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Black Popular Culture and Social Justice
  • Language: en
  • Pages: 218

Black Popular Culture and Social Justice

This volume examines the use of Black popular culture to engage, reflect, and parse social justice, arguing that Black popular culture is more than merely entertainment. Moving beyond a focus on identifying and categorizing cultural forms, the authors examine Black popular culture to understand how it engages social justice, with attention to anti-Black racism. Black Popular Culture and Social Justice takes a systematic look at the role of music, comic books, literature, film, television, and public art in shaping attitudes and fighting oppression. Examining the ways in which artists, scholars, and activists have engaged, discussed, promoted, or supported social justice – on issues of criminal justice reform, racism, sexism, LGBTQIA rights, voting rights, and human rights – the book offers unique insights into the use of Black popular culture as an agent for change. This timely and insightful book will be of interest to students and scholars of race and media, popular culture, gender studies, sociology, political science, and social justice.

Jamming the Classroom
  • Language: en
  • Pages: 191

Jamming the Classroom

Drawing on a mix of collaborative autoethnography, secondary literature, interviews with leading improvisers, and personal anecdotal material, Jamming the Classroom discusses the pedagogy of musical improvisation as a vehicle for teaching, learning, and enacting social justice. Heble and Stewart write that to “jam the classroom” is to argue for a renewed understanding of improvisation as both a musical and a social practice; to activate the knowledge and resources associated with improvisational practices in an expression of noncompliance with dominant orders of knowledge production; and to recognize in the musical practices of aggrieved communities something far from the reaches of conv...

Bedroom Rapper
  • Language: en
  • Pages: 305

Bedroom Rapper

Bedroom Rapper is a book for obsessive music fans who are looking for the definitive take on what’s happened in the last two decades of hip hop, from Cadence Weapon, aka Rollie Pemberton: Pitchfork critic, award-winning musician, producer, DJ, and poet laureate. Tracing his roots from recording beats in his mom's attic in Edmonton to performing with some of the most recognizable names in rap and electronic music—De La Soul, Public Enemy, Mos Def, Questlove, Diplo, and more—Polaris Prize winner Rollie Pemberton, a.k.a Cadence Weapon, captures the joy in finding yourself, and how a sense of place and purpose entwines inextricably with a music scene. From competitive basement family karao...

Captive Cosmopolitans
  • Language: en
  • Pages: 378

Captive Cosmopolitans

From the bustling ports of Lisbon to the coastal inlets of the Bight of Benin to the vibrant waterways of Bahia, Black mariners were integral to every space of the commercial South Atlantic. Navigating this kaleidoscopic world required a remarkable cosmopolitanism—the chameleonlike ability to adapt to new surroundings by developing sophisticated medicinal, linguistic, and navigational knowledge. Mary E. Hicks shows how Portuguese slaving ship captains harnessed and exploited this hybridity to expand their own traffic in human bondage. At the same time, she reveals how enslaved and free Black mariners capitalized on their shipboard positions and cosmopolitan expertise to participate in smal...

For the Culture
  • Language: en
  • Pages: 347

For the Culture

Examines the relationship between social justice, Hip-Hop culture, and resistance

Dream and Legacy
  • Language: en
  • Pages: 204

Dream and Legacy

Contributions by Rosa M. Banda, Lakeyta M. Bonnette-Bailey, Donathan L. Brown, Michael L. Clemons, William H. L. Dorsey, Hannah Firdyiwek, Alonzo M. Flowers III, Helen Taylor Greene, William G. Jones, Athena M. King, Taj'ullah Sky Lark, Jamela M. Martin, Marcus L. Martin, Byron D'Andra Orey, Amardo Rodriguez, Audrey E. Snyder, James L. Taylor, Leslie Walker, and Jason M. Williams This book examines how Martin Luther King's life and work had a profound, if unpredictable, impact on the course of the United States since the civil rights era. A global icon of freedom, justice, and equality, King is recognized worldwide as a beacon in the struggles of peoples seeking to eradicate oppression, entr...

Pulse of the People
  • Language: en
  • Pages: 232

Pulse of the People

Hip-Hop music encompasses an extraordinarily diverse range of approaches to politics. Some rap and Hip-Hop artists engage directly with elections and social justice organizations; others may use their platform to call out discrimination, poverty, sexism, racism, police brutality, and other social ills. In Pulse of the People, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of the political thoughts of the urban Black community, a population frequently marginalized within American society and alienated from electoral politics. Pulse of the People lays a foundation for the study of political rap music and public opinion research and dem...

Pulse of the People
  • Language: en
  • Pages: 232

Pulse of the People

Examining the history of rap music, particularly the subgenre of political rap, and coupling public opinion research with lyrical analysis, Lakeyta M. Bonnette illustrates the ways rap music serves as a vehicle for the expression and advancement of political thought in urban Black communities.

Digital Flows
  • Language: en
  • Pages: 241

Digital Flows

Hip hop has become a major cultural force in the internet age, with people constantly creating, sharing, and discussing hip hop online, from Drake memes through viral TikTok dances to AI-generated rap. Author Steven Gamble explores this latest chapter in the life of hip hop, combining a range of research methods and existing literature with diverse case studies that will appeal to die-hard fans and digital enthusiasts alike.

Rape at the Opera
  • Language: en
  • Pages: 211

Rape at the Opera

The most-performed operas today were written at least a hundred years ago and carry some outdated and deeply problematic ideas. When performed uncritically, the misogyny, racism, and other ideologies present in many of these works clash with modern sensibilities. In Rape at the Opera, Margaret Cormier argues that production and performance are vital elements of opera, and that contemporary opera practitioners not only interpret but create operatic works when they put them onstage. Where some directors explicitly respond to contemporary dialogues about sexual violence, others utilize sexual violence as a surefire way to titillate, to shock, and to generate press for a new production. Drawing ...