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Atlas of Imagination
Designer and theorist Luca Galofaro often relies on montage in formulating the concepts and manifestations of his work. The montages collected in this book form a single body of work together with selected quotes from notable architects, critics, and theorists. By cutting, splicing, duplicating, stacking, and superimposing many of the world's recognisable buildings, Galofaro creates an alternative history and vision of architecture.
Digital Eisenman
How should an innovative architect react today to the electronic revolution which is taking place? This work explores the answer by looking at the work of New York architect, Peter Eisenman. It includes a selection of excepts from Eisenman's writings and an analysis of some of his projects.
Artscapes
Artscapes intenta demostrar cómo el paisaje artificial producido por artistas en colaboración con arquitectos y paisajistas puede transformar la naturaleza de un lugar en otro capaz de establecer un diálogo más intenso con el usuario. La sensibilidad de los artistas recoge, selecciona, informa y coloniza el paisaje reformulando una conciencia ecológica que traslada nuestra atención de los objetos que la componen hacia la conciencia y el conocimiento de las relaciones que establecen entre sí.
Mr. Bawa I Presume
Minimalistic eco-friendly houses, schools and hotels by Sri Lankan "tropical modernist" Geoffrey Bawa Sri Lankan architect Geoffrey Bawa (1919-2003) has long been one of Asian architecture's most celebrated figures. In Mr Bawa I Presume, photographer Giovanna Silva documents Bawa's private houses, schools and hotels.
Light Architecture
The rapid development of Information Technology has also effected the layout and planning of our towns. Increasingly, physical structures are being covered with a veneer of visual-virtual light architecture which makes use of the new media to alter existing buildings and quarters, enriching and enhancing them. The townscape of tomorrow will become a huge, multilayered screen, which will draw the passers-by into an interactive electronic world. Gianni Ranaulo, born in 1957, is a practising architect, architectural critic and curator of exhibitions. He lives in France.
Flying Dutchmen
Since Vitruvius described in his famous work not only fixed buildings but also mobile objects and constructions, the possibility of incorporating change and motion into architecture has continued to fascinate architects. Yet it is only since radically new materials and IT media have been developed that the dream has become reality. "Flying Dutchmen" shows the way a selection of innovative Dutch architects have incorporated the issue of movement in their buildings. The examples are drawn by OMA/Rem Koolhaas, NOX Architects, Kas Oosterhuis, UN Studio, NL Architects, Bentham Crouwel, and Herman Hertzberger. The analyses provide a fascinating glimpse into the design process and its results, from sensitive surfaces to dynamic spaces, from aerodynamic forms to interactively linked buildings. Kari Jormakka is Professor for Architecture Theory at the Vienna University of Technology and heads the architectural office Wombat.
Aesthetics and Anthropology
This book focuses on the reconfiguration of aesthetic anthropology into an anthropological problem of cogitation, opening up a fascinating new dialogue between the domains of anthropology, philosophy, and art. Tarek Elhaik embarks on an inquiry composed of a series of cogitations based on fieldwork in an ecology of artistic and scientific practices: from conceptual art exhibitions to architectural environments; from photographic montages to the videotaping of spirit seances; and from artistic interventions in natural history museums to ongoing dialogues between performance artists and marine scientists. The chapters examine the image-work, ethical demands, and aesthetic struggles of interlocutors including artists Mathias Goeritz, Mounir Fatmi, Silvia Gruner, Joan Jonas, and Patricia Lagarde.
MCM – Milan, Capital of the Modern
MCM - Milano Capital of the Modern, edited by Lorenzo Degli Esposti, is made up of texts and images from over 300 contributors from Europe and the US, across three generations, involved in the activities of the Padiglione Architettura in EXPO Belle Arti of Vittorio Sgarbi, a programme by the Regione Lombardia hosted in the Grattacielo Pirelli during the EXPO 2015. They investigate the relationships between modern architecture, the city of Milan (Razionalismo, reconstruction, Tendenza, Radical Design, up to current research) and the city in general, between single and specific works and the large scale of the urban territory, in the contradictions between architecture autonomy and its dependence on specific place and historical time. The idea of MCM is that each capital of the Modern brings an original version of modernity in architecture: in the specific Milanese case, this kind of Modern is characterized by the simultaneous presence of abstract, systematic and syntactic features and an ontological conception of both buildings and architectural and urban voids.
