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The Mexico Reader is a vivid introduction to muchos Méxicos—the many Mexicos, or the many varied histories and cultures that comprise contemporary Mexico. Unparalleled in scope and written for the traveler, student, and expert alike, the collection offers a comprehensive guide to the history and culture of Mexico—including its difficult, uneven modernization; the ways the country has been profoundly shaped not only by Mexicans but also by those outside its borders; and the extraordinary economic, political, and ideological power of the Roman Catholic Church. The book looks at what underlies the chronic instability, violence, and economic turmoil that have characterized periods of Mexico...
In this theoretically innovative study of maldevelopment and power relations among the Nahuas of southern Veracruz, Chevalier and Buckles explore the impact of Mexico's cattle ranching and petrochemical industries on milpa agriculture and rainforest environment. They also examine how national politics and economics affect native patterns of patrimonial culture and social organization. In the concluding chapter, an ascetic worldview illustrated through corn god mythology points to meaningful ways of countering current trends of social and ecological impoverishment. This major work of scholarship tackles key issues in ecology and development, theories of the state, gender analysis and symbolic...
A novel study on consciousness and the brain that places culture at the center of the analysis.
During the 1920s and ’30s, Mexico attracted an international roster of artists and intellectuals—including Orson Welles, Katherine Anne Porter, and Leon Trotsky—who were drawn to the heady tumult engendered by battling cultural ideologies in an emerging center for the avant-garde. Against the backdrop of this cosmopolitan milieu, In Excess reconstructs the years that the renowned Soviet director Sergei Eisenstein spent in the country to work on his controversial film ¡Que Viva Mexico! Illuminating the inextricability of Eisenstein’s oeuvre from the global cultures of modernity and film, Masha Salazkina situates this unfinished project within the twin contexts of postrevolutionary Me...
Farewell to the Peasantry? questions class-reductionist assumptions in certain Marxist and populist approaches to political movements in twentieth-century rural Mexico, highlighting the interpretation of the process of political class formation.
From the 1990s onwards the 'ethnographic turn in contemporary art' has generated intense dialogues between anthropologists, artists and curators. While ethnography has been both generously and problematically re-appropriated by the art world, curation has seldom caught the conceptual attention of anthropologists. Based on two years of participant-observation in Mexico City, Tarek Elhaik addresses this lacuna by examining the concept-work of curatorial platforms and media artists. Taking his cue from ongoing critiques of Mexicanist aesthetics, and what Roger Bartra calls 'the post-Mexican condition', Elhaik conceptualises curation less as an exhibition-oriented practice within a national culture, than as a figure of care and an image of thought animating a complex assemblage of inter-medial practices, from experimental cinema and installations to curatorial collaborations. Drawing on Gilles Deleuze and Paul Rabinow, the book introduces the concept of the 'Incurable-Image,' an antidote to our curatorial malaise and the ethical substance for a post-social anthropology of images.
The Reinvention of Mexico explores the ideological conflict between neoliberalism and nationalism that has been at the core of economic and political development in Latin America since the mid-1980s. Grappling with a wide variety of issues generated by the dismantling of the statist economy and subsequent climate of market reforms, this timely volume shows that Mexico's transformation in the 1990s has broader implications for the study of nationalism. A welcome contribution to the literature on Latin American history, The Reinvention of Mexico offers important insight into national responses to globalization and the most appropriate vision of political economy in Latin America.
From the 1990s onwards the 'ethnographic turn in contemporary art' has generated intense dialogues between anthropologists, artists and curators. While ethnography has been both generously and problematically re-appropriated by the art world, curation has seldom caught the conceptual attention of anthropologists.Based on two years of participant-observation in Mexico City, Tarek Elhaik addresses this lacuna by examining the concept-work of curatorial platforms and media artists. Taking his cue from ongoing critiques of Mexicanist aesthetics, and what Roger Bartra calls 'the post-Mexican condition', Elhaik conceptualises curation less as an exhibition-oriented practice within a national culture, than as a figure of care and an image of thought animating a complex assemblage of inter-medial practices, from experimental cinema and installations to curatorial collaborations. Drawing on Gilles Deleuze and Paul Rabinow, the book introduces the concept of the 'Incurable-Image,' an antidote to our curatorial malaise and the ethical substance for a post-social anthropology of images.
This historical monograph examines the decline of the hacienda estates within Jalisco, Mexico during the early decades of the 20th century. The book also explores the impact of the land reform program of President Lazaro Cardenas in transforming the agrarian economic structure of the region. This study contributes to an ongoing lively debate about the hacienda system and the meaning of the Cardenas reforms. This is an important work because it explores the evolution of a regional socio-economic system that promoted urban industrial growth at the expense of the rural poor. The model of regional development described is applicable to other areas of Mexico and underdeveloped Third World nations with extensive peasant populations. The research for this investigation has wider implications regarding issues of global hunger and malnutrition.
Brings together broadly synthetic essays of interpretation that illuminate both the rethinking of history and paradigm that has taken place within the fields of African and Latin American history and the resonances between these fields. Three of the essay have previously been published in scholarly journals; three essays and a postscript were written expressly for this volume. Paper edition (unseen), $15.95. Annotation copyright by Book News, Inc., Portland, OR