You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
This book tells the story of my search for help for rheumatoid arthritis without using any drugs, as I was aware that all drugs have side effects. I was on four the strongest at one time. What I discovered enabled me to dispense with these, one by one. In addition to diet and supplements, there were many other sources of help which have been invaluable over the years since I first started with this disease. Self healing is hard work. The first thing to do is to take personal responsibility for yourself. You learn what is best for your body-what it needs. You also have to look at anything which is hindering your progress in healing. Sometimes you need to change something in your life. This is...
Covers receipts and expenditures of appropriations and other funds.
This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora. It is the first book to present a broad-ranging analysis of cultural dance in Australia. Topics include adaptation of dance customs within a post-migration context, multicultural festivals, prominent performers, historiographies and archives, and the relative positionings of cultural and Western theatrical dance genres. The book offers a decolonized appraisal of dance in Australia, critiquing past and present praxes and offering suggestions for the future. Overall, it underscores the highly variegated nature of the Australian dance landscape and advocates for greater recognition of amateur community dance practices. Cultural Dance in Australia makes a substantial contribution to the catalogue of work about immigrants and cultural dance styles that continue to be preserved in Australia. This book will be of interest to scholars of dance, performance studies, migration studies and transnationalism.
description not available right now.
The contributions to this second volume focus equally on tangible and intangible dimensions of Southeast European regions. They represent the region both as a territorial unit and as a mental construct laden with symbolic meaning. The papers demonstrate that regions, be it the entire Balkan Peninsula or be it a small area somewhere in the mountains, can become palpable, visible, and audible. They can produce culture and they can, at the same time, be products of culture: regions can be constructs of those who inhabit them - or of spatial planning from "above". In any case, both the physical and the symbolic regions are a very relevant issue in Southeast Europe, serving purposes of spatial, ethnic, religious or even professional identification, or of politically motivated border-drawing.
A charismatic and visionary conductor, Sir Mark Elder has been one of Britain's most important and influential musicians for half a century. His work in raising English National Opera and the Halle to international excellence has no parallel in British music history.