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Cosmogony
An energetic, witty collection of stories where the supernatural meets the anomalies of everyday life--deception, infidelity, lost cats, cute memes, amateur pornography, and more. There are analogies between being female and being left-handed, I think, or being an animal. A woman answers a Craigslist ad (to write erotic diaries for money). A woman walks onto a tennis court (from her home at the bottom of the ocean). A woman goes to the supermarket and meets a friend's husband (who happens to be an immortal demon). A woman goes for a run (and accidentally time travels). Cosmogony takes accounts of so-called normal life and mines them for inconsistencies, deceptions, and delights. Incorporating a virtuosic range of styles and genres (Wikipedia entry, phone call, physics equation, encounters with the supernatural), these stories reveal how the narratives we tell ourselves and believe are inevitably constructed, offering a glimpse of the structures that underlie and apparently determine human existence.
Life Is Everywhere
A virtuosic, radical reimagining of the systems novel by a “rampaging, mirthful genius” (Elizabeth McKenzie). Everything that happened was repetition. But it was repetition with a difference. So she dragged along in a spiral, trusting to this form. Manhattan, 2014. It’s an unseasonably warm Thursday in November and Erin Adamo is locked out of her apartment. Her husband has just left her and meanwhile her keys are in her coat, which she abandoned at her parents’ apartment when she exited mid-dinner after her father—once again—lost control. Erin takes refuge in the library of the university where she is a grad student. Her bag contains two manuscripts she’s written, along with a ...
Impossible Views of the World
A witty, urbane, and sometimes shocking debut novel, set in a hallowed New York museum, in which a co-worker's disappearance and a mysterious map change a life forever Stella Krakus, a curator at Manhattan's renowned Central Museum of Art, is having the roughest week in approximately ever. Her soon-to-be ex-husband (the perfectly awful Whit Ghiscolmbe) is stalking her, a workplace romance with "a fascinating, hyper-rational narcissist" is in freefall, and a beloved colleague, Paul, has gone missing. Strange things are afoot: CeMArt's current exhibit is sponsored by a Belgian multinational that wants to take over the world's water supply, she unwittingly stars in a viral video that's making t...
Loudermilk
This New York Times Book Review Editors' Choice, is "hilarious . . . a riotous success. Equal parts campus novel, buddy comedy and meditation on art-making under late capitalism, the novel is a hugely funny portrait of an egomaniac and his nebbish best friend" (The Washington Post). It’s the end of summer 2003. George W. Bush has recently declared the mission in Iraq accomplished, the unemployment rate is at its highest in years, and Martha Stewart has just been indicted for insider trading. Meanwhile, somewhere in the Midwest, Troy Augustus Loudermilk (fair-haired, statuesque, charismatic) and his companion Harry Rego (definitely none of those things) step out of a silver Land Cruiser and onto the campus of The Seminars, America’s most prestigious creative writing program, to which Loudermilk has recently been accepted for his excellence in poetry. Loudermilk, however, has never written a poem in his life. Wickedly entertaining, beguiling, layered, and sly, Loudermilk is a social novel for our time: a comedy of errors that deftly examines class, gender, and inheritance, and subverts our pieties about literature, authorship, art making, and the institutions that sustain them.
Nineties
"NINETIES is a brief novel about credit card fraud, the end of the 20th century, and the precarious lives of young girls. Set in Manhattan in the mid-1990s, it uses visually precise language to describe the casual descent into crime of three friends; their sexual exploits; the television and celebrity culture of the time; shopping ... A deceptively simple and clear-eyed look at adolescence at the dawn of American hypercapitalism, NINETIES is a cautionary tale, rendered in lucid prose; a narrative of innocence and experience and the intoxicating nature of first friendships."--Author's website.
Orange Roses
Poetry. Essays. ORANGE ROSES, written over a 10-year timeframe, enacts a poet's development: the process of her discovering what a poem might be. In this work, there is hardly a difference between dream and reality the line between that which exists and that which is merely a construction of perspective is blurred in any attempt to portray a given experience. Ives questions not only what we can get away with, in attempting to add to or alter whatever "poetry" or "literature" might officially be but, too, what will we be able to take away? Writing is less about choosing between worlds, she suggests in this exploratory book, than it is about existing in one where life and our perceptions thereof are complementary."
The Hermit
Thoughts concerning art and experience by layering in one volume, the poet's fragments of dreams, lists, games, conversations, poems, and excerpts from notebooks, as a way of looking into the writing practice.
The Poetics
A superbly made hybrid photobook on the stories that objects invite us to tell In July of 2017, photographer Matthew Connors (born 1976) and novelist and critic Lucy Ives (born 1980) embarked on a strange project: to remove and catalog all the contents of Connors's car, a 1992 Volvo 240 station wagon. Although the New York-based duo began the endeavor without knowing where it would lead, their investigation--of parts, tools, ephemera, litter, personal items, unidentifiable disjecta, among other objects--lasted more than two years and resulted in a series of photographs by Connors and an essay by Ives on narrative forms and temporalities inherent to contemporary media. This collaborative publication, designed by Elana Schlenker, poses questions about where narrative originates and how we establish our stories in relation to the objects and timescales that carry, ground and surround us.
MacArthur Park
After Hurricane Sandy, Nick Fowler, a writer, stranded alone in a Manhattan apartment without power, begins to contemplate disaster. Months later, at an artist residency in upstate New York, Nick finds his subject in disaster itself and the communities shaped by it, where crisis animates both hope and denial, unacknowledged pasts and potential futures. As he travels to Los Angeles and London on assignment, Nick discovers that outsiders - their lives and histories disturbed by sex, loss, and bad weather - are often better understood by what they have hidden from the world than what they have revealed.
a women
“To survive romantic love, the woman served the other woman desert dirt with shells as the truck stop receded into the distance”—so observes the mordantly detached voice of a women, an extravagantly pained, self-and-other-lacerating imaginative journey dedicated “to relationship.” Auto-ethnographic postmortem on love, fragmented body floating through distillations of desire, sex, and death, lyric fever dream, avant-garde performance piece, manifesto of queer resistance, Vanessa Roveto’s phantasmagorical second book is several contradictory states bound together in a single invented language, resembling but never quite identifying with our own.
