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Before stories of King Arthur and Robin Hood were adapted and readapted for film, television and theater, radio scriptwriters looking for material turned to Thomas Malory's Le Morte Darthur (1485) and Howard Pyle's The Merry Adventures of Robin Hood (1883). Throughout the 1930s to the mid-1950s, their legends inspired storylines for Abbott and Costello, Popeye, Let's Pretend, Escape, Gunsmoke, The Adventures of Superman and others. Many of these adaptations reflect the moral and ethical questions of the day, as characters' faced issues of gender relations, divorce, citizenship, fascism, crime and communism in a medieval setting.
This handbook provides an extensive overview of traditional and emerging research areas within the field of intermediality studies, understood broadly as the study of interrelations among all forms of communicative media types, including transmedial phenomena. Section I offers accounts of the development of the field of intermediality - its histories, theories and methods. Section II and III then explore intermedial facets of communication from ancient times until the 21st century, with discussion on a wide range of cultural and geographical settings, media types, and topics, by contributors from a diverse set of disciplines. It concludes in Section IV with an emphasis on urgent societal issues that an intermedial perspective might help understand.
David Fincher’s Zodiac (2007), written by producer James Vanderbilt and adapted from the true crime works of Robert Graysmith, remains one of the most respected films of the early twenty-first century. As the second film featuring a serial killer (and the first based on fact) by Fincher, Zodiac remains a standout in a varied but stylistically unified career. While connected to this genre, the film also hybridizes the policier genre and the investigative reporter film. And yet, scholarship has largely ignored the film. This collection is the first book-length work of criticism dedicated to the film. Section One focuses on early influences, while the second section analyzes the film’s unique treatment of narrative. The book closes with a section focusing on game theory, data and hegemony, the Zodiac’s treatment in music, and the use of sound in cinema. By offering new avenues and continuing a few established ones, this book will interest scholars of cinema and true crime along with fans and enthusiasts in these areas.
Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Małgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a fo...
Außenseiter als Helden, Mediengeschichte als Zeitgeschichte: Produktion, Distribution und Rezeption europäischer Kinder- und Jugendfernsehserien in den ersten Jahrzehnten der TV-Geschichte Robin Hood, Thierry la Fronde, Floris, Rinaldo Rinaldini – mittelalterliche und frühneuzeitliche Helden, die sich aufgrund von erlittenem Unrecht außerhalb der gesellschaftlichen Ordnung bewegten, hatten in den ersten Jahrzehnten der europäischen Fernsehgeschichte besonders in Serienformaten Konjunktur, die sich an Kinder und Jugendliche richteten. Am Beispiel der auch global erfolgreichen englischen Produktion »The Adventures of Robin Hood« (1955–1960) und drei weiterer Serien aus Frankreich, d...
Brace yourself for the battle of the exes.... Hayden and Nick used to be a hot item, but their brief affair ended with a highly publicized breakup. Now the two are "just friends," excluding the occasional flirtation. When Hayden wins the girls' division of a local snowboarding competition, Nick is unimpressed, claiming that Hayden wouldn't have a chance against a guy. Hayden calls Nick's bluff and challenges him to a head-to-head boarding contest. Their mutual friends quickly take sides, the girls on Hayden's and the boys on Nick's, making for an all-out battle of the sexes. This friendly competition is bound to get heated -- and they might end up igniting some old flames.
High school senior Meg revels in being a rebel; cutting class whenever possible and hanging out anywhere she's not supposed to be. Like on a railroad-tracks-covered bridge that's off-limits to trespassers. When she and her friends are busted for trespassing and underage drinking, she's sentenced to spend her spring break riding along with a rookie police officer on his nightshift patrol. To make things worse the cop, John After, is only two years older than Meg, and is sure that he knows all he needs to about her. John has nothing but contempt for her childish rebellion, but that's fine, because the feelings mutual - his straight-laced, by-the-book attitude is everything that Meg hates. But they're about to discover that they have a lot more in common than either one of them could have dreamed and, as they're forced to spend time together, sparks fly and a hot attraction between them becomes undeniable…
Gemma can't believe her luck when Max starts flirting with her. So when he asks out her so-called best friend Addison, Gemma's heartbroken. Then Addison pressures Gemma to join the date with one of Max's friends. But the more time they all spend together, the harder Gemma falls for Max. How can Gemma get the guy she wants without going after her best friend's boyfriend?
Disco thumps back to life in this pulsating look at the culture and politics that gave rise to the music. In the 1970s, as the disco tsunami engulfed America, the question, “Do you wanna dance?” became divisive, even explosive. What was it about this music that made it such hot stuff? In this incisive history, Alice Echols reveals the ways in which disco, assumed to be shallow and disposable, permanently transformed popular music, propelling it into new sonic territory and influencing rap, techno, and trance. This account probes the complex relationship between disco and the era’s major movements: gay liberation, feminism, and African American rights. But it never loses sight of the era’s defining soundtrack, spotlighting the work of precursors James Brown and Isaac Hayes, its dazzling divas Donna Summer and the women of Labelle, and some of its lesser-known but no less illustrious performers like Sylvester. You’ll never say “disco sucks” again after reading this fascinating account of the music you thought you hated but can’t stop dancing to.
A sexy romance that fans of Simone Elkeles and Jamie McGuire will fall in love with… There's a lot Zoey would like to forget. Like how her father has knocked-up his twenty-four-year-old girlfriend. Like her mom's nervous breakdown. Like Doug, the darkly handsome bad boy, who taunts her at school… Worried that her life is becoming a complete mess, Zoey fights back the only way she knows how, by making sure that she's perfect - the perfect daughter, the perfect student and the perfect girlfriend to ultra-popular football player, Brandon. But then Zoey is in a car crash and can't remember anything about the night it happened. She should have been with Brandon, but he doesn't seem to know an...