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This book is a collection of essays on the Mexican transition to democracy that offers reflections on different aspects of civic culture, the political process, electoral struggles, and critical junctures. They were written at different points in time and even though they have been corrected and adapted, they have kept the tension and fervour with which they were originally created. They provide the reader with a vision of what goes on behind those horrifying images that depict Mexico as a country plagued by narcotrafficking groups and subjected to unbridled homicidal violence. These images hide the complex political reality of the country and the accidents and shocks democracy has suffered.
"This volume is a selection of the papers presented during the international conference Patagonia: Myths and Realities organised through the Centre of Latin American Cultural Studies at the University of Manchester and held in September 2005 at the Manchester Museum"--Introd.
Capitalism and its Discontents presents a series of interpretative essays on a number of key modern and contemporary Latin American novels and films. The overarching theme in the essays is the relation between such textual materials and their regional contexts.
First ever English language book on 20th century cartooning and humour production in Catalonia Offers both broad history as well as close analysis of cartoon examples of the time Engages with academic debates on the power of humour, humour and identity and applies them to the Catalan context Offers contextualisation of the Catalan cartooning tradition within a broader socio-political context of Catalonia and Spain
OrIoff shows that Cortázar did not become a political writer as a result of the Cuban Revolution, as is often claimed, but rather that the representation of the political was present in Cortázar's very first writings. The book analyses the evolution of the representation of distinct political elements throughout Cortázar's writings, mainly with reference to the novels and the so-called collage books, which have so far received only limited critical attention. The author also alludes to some short stories and refers to many of Cortázar's non-literary texts. Through this chosen corpus, the book follows a thematic thread, showing that politics was present in Cortázar's fiction from his ver...
The Cambridge History of Latin American Women's Literature is an essential resource for anyone interested in the development of women's writing in Latin America. Ambitious in scope, it explores women's literature from ancient indigenous cultures to the beginning of the twenty-first century. Organized chronologically and written by a host of leading scholars, this History offers an array of approaches that contribute to current dialogues about translation, literary genres, oral and written cultures, and the complex relationship between literature and the political sphere. Covering subjects from cronistas in Colonial Latin America and nation-building to feminicide and literature of the indigenous elite, this History traces the development of a literary tradition while remaining grounded in contemporary scholarship. The Cambridge History of Latin American Women's Literature will not only engage readers in ongoing debates but also serve as a definitive reference for years to come.
The twin focus of this book is on the importance of the Spanish heritage on nation and state building in nineteenth-century Spanish-speaking Latin America, alongside processes of nation and state building in Spain and Latin America. Rather than concentrating purely on nationalism and national identity, the book explores the linkages that remained or were re-established between Spain and her former colonies; as has increasingly been recognised in recent decades, the nineteenth century world was marked by the rise of the modern nation state, but also by the development of new transnational connections, and this book accounts for these processes within a Hispanic context.
This volume delivers a comprehensive study of banditry in Latin America and of its cultural representation. In its scope across the continent, looking closely at nations where bandit culture has manifested itself forcefully ― Mexico (the subject of the case study), the Hispanic south-west of the United States, Argentina, Brazil, Venezuela and Cuba ― it imagines a ‘Golden Age’ of banditry in Latin America from the mid-nineteenth century to the 1940s when so-called ‘social bandits’, an idea first proposed by Eric Hobsbawm and further developed here, flourished. In its content, this work offers the most detailed and wide-ranging study of its kind currently available.
This volume presents studies of some of the key artistic manifestations in Catalonia in recent times, a period of innovation and experimentation, and addresses issues concerning literature, film, theatre and performance art. From the creation of a new popular theatre in the work of the Valencian playwright Rodolf Sirera, or the conception of landscape, myth and memory in the late work of the novelist Mercè Rodoreda and the urgency of memory and remembrance in the writings of Jordi Coca, the effects of censorship in Catalonia appear to have proved a spur and a challenge to writers. Desiring to occupy illegal spaces, performance groups have manifested both literally and metaphorically the international dimension of Catalan culture in the modern period, posed in the present volume by the instances of La Cubana and Els Joglars, and further evidenced in the cross-fertilization in the work of contemporary Catalan playwrights and filmmakers to foreground issues of national plurality and tensions arising between the periphery (Catalonia) and the centre (Spain and Castile).
While the intricate relationship between history, memory and representation is of central concern in contemporary society everywhere, it is perhaps more alive in Spain than in any other European country. The seventy-fifth anniversary of the Spanish Civil War has re-ignited interest in this field – an interest that is reflected in this book and which it will reinforce. This book features cutting-edge, interdisciplinary research on the political, historical, cultural, and literary legacy of the Spanish Civil War by a mixture of new and leading scholars from Europe, North America and New Zealand.