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Li Daoyuan (simplified Chinese: 郦道元; traditional Chinese: 酈道元; pinyin: Lì Dàoyuán; 466 or 472 in Zhuo County, Hebei – 527) was a Chinese geographer, writer, and politician during the Northern Wei Dynasty. He is known as the author of the Commentary on the Water Classic (Shuijingzhu), a monumental work on China's geography in ancient times. Li Daoyuan used his position as an official with business in different places to carry field investigations. He is known to have visited the area belonging to the present-day Henan, Shandong, Shanxi, and Jiangsu provinces. Another source for his knowledge was the study of ancient geographical books he had access to, like the Classic of Mou...
The long-awaited, first Western-language reference guide, this work offers a wealth of information on writers, genres, literary schools and terms of the Chinese literary tradition from earliest times to the seventh century C.E.
The Annotations on the Waterway Classic (Chinese: 水经注; pinyin: Shuǐ Jīng Zhù) is a work on the ancient geography of China, describing the traditional understanding of its waterways and ancient canals, compiled by Li Daoyuan during the Northern Wei Dynasty (386-534 AD). The book is divided into sections by river, each described with its source, course, and major tributaries, including cultural and historical notes. The work is much expanded from its source text, the older (and now lost) Waterway Classic (Shuijing 水经). The original text described 137 different rivers in China, and its authorship was attributed to Jin dynasty scholar Guo Pu. Li Daoyuan's 40-volume, 300,000-character version includes 1252 rivers.
Geographers is an annual collection of studies on individuals who have made major contributions to the development of geography and geographical thought. Subjects are drawn from all periods and from all parts of the world, and include famous names as well as those less well known, including explorers, independent thinkers and scholars. Each paper describes the geographer's education, life and work and discusses their influence and spread of academic ideas. Each study includes a select bibliography and a brief chronology. The work includes a general index, and a cumulative index of geographers listed in volumes published to date. Published under the auspices of the International Geographical Union.
The traditional Chinese notion of itself as the “middle kingdom”—literally the cultural and political center of the world—remains vital to its own self-perceptions and became foundational to Western understandings of China. This worldview was primarily constructed during the earliest imperial unification of China during the Qin and Han dynasties (221 BCE–220 CE). But the fragmentation of empire and subsequent “Age of Disunion” (220–589 CE) that followed undermined imperial orthodoxies of unity, centrality, and universality. In response, geographical writing proliferated, exploring greater spatial complexities and alternative worldviews. This book is the first study of the eme...
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
In his previous life, because she was completely negative and had Yin Yang Eyes, her parents were killed by her in an indirect manner, resulting in the death of their hatred. After she was reborn into the bifurcation of fate, Su Qing didn't want to live her life in a muddle. Hand-cut enemies from his past life, making it impossible for you to stand up in the Unbroken Hell for the rest of your life. Unconvinced? Come here until you submit! To steal her man ... Then let's see if you have the ability to do so.
"Located at the crossroads of the northern and southern routes of the ancient Silk Road on the edge of the Taklamakan desert in western China, Dunhuang is one of the richest Buddhist sites in China with nearly 500 cave temples constructed between the fourth and the fourteenth century. The sculptures, murals, portable paintings, and manuscripts found in the caves represent every aspect of Buddhism, both doctrinally and artistically. From its earliest construction to the present, Dunhuang has been visualized in many ways by the architects, builders, and artists who made the caves to twentieth-century explorers and photographers, conservators, and contemporary artists. This book explores ways in which Dunhuang has been visualized from its creation to contemporary times. Essays by leading scholars from the U.S., Europe, and China cover a wide range of topics, from the architecture of cave temples to painting and sculptural programs, Buddhist ritual practices, expeditionary photography, conservation, and the contributions of Dunhuang to art history"--
The Ben cao gang mu, compiled in the second half of the sixteenth century by a team led by the physician Li Shizhen (1518–1593) on the basis of previously published books and contemporary knowledge, is the largest encyclopedia of natural history in a long tradition of Chinese materia medica works. Its description of almost 1,900 pharmaceutically used natural and man-made substances marks the apex of the development of premodern Chinese pharmaceutical knowledge. The Ben cao gang mu dictionary offers access to this impressive work of 1,600,000 characters. This third book in a three-volume series offers detailed biographical data on all identifiable authors, patients, witnesses of therapies, transmitters of recipes, and further persons mentioned in the Ben cao gang mu and provides bibliographical data on all textual sources resorted to and quoted by Li Shizhen and his collaborators.
Covering a time of great intellectual ferment and great influence on what was to come, this book explores the literary and hermeneutic world of early medieval China. In addition to profound political changes, the fall of the Han dynasty allowed new currents in aesthetics, literature, interpretation, ethics, and religion to emerge during the Wei-Jin Nanbeichao period. The contributors to this volume present developments in literature and interpretation during this era from a variety of methodological perspectives, frequently highlighting issues hitherto unremarked in Western or even Chinese and Japanese scholarship. These include the rise of new literary and artistic values as the Han declined, changing patterns of patronage that helped reshape literary tastes and genres, and new developments in literary criticism. The religious changes of the period are revealed in the literary self-presentation of spiritual seekers, the influence of Daoism on motifs in poetry, and Buddhist influences on both poetry and historiography. Traditional Chinese literary figures, such as the fox and the ghost, receive fresh analysis about their particular representation during this period.