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Tributes to Lucy Freeman Sandler
The 25 tributes in this volume testify to the many achievements of Lucy Freeman Sandler in medieval manuscript studies. They present a wide range of material on many little known facets of medieval manuscripts as well as new interpretations of better-known works.
The Coquette
The Coquette; or, The History of Eliza Wharton was published 1797 and was one of the best-selling novels of its time. A fictionalized account of the story of Elizabeth Whitman, whose infamouse demise was blamed her demise on the fact that she read romance novels, which gave her improper ideas. Foster responded with The Coquette, which provided a sympathetic portrayal of the difficulties faced by middle-class women.
"Before I Kill More ..."
An account of the crimes of William Heirens and an analysis of his emotional and moral development.
Art, Identity and Devotion in Fourteenth-century England
Examines the De Lisle hours of Margaret de Beauchamp, the De Bois hours (Dubois hours) of Hawisia de Bois, and the Neville of Hornby hours of Isabel de Byron.
Deserted Wives and Economic Divorce in 19th-Century England and Wales
This book considers Section 21 of the Divorce and Matrimonial Causes Act 1857 and its significant impact on previously invisible married women in the 19th century. Tens of thousands of women used this little-known section of the Act to apply for orders from local magistrates' courts to reclaim their rights of testation, inheritance, property ownership, and (dependent on local franchise qualifications) ability to vote. By examining the orders that were made and considering the women who applied for them, the book challenges the mistaken belief that Victorian England and Wales were nations of married, cohabiting couples. The detailed statistical analysis and rich case studies presented here pr...
"Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts "
Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts is the first in-depth study of three textually and iconographically diverse Apocalypses illustrated in England in the first half of the fourteenth century by a single group of artists. It offers a close look at a group of illuminators previously on the fringe of art historical scholarship, challenging the commonly-held perception of them as mere craftsmen at a time when both audiences and methods of production were becoming increasingly varied. Analyzing the manuscripts? codicological features, visual and textual programmes, and social contexts, it explores the mechanisms of a fourteenth-century commercial workshop and traces the customization of these books of the same genre to the needs and expectations of varied readers, revealing the crucial influence of their female audience. The book will be of interest to scholars and students of English medieval art, medieval manuscripts, and the medieval Apocalypse, as well as medievalists interested in late medieval spirituality and theology, medieval religious and intellectual culture, book patronage and ownership, and female patronage and ownership.
Let Me Continue to Speak the Truth
In 1953, Freud biographer Ernest Jones revealed that the famous hysteric Anna O. was really Bertha Pappenheim (1859-1936), the prolific author, German-Jewish feminist, pioneering social worker, and activist. Loentz directs attention away from the young woman who arguably invented the talking cure and back to Pappenheim and her post-Anna O. achievements, especially her writings, which reveal one of the most versatile, productive, influential, and controversial Jewish thinkers and leaders of her time.
Medieval Women and Their Objects
The essays gathered in this volume present multifaceted considerations of the intersection of objects and gender within the cultural contexts of late medieval France and England. Some take a material view of objects, showing buildings, books, and pictures as sites of gender negotiations and resistance and as extensions of women's bodies. Other reconsider the concept of objectification in the lives of fictional and historical medieval women by looking closely at their relation to gendered material objects, taken literally as women's possessions and as figurative manifestations of their desires. Contents: Dedication to Carolyn P. Collette, American professor emerita of English language and lit...
Healing Homosexuality
Albert - The Little Boy Within; Tom - The Married Man; Father John - The Double Life; Charlie - The Search for the Masculine Self; Dan - The Angriest Man; Steve - The Seeker of Male Symbols; Edward - Agony of a Youth; Roger - "Do I Really Want to Be Here?"; Men Together - How Group Therapy Heals; How Reparative Therapy Works.
