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Li Ang's Visionary Challenges to Gender, Sex, and Politics
Li Ang (1952–) is a famous and prolific feminist writer from Taiwan who challenges and subverts sociocultural traditions through her daring explorations of sex, violence, women’s bodies and desire, and national politics. As a taboo-breaking writer and social critic, she uses fiction to expose injustice and represent human nature. Her political engagement further affords her a visionary perspective for interrogating the problematic intersection of gender and politics. The ambivalence in her fictional representations invites controversies and debates. Her works have thus helped raise awareness of the problems, open up discussions, and bring about social and intellectual changes. Some of he...
The Lost Garden
The Lost Garden is an eloquent portrait of the losses incurred as we struggle to hold on to our passions. The novel begins with the family of Zhu Yinghong, whose father, Zhu Zuyan, was imprisoned in the early days of Chiang Kai-shek's rule. Zhu Zuyan spends his days luxuriating in his Lotus Garden, which he builds according to his own desires. Forever under suspicion, he indulges as much as he can in circumscribed pleasures, though they drain the family fortune. Eventually the entire household is sold, including the Lotus Garden. The novel then swings to modern-day Taipei, where Zhu Yinghong falls for Lin Xigeng, a real estate tycoon and playboy. Their cat-and-mouse courtship builds against the extravagant banquets and decadent entertainments of Taipei's wealthy businessmen. Though the two ultimately marry, their high-styled romance dulls over time, leading to a dangerous, desperate quest to reclaim the enchantment of the Lotus Garden.
If You Could See the Sun
"Academic rivals portrayed to perfection… An all-time top favorite." —Chloe Gong, #1 New York Times bestselling author of These Violent Delights and Our Violent Ends "Utterly unique, thought-provoking, and wonderfully written." —Gloria Chao, author of American Panda and Rent a Boyfriend In this genre-bending , speculative YA debut, a Chinese American girl monetizes her strange new invisibility powers by discovering and selling her wealthy classmates’ most scandalous secrets. Alice Sun has always felt invisible at her elite Beijing international boarding school, where she’s the only scholarship student among China’s most rich and influential teens. But then she starts uncontrollably turning invisible—actually invisible. When her parents drop the news that they can no longer afford her tuition, even with the scholarship, Alice hatches a plan to monetize her strange new power—she’ll discover the scandalous secrets her classmates want to know, for a price. But as the tasks escalate from petty scandals to actual crimes, Alice must decide if it’s worth losing her conscience—or even her life.
Worlds Apart
Thirteen selected papers from an international conference on contemporary Chinese literature held near Gunzburg, Bavaria, in June-July 1986 constitute both a record of literary writings from the PRC, Hong Kong, and Taiwan, as well as an overview of the broader international role of Chinese writing i
Biographical Dictionary of Chinese Women
A biographical dictionary devoted to Chinese women, this text is the result of years of research, translation and writing from contributors from around the world. This volume focuses on the 20th century and includes sportwomen, film stars, musicians, politicians, artists, educators and more.
The Taiwanese Cinematization of Feminine Writing
A number of Taiwanese scholars gate-kept, filtered, selected, and strategized to transfer Luce Irigaray’s, Hélène Cixous’s, and Julia Kristeva’s French feminist theories into their own national context by exerting their cross-lingual and cross-cultural academic power in the 1990s. They also reshaped, localized, acculturated, marketed, and Taiwanized these French feminist theories, which was essential for Taiwanese academia. According to French feminist literary theories, écriture féminine (“feminine writing”) refers to women’s own written self-expression used to escape from the patriarchal language system. Beginning with a description of the acculturation of French feminist literary theories, this book highlights how women’s own spoken voices or autobiographical written expressions appear in Taiwanese cinematic works when the camera is compared to the cinematic pen. It analytically digest the écriture féminine of parler-femme in the Taiwanese films The Butcher’s Wife, Taste of Life, Sex Appeal, and Ghosted.
The Butcher's Wife
Chen Jiangshui is a pig-butcher in a small coastal Taiwanese town. Stocky, with a paunch and deep-set beady eyes, he resembles a pig himself. His brutality towards his new young wife, Lin Shi, knows no bounds. The more she screams, the more he likes it. She is further isolated by the vicious gossip of her neighbors who condemn her for screaming aloud. As they see it, women are supposed to be tolerant and put their husbands above everything else. According to an old Chinese belief, all butchers are destined for hell--an eternity of torment by the animals they have dispatched. Lin Shi, isolated, despairing, and finally driven to madness, fittingly kills him with his own instrument--a meat cleaver. A literary sensation in the Chinese language world with its suggestion that ritual and tradition are the functions of oppression, this novel also caused widespread outrage with its unsparing portrayal of sexual violence and emotional cruelty. This tale has made a profound impact on contemporary Chinese literature and today ranks as a landmark text in both women's studies and world literature.
