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Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences. Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and...
Edward Thomas volunteered when he was 37 years old and a father of three and was killed, as an artillery officer, during the first hour of the Arras offensive, on April 9th, 1917. In the two years before his death, he wrote the 144 poems which ensured a place for him among the poets of his generation. Though all his poems had been written OC under stormOCOs wingOCO, Thomas was not a war poet in the sense that Owen, Sassoon or Rosenberg were war poets. Before he turned to poetry in December 1914, he..."
An exploration across thirteen essays by critics, translators and creative writers on the modern-day afterlives of Old English, delving into how it has been transplanted and recreated in the twentieth and twenty-first centuries.
Mae'r gyfrol hon yn canolbwyntio ar y flwyddyn a dreuliodd Judy Kendall yn dysgu yn Siapan. Dyma'i hail gasgliad o farddoniaeth, a cheir yma gerddi sylwgar a ffraeth. -- Cyngor Llyfrau Cymru
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