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Gänzl's Book of the Musical Theatre
Essentially a collection of full plot summaries organized under country of origin and preceeded by brief historical introduction. Covers Britain, France, US, Austria-Germany-Hungary, and Spain. Indexed by author/composer/lyricist, and by song title. Includes a discography. Annotation copyrighted by Book News, Inc., Portland, OR
The Complete Aspects of Love
In-depth coverage of the Andrew Lloyd Webber musical with over 150 lavish photographs and the complete libretto.
Gilbert and Sullivan
In this, the first book to focus on the original cast members of the classic Gilbert and Sullivan comic operas, world-renowned musical theater expert Kurt Gänzl provides a concise history of the writing and production of each opera, vividly colored by the often little-known life stories of these early performers. Meticulously researched and lavishly illustrated with rare photographs, Gilbert and Sullivan: The Players and the Plays delves into the professional and personal lives of the British and American actors and singers who created the celebrated "famous fourteen" Gilbert and Sullivan operas.
Victorian Vocalists
Victorian Vocalists is a masterful and entertaining collection of 100 biographies of mid- to late-19th-century singers and stars. Kurt Gänzl paints a vivid picture of the Victorian operatic and concert world, revealing the backgrounds, journeys, successes, failures and misdemeanours of these singers. This volume is not only an outstanding reference work for anyone interested in vocalists of the era, but also a compelling, meticulously researched picture of life in the vast shark tank that was Victorian music.
Lydia Thompson
This inaugural volume in the Forgotten Stars of the Musical Theatre series sets Lydia Thompson, queen of burlesque, under the spotlight. The series will attempt to resurrect theatre performers and writers who were famous in their era, yet who have since inexplicably faded from popular memory. Outlandish tales of Lydia's touring burlesque company, the British Blondes, and such lurid episodes as her horsewhipping of a Chicago editor, a romance with a Russian Grand Duke and a lesbian attacker have left her with a reputation as a bawdy burlesquer, but Kurt Gänzl argues she was nothing of the kind. Through this biography, the reader will learn the whole and hitherto untold story of this fascinating, multi-dimensional musical-theatre star.
The British Musical Theatre: 1915-1984
From the pre-Gilbert and Sullivan 1860s to the 1980s, this important reference surveys more than a century of British light musical theatre, including its writers and composers. Ganzl provides a wealth of information on the book, lyrics, and music of over 800 London musicals, including contemporary reviews, cast lists, performances, plus pertinent notes gleaned from a study of surviving scores and libretti. Volume 1 traces the development of the genre between 1865 and 1914, describing its roots in burlesque and opera-buffe, and discussing the comic opera tradition and the Gilbert and Sullivan partnership, the flowering of the so-called musical comedy under George Edwardes, and the important influence of the British musical theatre around the world, particularly in America. Volume 2 covers, among other topics, the reciprocal influences on the British musical theatre of the American style, the advent of the dance-and-laughter musicals of the 1930s, the rock operas of the 1970s, and the subsequent development of the modern British musical in its second period of international prominence, highlighted by such hits as "Evita" and "Cats."
Popular Musical Theatre in London and Berlin
This is the first book to reconstruct early popular musical theatre as a transnational and highly cosmopolitan entertainment industry.
Song & Dance
A history of stage musicals in the United States and Europe as well as an illustrated collection of some of the most memorable.
Rhapsodies 1831
'Borel was the sun,' said Théophile Gautier, 'who could resist him?' Indeed, who? A lycanthrope, necrophile, absurd revolutionary, Paris dandy with a scented beard, flamboyant sufferer: a man with no grave and no memorial. His once celebrated red mouth opened briefly 'like an exotic flower' to complain of injustice and bourgeois vulgarity; of his frustration in love and reputation; of poverty and blighted fate. Then he withered in the minor officialdom of Algeria, where he died because he would not wear a hat, leaving a haunted house and a doubtful name. 'And now,' says his only biographer Dame Enid Starkie, 'he is quite forgotten.' Rhapsodies 1831 includes all the poems Borel wrote when he...
