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Deleuze and the Immanent Sublime
What becomes of the sublime today, in a philosophy that discards the old oppositions between body and mind and embeds human reason in the creative evolution of life? In this book, Louis Schreel shows how Gilles Deleuze's life-long engagement with the Kantian sublime grappled with just this question. Its core argument centres on Deleuze's understanding of the sublime in terms of psychic individuation – a creative, self-organizing process that animates cognitive systems from within. Exploring Deleuze's transcendental philosophy through central concepts of self-organization, psychic individuation, passibility and infinity, this book shows how a new notion of the sublime emerges in a timely and novel way. In this way, Deleuze and the Immanent Sublime opens up an innovative perspective on transcendental philosophy, shedding new light on Deleuze's transcendental empiricism both in relation to Kant and to contemporary cognitive science. Engagement with previously untranslated writings from thinkers including Jean Petitot, Gilbert Simondon, Henri Maldiney and Erwin Straus adds further breadth to the development of Deleuze's ideas on the sublime in this systematic study.
Enaction and Ecological Psychology: Convergences and Complementarities
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Diseases of the Head
Diseases of the Head is an anthology of essays from contemporary philosophers, artists, and writers working at the crossroads of speculative philosophy and speculative horror. At once a compendium of multivocal endeavors, a breviary of supposedly illicit ponderings, and a travelogue of philosophical exploration, this collection centers itself on the place at which philosophy and horror meet. Employing rigorous analysis, incisive experimentation, and novel invention, this anthology asks about the use that speculation can make of horror and horror of speculation, about whether philosophy is fictional or fiction philosophical, and about the relationship between horror, the exigencies of our wor...
Memory Assemblages
Making the claim that reality is more like memory than a permanent substance, this original work draws on Derrida and Malabou to suggest a picture of the world as an assemblage of spectral resonances and disseminations. In Memory Assemblages, Hilan Bensusan combines elements of continental and analytic philosophy to advance a theory of realism which insists on the reality of spectres, an ultrametaphysical approach departing from metaphysics while attending to the problems that triggered metaphysical investigation. In doing so, Bensusan builds on the reception of Derrida's hauntology, particularly by Latin American scholars in disciplines such as media studies, history, and political theory, ...
Simplex Society
This open access book provides thought-provoking anthropology grounded in comparative ethnography. The theory captures the current historical moment, the long-term trends that led us here, and the prospects for a humane future. The experience of complexity characterizing a globalized information society triggers simplexes. These unidimensional responses instrumental in bringing about a predictable effect are altering our ways of communicating and the technologies we design. In Part I, a ‘speciated’ history, injected with the anthropology of Bateson and Gluckman, describes the semantic and experiential impoverishment of the lifeworld. After going through the affects of distrust (the neoli...
Sublime Art
Stephen Zepke shows how the idea of sublime art waxes and wanes in the work of Jean-François Lyotard, Gilles Deleuze and Felix Guattari, Jacques Derrida, Jacques Rancière and the recent Speculative Realism movement.
The Aesthetic Legacy of Eduard Hanslick
This book addresses the complex conceptual, historical, and philosophical questions posed by Eduard Hanslick’s influential aesthetic treatise, On the Musically Beautiful (1854). The contributions reveal the philosophical foundations and subtleties of his aesthetic approach. The collection features original essays written by leading scholars in philosophical aesthetics and musicology. It covers many of Hanslick’s overarching themes, such as the relationship between beauty and form, between music and emotion, and the role of imagination and performance in music, which have recently gained prominence in Hanslick scholarship. The chapters, divided into five thematic sections, will provide a better scholarly foundation for a deeper understanding of On the Musically Beautiful and its arguments. In bringing together the various approaches and accounts of the different textual, historical, conceptual, and philosophical challenges posed by Hanslick’s aesthetics, The Aesthetic Legacy of Eduard Hanslick will appeal to philosophers of music, historians of aesthetics, musicologists specializing in 19th-century studies, and music theorists working on aesthetic issues.
Historical Dictionary of Leibniz's Philosophy
Historical Dictionary of Leibniz's Philosophy, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on Leibniz’s philosophy, written work, teachers, contemporaries, and philosophers influenced by him.
