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Frieden explores methods of dream interpretation in the Bible, the Talmud, and in the writings of Sigmund Freud, and brings to light Freud's troubled relationship to his Judaic forerunners. This book reveals unfamiliar associations in intellectual history and challenges received ideas in biblical, Talmudic, and Freudian scholarship. Freud distanced himself from dream interpreters such as Joseph and Daniel by rejecting their intuitive methods and their claims to predict the future. While biblical and Talmudic dream interpretation generally involve prophecy, Freud sought to limit himself to the determination of prior causes in the dreamer's life. Nevertheless, Frieden demonstrates that Freud's strategies of interpretation, and especially his use of "free association," inevitably guide the dreamer toward a future. This resonance between ancient prophecy and modern psychology is merely one example of the concealed relationship between Judaic and psychoanalytic dream interpretation. Frieden shows the role both of actual influences and influences denied by Freud.
This book provides a wide-ranging analysis of French Jewish authors born after the Shoah and traces the development of the rich agenda of jeune littérature juive (young Jewish writing) from its beginnings in the late 1970s, into the 1980s and 1990s, when it gained intense momentum. Thomas Nolden uses a wealth of biographical information to expound on his central thesis: the abrupt interruption of transmission of the Jewish heritage by assimilation, migration, and near-extermination required these writers to reinvent themselves, their past, and their memories as Jews. Nolden provides concise readings of the fiction of more than two dozen writers of both Sephardic and Ashkenazi background living in present-day France. He demonstrates how contemporary Jewish writing has responded historically, culturally, politically, and aesthetically to developments in French society and in Jewish culture. His critical analysis of the major themes, concerns, and stylistic features of the authors' work connects Jewish writing in France to the traditions of Jewish writing both during the Diaspora and in Israel.
A House with Seven Windows by Kadya Molodowsky is the famed Yiddish poet’s only collection of short stories. Written in simple prose, these stories are subtle portraits—tragic-comic, bittersweet, always generous spirited—of ordinary people: Jews in pre-World War II Eastern Europe and Jews struggling to adjust to life in America. A traditional-minded husband is defeated by his wife who wants only the latest fashion. A community leader’s position is supported and maintained by his more energetic and political- minded wife. A couple, ardent supporters of the newly formed state of Israel, nevertheless find themselves at odds with their son who intends to live there. An American Jew who a...
Two novellas by the founder of modern Yiddish fiction--Fishke the Lame and The Brief Travels of Benjamin the Third--depict small-town Jewish life in Russia.
As they do every year, Yosef Zinman, a well-to-do Tel Aviv grocer, and his beloved wife Zippi plan a vacation during the holiday of Sukkot to Seefeld in the mountainous Tirols region of Austria. This year, Zippi decides to invite her sister, who has fallen on hard times with a failing perfumery business. Soon, more and more relatives join in on the trip, and the expenses quickly begin to add up. To gather all the funds needed, the family goes into the business of inexpensive clothing and fashion shows for workers’ unions. The summer promises handsome revenues, but as the Zinman family nears their goal, they become increasingly vexed by their competing interests. A tragic-comic novel in its essence, Petty Business chronicles a year in one family's life, set against the backdrop of Tel Aviv’s rapidly changing global economy in the early 1990s. Pinkus’s biting critique of Tel Aviv’s provincial character and its residents’ shtetl mentality is delivered with a perfect combination of wit, humor, and tender pathos.
For centuries before its “rebirth” as a spoken language, Hebrew writing was like a magical ship in a bottle that gradually changed design but never voyaged out into the world. Isolated, the ancient Hebrew ship was torpid because the language of the Bible was inadequate to represent modern life in Europe. Early modern speakers of Yiddish and German gave Hebrew the breath of life when they translated dialogues, descriptions, and thought processes from their vernaculars into Hebrew. By narrating tales of pilgrimage and adventure, Jews pulled the ship out of the bottle and sent modern Hebrew into the world. In Travels in Translation, Frieden analyzes this emergence of modern Hebrew literatur...
With a framework based on interests, interactions, and institutions, World Politics gives students the tools to understand international relations. In the thoroughly updated Fourth Edition, new Controversy units provide models for applying the concepts in each chapter to real-world issues and events. New InQuizitive activities—created and tested by instructors who teach with World Politics—then invite students to practice applying the analytical tools from the text to alternative examples and cases.
Hilarious and sad at the same time, Ehrlich’s collection of short stories, Who Will Die Last is an original and moving work of fiction. Ever deeply humane, the author takes his characters on a tantalizing journey through their souls. His understated style transforms even a heartbreaking plot into an uplifting and funny story. Israel’s special history, landscapes, and conflicts add to the drama and passion of the book. Ehrlich’s themes relate to gay life in Israel, the pull of loneliness, and the power of community. Rather than a single translator, this collection employs a variety of translators, reflecting in many ways the luminous diversity of voices in the stories.
Two novellas by S. Y. Abramovitsh open this collection of the best short works by three influential nineteenth-century Jewish authors. Abra- movitsh’s alter ego—Mendele the Book Peddler—introduces himself and narrates both The Little Man and Fishke the Lame. His cast of characters includes Isaac Abraham as tailor’s apprentice, choirboy, and corrupt businessman; Mendele’s friend Wine ’n’ Candles Alter; and Fishke, who travels through the Ukraine with a caravan of beggars. Sholem Aleichem’s lively stories reintroduce us to Tevye, the gregarious dairyman, as he describes the pleasures of raising his independent-minded daughters. These are followed by short monologues in which Al...
Critics commonly hold that the modern Hebrew canon reveals a shared rhetoric that is crucial for the emergence and formation of modern Jewish nationalism. Yet, does the Hebrew canon indeed demonstrate a shared logic? In Rhetoric and Nation, Ginsburg challenges the common conflation of modern Hebrew rhetoric and modern Jewish nationalism. Considering a wide range of literary, critical, and political works, Ginsburg explores the way each text manifests its own singular logic that cannot be subsumed under any single ideology. Through close readings of key canonical texts, Rhetoric and Nation establishes that the Hebrew discourse of the nation should be conceived of not as a coherent and cohesive entity but rather as an assemblage of singular, disparate moments.