Neely, Professor in the Department of Theatre, Film and Television Studies at the University of Glasgow, draws on Tait's three poetry collections, her book of short stories, her magazine articles and unpublished notebooks to make available for the first time a collection of the full range of Tait's writing. Her introduction discusses Tait as filmmaker and writer in the context of mid-twentieth-century Scottish culture, and a comprehensive list of bibliographic and film resources provides an indispensible guide for further exploration.
Fifty Fifty
A Book of the Year 2019 in The Morning Star. This is a rare glimpse into the inner workings of a small, ambitious press over a period of radical transformation in publishing. Each of Carcanet's fifty years is marked by an exchange of letters - handwritten, typed, and now emailed - between an author and the editor. Beginning in 1969 with the response to an invitation to subscribe to Carcanet for two guineas, the book traces Carcanet's progress and offers insight into the nature of literary editing. At its heart is the personal relationship of author and editor/publisher, the conflicts, friendships and vicissitudes that occur at the nexus between the work, its creator, publisher and reader. Poets are central, but fiction writers, translators, biographers and critics also contribute to the Carcanet ferment and firmament. Fifty Fifty celebrates the writers', readers' and editor's risks, passions and pleasures.
Arthur Symons
Arthur William Symons (1865-1945) is a haunting poet of the modern city, catching its dangerous, complex beauty in works that first introduced the imagery of the urban underworld into English poetry. He was a champion of the French Symbolists. Yeats, Pound and Eliot acknowledged their debt to him and were influenced by his sense of the city as the essential landscape of modernity. As a poet and critic, in his own right, though, Symons has come into his own in recent years. This selection is taken from the full range of Symons' poetry and prose, revealing an experimental writer exploring art, literature and music. Roger Holdsworth's introduction sets Symons in his context as both an 1890s Decadent and a precursor of Modernism.
Earth Story in Genesis
A series of articles by scholars from around the world reading the story of Earth in Genesis in the light of the ecojustice principles enunciated in Volume One, 'Readings from the Perspective of Earth'. These readings uncover how Earth may be valued or de-valued, given a voice or denied a voice, dominated or served, depending on the orientation of the text. In Genesis 1, for example, the intrinsic worth of Earth is highlighted in the 'revealing' of Earth's presence but negated when humans are given the right to 'subdue' it. In Genesis 9 the text begins with the Earth community terrified by, and alienated from, humans but ends with all the Earth Community-and Earth itself-bound together equally in a covenant.
The Language of Battered Women
Winner of the 2005 Outstanding Book Award presented by the Organization for the Study of Communication, Language, and Gender (OSCLG) This study of battered women living in a shelter offers a rhetorical analysis of survivors' personal theologies. Author Carol L. Winkelmann holds that while it is virtually ignored in the domestic violence literature, the Christian heritage of many battered women plays a significant, if complicated, role in their language, thoughts, and lives. The women's religious faith serves not only to sustain them through periods of profound suffering, but also to develop solidarity with other culturally-different women in the shelter. Designed to assist women to greater i...
Collected Poems
An Irish Times Best Poetry Books of 2021 In Collected Poems one of Ireland's best-loved contemporary poets brings together poems from her six principal collections, Oar (1990), The Parchment Boat (1997), Carrying the Songs (1907), Hands (2011), Keats Lives (2015) and Donegal Tarantella (2019) - more than three decades' work - a poetry of individual poems which compose a memorable, unpredictable sequence of discovery. The immediacy of our response to the beauty of our exploited planet inspire many of Moya Cannon's poems. The perfection of very early cave art she sees as testimony to the centrality of art in our evolution as humans. Geology, archaeology, history and music figure as gateways to...
Selected Poems
The great unshackling of women's voices in poetry has one of its beginnings right here. These sad beautiful poems are full of rendings and breakings and burnings.' So writes Eavan Boland in her introduction to her selection of poems of Charlotte Mew (1868-1928). Identifying in Mew the startling, powerful voice that first made possible a new kind of poetry, free of Victorian expectations of a 'poetess', Boland has selected the poems that have meant most to her as a reader and a writer. The dialogue between the two poets establishes Mew's place in the continuing dialogue of women's writing.
Parade's End Volume III
A Man Could Stand Up -the third volume of Parade's End, brings Ford's characters to the 'crack across the table of History', across which lie their uncertain post-war futures. Divided into three parts, the novel is a kaleidoscopic vision of society at a climactic moment. The Armistice Day fireworks heard by Valentine Wannop in London with which the novel opens are echoed in the nightmare bombardment of the second part, as we are taken back to the war and Christopher Tietjens, staggering through the mud of No Man's Land with a wounded soldier in his arms. The final section returns to Armistice Day and joins the two characters in a frenetic dance, while Tietjens' wartime comrades smash glasses...
