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Victorian Classical Burlesques
An annotated critical anthology of four major classical burlesques, exploring the popular, iconic and literary refigurations of classical myths on the Victorian popular stage.
Delivering a Preparatory Course for The Cambridge Firts Certificate in English Examination by Using the Ingenio E-Learning Platform
La publicación de este volumen representa un caso relativamente insólito. Un pequeño grupo de jóvenes investigadores de menos de treinta años convence a un grupo mucho más numeroso de la misma edad para celebrar en Salamanca la First Conference of Young Researchers on Anglophone Studies. El resultado es deslumbrante. No solo demuestran una gran capacidad organizativa, sino que los resultados individuales de las aportaciones científicas son sobresalientes. Este volumen, Current Trends in Anglophone Studies, recoge una selección revisada de las propuestas presentadas en el Encuentro y gira en torno a una estructuración tripartita clásica: estudios culturales, lingüísticos y literar...
Time Travelers
The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of their preoccupations with the past were unprecedented and of lasting importance. The Victorians paved the way for our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain’s most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to fresh debates, while seemingly well-known histories were thrown into confusion by novel tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid picture of the Victorian world and its historical obsessions.
The Classics in Modernist Translation
This volume sheds new light on a wealth of early 20th-century engagement with literature of Graeco-Roman antiquity that significantly shaped the work of anglophone literary modernism. The essays spotlight 'translation,' a concept the modernists themselves used to reckon with the Classics and to denote a range of different kinds of reception – from more literal to more liberal translation work, as well as forms of what contemporary reception studies would term 'adaptation', 'refiguration' and 'intervention.' As the volume's essays reveal, modernist 'translations' of Classical texts crucially informed the innovations of many modernists and often themselves constituted modernist literary proj...
Greek Fragments in Postmodern Frames
This volume focuses on the adaptation of Greek tragedy between 1970 and 2005 in order to interrogate the relationship between tragedy and postmodernism. Analysis of a range of adaptations from this period demonstrates intertextual engagements with prototype texts that have much in common with the main ideas expressed in poststructuralist thought.
Epic Performances from the Middle Ages into the Twenty-First Century
Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes. Tim Supple and Simon Reade's 1999 stage adaptation of Ted Hughes' Tales from Ovid for the RSC heralded a new lease of life for receptions of the genre, and it now routinely provides raw material for the performance repertoire of both major cultural institutions and emergent, experimental theatre companies. This volume represents the first systematic attempt to chart the afterlife of epic in modern performance traditions, with chapters covering not only a significant chronological span, but also ranging widely across both place and genre, analysing lyric, film, dance, and ope...
Contemporary Rewritings of Liminal Women
This book explores the concept of liminality in the representation of women in eighteenth and nineteenth century literature, as well as in contemporary rewritings, such as novels, films, television shows, videogames, and graphic novels. In particular, the volume focuses on vampires, prostitutes, quixotes, and detectives as examples of new women who inhabit the margins of society and populate its narratives. Therefore, it places together for the first time four important liminal identities, while it explores a relevant corpus that comprises four centuries and several countries. Its diachronic, transnational, and comparative approach emphasizes the representation across time and space of femal...
Seneca's Medea and Republican Spain
Based on extensive archival research and containing rare and previously unpublished photos, this book provides the most detailed reconstruction ever of one of the most important events in Spanish theatrical history.Winner of the 2019-20 AHGBI-Spanish Embassy Publication Prize On 18 June 1933, one of the most important events in Spanish theatrical history took place before an audience of 3,000 spectators in the ruins of the Roman Theatre in Mérida. Translated into Spanish by philosopher Miguel de Unamuno, staged by the renowned Xirgu-Borràs Company and funded by the government, the performance of Seneca''s Medea was a triumph of republican culture and widely hailed for its new dramatic and ...
Classics in the Modern World
Classics in the Modern World explores the features and implications of a 'democratic turn' in modern perceptions of the ancient world. Exploring the relationship between Greek and Roman ways of thinking and modern definitions of democratic practices and approaches, it enables a wider re-evaluation of the role of classics in the modern world.
Homer’s Iliad and the Trojan War
In this new volume, Jan Haywood and Naoíse Mac Sweeney investigate the position of Homer's Iliad within the wider Trojan War tradition through a series of detailed case studies. From ancient Mesopotamia to twenty-first century America, these examples are drawn from a range of historical and cultural contexts; and from Athenian pot paintings to twelfth-century German scholarship, they engage with a range of different media and genres. Inspired by the dialogues inherent in the process of reception, the book adopts a dialogic structure. In each chapter, paired essays by Haywood and Mac Sweeney offer contrasting authorial voices addressing a single theme, thereby drawing out connections and dissonances between a diverse suite of classical and post-classical Iliadic receptions. The resulting book offers new insights, both into individual instances of Iliadic reception in particular historical contexts, but also into the workings of a complex story tradition. The centrality of the Iliad within the wider Trojan War tradition is shown to be a function of conscious engagement not only with Iliadic content, but also with Iliadic status and the iconic idea of the Homeric.
