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Monet, Tchaikovsky, Zola, and the World They Made
This book tells the story of three young men: two French, one Russian; all born the same year, when European culture was moving from Romanticism to something else in painting, music, and literature. Influenced by the environment from which they came, all three grew to take a leading role in moving the arts in a bold new direction. It was the age when Impressionism reinvented what painting could be, when Naturalism changed how fiction is written, and when Russia moved from the edges of European society to the vital role it has played ever since. Leading, guiding, determining this new course were Monet, Tchaikovsky, and Zola. Parallel biographies of these three artistic geniuses follow them fr...
Public Action in the crisis
Confronted with the major crisis that struck the world economy at the end of the first decade of the twenty-first century, analysts, researches, and political leaders studied past experiences to avoid repeating errors of diagnosis, recommendation, or action. The disatrous experience of the Great Depression of the 1930's, which caused and social misery, messive unemployment, protectionism forms of nationalism, and led to a world war whose devastating effects were pushed to an extreme, remained in mind.
MLN.
MLN pioneered the introduction of contemporary continental criticism into American scholarship. Critical studies in the modern languages--Italian, Hispanic, German, French--and recent work in comparative literature are the basis for articles and notes in MLN. Four single-language issues and one comparative literature issue are published each year.
A Comparative Analysis of the South African and German Reception of Nadine Gordimer's, Andre Brink's and J.M. Coetzee's Works
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Literature and Weather
"Literature and Weather. Shakespeare – Goethe – Zola" is dedicated to the relation between literature and weather, i.e. a cultural practice and an everyday phenomenon that has played very different epistemic roles in the history of the world. The study undertakes an archaeology of literature’s affinity to the weather which tells the story of literature’s weathery self-reflection and its creative reinventions as a medium in different epistemic and social circumstances. The book undertakes extensive close readings of three exemplary literary texts: Shakespeare’s The Tempest, Goethe’s The Sufferings of Young Werther and Zola’s The Rougon-Macquarts. These readings provide the basis for reconstructing three distinct formations, negotiating the relationship between literature and weather in the 17th, the 18th and the 19th centuries. The study is a pioneering contribution to the recent debates of literature’s indebtedness to the environment. It initiates a rewriting of literary history that is weather-sensitive; the question of literature’s agency, its power to affect, cannot be raised without understanding the way the weather works in a certain cultural formation.
Biological Time, Historical Time
Biological Time, Historical Time presents a new approach to 19th century thought and literature: by focussing on the subject of time, it offers a new perspective on the exchanges between French and German literary texts on the one hand and scientific disciplines on the other. Hence, the rivalling influences of the historical sciences and of the life sciences on literary texts are explored, texts from various scientific domains – medicine, natural history, biology, history, and multiple forms of vulgarisation – are investigated. Literary texts are analysed in their participation in and transformation of the scientific imagination. Special attention is accorded to the temporal dimension: this allows for an innovative account of key concepts of 19th century culture.
Images of Africa
Images of Africa offers a rare insight into the historical and cultural processes through which the various negative perceptions and stereotypes of Africa were deliberately created, and which the continent has struggled to shake off.
