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Buku Ajar Pengendalian dan Pencegahan Infeksi ini disusun sebagai buku panduan komprehensif yang menjelajahi kompleksitas dan mendalamnya tentang Pencegahan dan Pengendalian Infeksi. Buku ini dapat digunakan oleh pendidik dalam melaksanakan kegiatan pembelajaran di bidang keperawatan dan di berbagai bidang Ilmu terkait lainnya. Buku ini umum dapat digunakan sebagai panduan dan referensi mengajar mata kuliah Pencegahan dan Pengendalian Infeksi dan menyesuaikan Rencana Pembelajaran Semester tingkat Perguruan Tinggi masing-masing. Secara garis besar, buku ajar ini pembahasannya mulai dari Konsep mengenai infeksi, pencegahan infeksi diruang instalasi gawat darurat, Pencegahan infeksi di pelayana...
Commissioned by the English East India Company to write about contemporary nineteenth-century Delhi, Mirza Sangin Beg walked around the city to capture its highly fascinating urban and suburban extravaganza. Laced with epigraphy and fascinating anecdotes, the city as ‘lived experience’ has an overwhelming presence in his work, Sair-ul Manazil. Interestingly, Beg made no attempt to ‘monumentalize’ buildings; instead, he explored them as spaces reflective of the socio-cultural milieu of the times. Delhi in Transition is the first comprehensive English translation of Beg’s work, which was originally published in Persian. It is the only translation to compare the four known versions of Sair-ul Manazil, including the original manuscript located in Berlin, which is being consulted for the first time. Shama Mitra Chenoy’s exhaustive introduction and extensive notes, along with the use of varied styles in the book to indicate the multiple sources of the text, contextualize Beg’s work for the reader and engage him with the debate concerning the different variants of this unique and eclectic work.
Photographs of selected Islamicate globes from the thirteenth to the nineteenth centuries, as well as line drawings based on written descriptions, accompany the historical an analytical discussion. The fourth chapter on iconography analyses the constellation figures on the Smithsosonian globe from the perspective of an art historian. This chapter was contributed by Andrea P.A. Belloli. The second major part of the study presents a discussion of the star names engraved on the Mughal globe, tracing the origins of the term sin Greek mythology or early Bedouin constellation outlines. The discussion of each constellation is accompanied by a photograph of the constellation as depicted on the Smithsonian globe. An account of lunar mansions is included as background to early Bedouin asterisms, which greatly affected later Islamicate star names and eventually "modern" western star names.
Study of the textile workers of Ahmadābād, India.