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“Bodhisattva of Korean poetry, exuberant, demotic, abundant, obsessed with poetic creation . . . Ko Un is a magnificent poet, combination of Buddhist cognoscente, passionate political libertarian, and naturalist historian.”—Allen Ginsberg "Korea's greatest living Zen poet."—Lawrence Ferlinghetti Flowers of a Moment is a treasure trove of more than 180 brief poems by a major world poet at the apex of his career. A four-time Nobel Prize nominee,Ko Un grew up in Korea during the Japanese occupation. During the Korean War, he was conscripted by the People's Army. In 1952, he became a Buddhist and lived a monastic life for ten years. For his activism confronting South Korea's dictatorial military government, he was imprisoned and tortured. He has published more than one hundred volumes of poetry, essays, fiction, drama, and translations of Chinese poetry. At sunset a wish to become a wolf beneath a fat full moon
Born in 1933 in a small village in Korea's North Cholla Province, Ko Un grew up in a Japanese-controlled land that was soon to experience the horrors of the Korean War. He became a Buddhist monk in 1952 and began writing in the late 1950s. This is his major, ongoing work which began during his imprisonment with a determination to describe every person he had ever met. Maninbo, as it is known in Korea is now in its 20th volume and he has plans for five more before its completion. Collected here is a selection from the first 10 volumes.
Ko Un, the preeminent Korean poet of the twentieth century, embraces Buddhism with the versatility of a master Taoist sage. A beloved cultural figure who has helped shape contemporary Korean literature, Ko Un is also a novelist, literary critic, ex-monk, former dissident, and four-time political prisoner. His verse—vivid, unsettling, down-to-earth, and deeply moving—ranges from the short lyric to the vast epic and draws from a poetic reservoir filled with memories and experiences ranging over seventy years of South Korea's tumultuous history from the Japanese occupation to the Korean war to democracy. This collection, an essential sampling of his poems from the last decade of the twentie...
Ko Un writes spare, short-line lyrics direct to the point, but often intricate in both wit and meaning. --Gary Snyder
Korea's premier poet, the former Buddhist monk Ko Un, presents 108 Zen poems. From these poems we can taste hear, smell and see the life of Ko Un, who is affectionately called "the great mountain peak" by his friends.
Throughout his eventful life as a monk, poet, novelist, political dissident, husband, and father, Ko Un has remained a traveler on the Way. The poems in this collection, though strictly within the true Zen tradition, are as witty and down-to-earth as they are contemplative. Described by Allen Ginsberg as “thought-stopping Koan-like mental firecrackers,” the poems reflect both writer and reader. First published in 1997, the new edition features a more sympathetic translation and 11 original brush paintings by the author.
Ko Un has long been a living legend in Korea, both as a poet and as a person. When a writer has published as much as Ko Un has in the course of more than fifty years of writing, it is hard to know where to begin, what to translate. For this collection, his translators have selected poems from the five collections published since 2002. Nothing shows more clearly his stature as a writer than the variety of themes and emotions found in his most recent work; as he approaches his eightieth year, with his energy and originality unabated. "Un's poems take the ordinary world and peel the skin off, so that a gentle meditation on the passage of hours becomes something both beautiful and terrible as light shining through blood."-The Quarterly Conversation March 4, 2013
Delving into the complex, contradictory relationships between humans and the environment in Asian literatures
In The Gateless Gate, one of modern Zen Buddhism's uniquely influential masters offers classic commentaries on the Mumonkan, one of Zen's greatest collections of teaching stories. This translation was compiled with the Western reader in mind, and includes Koan Yamada's clear and penetrating comments on each case. Yamada played a seminal role in bringing Zen Buddhism to the West from Japan, going on to be the head of the Sanbo Kyodan Zen Community. The Gateless Gate would be invaluable if only for the translation and commentary alone, yet it's loaded with extra material and is a fantastic resource to keep close by: An in-depth Introduction to the History of Zen Practice Lineage charts Japanese-to-Chinese and Chinese-to-Japanese conversion charts for personal names, place names, and names of writings Plus front- and back-matter from ancient and modern figures: Mumon, Shuan, Kubota Ji'un, Taizan Maezumi, Hugo Enomiya-Lasalle, and Yamada Roshi's son, Masamichi Yamada. A wonderful inspiration for the koan practitioner, and for those with a general interest in Zen Buddhism.