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Gender studies in Zimbabwe have tended to focus on women and their comparative disadvantages and under-privilege. Assuming a broader perspective is necessary at a time when society has grown used to arguments rooted in binaries: colonised and coloniser, race and class, sex and gender, poverty and wealth, patriotism and terrorism, etc. The editors of Manning the Nation recognise that concepts of manhood can be used to repress or liberate, and will depend on historical and political imperatives; they seek to introduce a more nuanced perspective to the interconnectivity of patriarchy, masculinity, the nation, and its image. The essays in this volume come from well-respected academics working in...
This volume was first published by Inter-Disciplinary Press in 2013. Queer Sexualities: Diversifying Queer, Queering Diversity offers an interdisciplinary approach to studies of queer sexualities. Using queer to disrupt and subvert, the chapters in this volume address a diverse range of themes and approaches to the study and articulation of queer sexuality. Through the approaches offered by ethics, activism and politics, theology, ethnography, film, literature and media studies, as well as geography and architecture, the chapters all work to emphasise that queer crosses borders, troubling and breaking down these borders as they go. At the heart of each of the chapters are diverse ways of looking at sexualities. The chapters disrupt the heteronormative ownership of sex and the body. In so doing, this volume offers a perspective of queer sexuality that subverts borders, at the same time highlighting the multiple ways of doing queer across times, spaces and disciplines.
Variously understood as literary genius and enfant terrible of African literature, Dambudzo Marechera's work as novelist, poet, playwright and essayist is discussed here in relation to other free-thinking writers. Considered one of Africa's most innovative and subversive writers, the Zimbabwean novelist, poet, playwright and essayist Dambudzo Marechera is read today as a significant voice in contemporary world literature. Marechera wrote ceaselessly against the status quo, against unqualified ideas, against expectation. He was an intellectual outsider who found comfort only in the company of other free-thinking writers - Shelley, Bakhtin, Apuleius, Fanon, Dostoyevsky, Tutuola. It is this uni...
Yvonne Vera's Nehanda (1993) signalled the presence of a new and remarkable writer. Four subsequent novels have confirmed that she was the most important African novelist to emerge during the 1990s. Critics from Zimbabwe, South Africa, Britain, the Caribbean and the United States demonstrate through a diversity of theoretical approaches the originality of her work. Yvonne Vera's dense and poetic writing records public and private experiences of moments in Zimbabwe's history through the consciousness of her central women characters. What sets her apart from most authors is her ability to handle the most difficult subjects and confront taboos. North America: African Books Collective; Zimbabwe: Weaver Press
Born in South Africa in 1947, John Eppel was raised in Zimbabwe, where he still lives, now retired, in Bulawayo. Eppels poetry collections include Spoils of War, which won the Ingrid Jonker prize, Sonata for Matabeleland, Selected Poems: 1965 1995, Songs My Country Taught Me, and Landlocked: New and Selected Poems from Zimbabwe, which was a winner in the international Poetry Workshop Prize, Judged by Billy Collins. Furthermore he has collaborated with Philani Amadeus Nyoni in a collection called Hewn From Rock, and with Togara Muzanenhamo in a collection called Textures, which won the 2015 NOMA Award. He has published three collections of poetry and short stories: The Caruso of Colleen Bawn, White Man Crawling, and, in collaboration with the late Julius Chingono, Together. His single collection of short stories is entitled White Man Walking.
This book considers the work of the preeminent scholar on decoloniality, Sabelo Ndlovu-Gatsheni, as a means of examining the development of decoloniality discourse and considering the future direction of the African knowledge economy. Sabelo Ndlovu-Gatsheni has been instrumental in the construction of theories and ideas necessary for advancing a decolonial system of education and epistemology. This book considers how Professor Ndlovu-Gatsheni’s work has helped to shape our thinking both on Mugabe and the history of Zimbabwe, and beyond to the broader questions of race, liberation, higher education, and the future of decolonial studies. Renowned author Professor Toyin Falola then invites us to consider the dangers of continued repression of African epistemologies, and the enormous benefits of an alternative knowledge economy in which a diverse multiplicity of ideas drives our understanding of the world on to new heights. Unpacking the various conceptual leanings of decoloniality through the works of one of its leading lights, this book will be an essential read for researchers across the fields of African Studies, Race Studies, Philosophy, and Education.
This book explores the unique contributions of various forms of post-2000 life-writings such as the autobiography, epistles, and biographies, to discourses about the nature and socio-politics of what has become known as the Zimbabwean crisis (c. 2000–2009). Much of what has been written about the Zimbabwean crisis – a decade-long period of unprecedented economic collapse and political upheavals in the southern African country – is strictly discipline-specific and therefore limited to unidimensional modes of theorising the crisis’s many and complex dimensions and dynamics. In this context, this book charts a paradigm shift in hermeneutic and epistemological approaches to comprehending...
Through examination of the functions of language and cross-cultural readings of literature - from African queer reading to postcolonial Shakespeare - Rooney explores current ideas of performativity in literature and language, and negotiates a path between feminist theory’s common pitfalls of essentialism and constructivism.
Theatre and drama are very much part of our every day lives. These four plays: Belonging by Mirirai Moyo, When I Meet my Mother by Kathleen McCreery, In the Continuum by Danai Gurira and Nikkole Salter, and Power Failure by Jide Afoylan reveal the dynamism and variety of theatre. They also reveal that from Zimbabwe to Brazil, Nigeria to the USA, societies despite their diversity share many common problems and challenges. Annotated for schools with questions and notes by Rory Kilalea, teachers and students will find this a richly accessible text.