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Postcolonial and Gender Perspectives in Irish Studies
This book represents an attempt to tackle questions related to fragmented and often conflicting ideologies within Irish studies. Although a collective outcome, with contributions in English and Spanish, its unifying concern has been the appliance of postcolonial and gender perspectives to the analysis of Irish literature (prose, drama and verse) and cinema, as well as to the aesthetic production of both the Republic of Ireland and Northern Ireland. Along the volume, while some authors have chosen to delve into the broad theoretical debate concerning the position of Irish studies within postcolonial and feminist theories, others offer detailed examinations of specific literary pieces and authors that fit in this panorama. All in all, the chapters are wide and diverse enough to trace a spatial and temporal map of the evolution of these paradigms within contemporary Irish studies, North and South of the border.
Contemporary Irish Women Poets
Cover; Contents; Acknowledgements; Abbreviations; Introduction: Memory, Estrangement and the Poetic Text; I Concepts; 1 Lost Lands: The Creation of Memory in the Poetry of Eavan Boland; 2 Between Here and There: Migrant Identities and the Contemporary Irish Woman Poet; 3 Private Memory and the Construction of Subjectivity in Contemporary Irish Women's Poetry; II Achievements; 4 Eiléan Ní Chuilleanáin's Spaces of Memory; 5 Medbh McGuckian's Radical Temporalities; 6 Catherine Walsh: A Poetics of Flux; 7 Vona Groarke: Memory and Materiality; Conclusion: Memories of the Future ; Bibliography
In the Wake of the Tiger
The field of Irish Studies has undergone a period of great fruitfulness over the last decade. Concurrent with the economic revolution and subsequent financial crash, an immense interest in the island of Ireland and her cultural practices has been apparent from parts of the globe, and academic debate on Irish culture and society has been intense and prosperous. This volume contains a number of essays which approach a variety of issues raised within the framework of post-“Celtic Tiger” Ireland, with contributions from scholars working in Europe. The book is divided into four sections: on Trauma Studies, on the relationship between Ireland with Europe and the rest of the world, on Audiovisual Studies and on Ireland and the Celtic Tiger. The essays reflect a variety of issues which are of great relevance to an understanding of the world of Irish Studies at the end of the first decade of the twenty-first century.
The Routledge Companion To Postcolonial Studies
The Routledge Companion to Postcolonial Studies offers a unique and up-to-date mapping of the postcolonial world, and is composed of essays as well as shorter entries for ease of reference. Introducing students to the history of the great European empires and the cultural legacies created in their wake, this book brings together an international range of contributors on such topics as: the colonial histories of Britain, France, Spain and Portugal the diverse postcolonial and diasporic cultural endeavours from Africa, the Americas, Australasia, Europe, and South and East Asia the major theoretical formulations: poststructuralist, materialist, culturalist, psychological. With a comprehensive A to Z of forty key writers and thinkers central to contemporary postcolonial studies and featuring historical maps, this is both a concise introduction and an essential resource for any student of postcolonial culture, whatever their field.
Compromise and Resistance in Postcolonial Writing
Compromise and Resistance in Postcolonial Writing offers a new critical approach to E. M. Forster's legacy. It examines key themes in Forster's work (homosexuality, humanism, modernism, liberalism) and their relevance to post-imperial and postcolonial novels by important contemporary writers.
Medbh McGuckian
This book offers a wide-ranging analysis of the entire corpus of Medbh McGuckian’s published work. Its objective is to provide both a readable synthesis of existing criticism, in a fashion which will be generally useful to academics and students, and also to offer an original contribution to the field of contemporary Irish literary studies on the basis of new research. The book investigatesa variety of previously neglected themes, in particular McGuckian’s exploration of ideas of creativity and performativity in her poetry. Over the past two decades McGuckian has been recognized by both her fellow poets and by literary critics as one of the most original, daring and important poetic voic...
LITERATURE, GENDER, SPACE
Perhaps the most serious challenge that the present volume offers to the latest literature on the tapie is the reflection on gender, space and literature from the perspective of masculinity, a position which has been no doubt neglected by many years of feminist debate concentrating on women's positions and circumstances. This is specifically one of the novelties that the Intemational Conference on Gendered Spaces, celebrated in May 2001 at the University of Huelva, from which this work springs, introduced. The articles collected here constitute a selection of the most relevant contributions made at this Conference.
Castration Desire
Theorizes an alternative form of masculinity in global literature that is less egocentric and more sustainable, both in terms of gendered and environmental power dynamics. Contemporary novelists and filmmakers like Kazuo Ishiguro (Japanese-British), Emma Donoghue (Irish-Canadian), Michael Ondaatje (Sri Lankan-Canadian), Bong Joon-ho (South Korean) and J.M. Coetzee (South African-Australian) are emblematic of a transnational phenomenon that Robinson Murphy calls “castration desire.” That is, these artists present privileged characters who nonetheless pursue their own diminishment. In promulgating through their characters a less egocentric mode of thinking and acting, these artists offer a...
Post/Imperial Encounters
Spanish and English are two of the most widely spoken languages in today’s world, and are linked by a colonial presence in the Americas that has often provoked turbulent relations between Britain and Spain. Despite abundant exchanges between Spain and the British Isles, and evident contact in the Americas, cross-cultural analyses are infrequent, and ironically language barriers still prevail in a world the media and globalization would appear to render borderless: English and Hispanic Studies have seldom converged, the islands of the Caribbean continue to be separated by language, while the new empire, the United States, has difficulty in admitting to its Hispanic component, let alone recognizing that the name “America” encompasses a wider continent. Post/Imperial Encounters: Anglo-Hispanic Cultural Relations attempts to bridge this gap through articles on literature, history and culture that concentrate primarily on three periods: the colonial interventions of Britain and Spain in the Americas, the Spanish Civil War and the present world, with its global culture and new forms of colonialism.
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature
This volume studies the manifestations of female trauma through the exploration of multiple wounds, inflicted on both body and mind (Caruth 1996, 3) and the soul of Irish women from Northern Ireland and the Republic within a contemporary context, and in literary works written at the turn of the twenty-first century and beyond. These artistic manifestations connect tradition and modernity, debunk myths, break the silence with the exposure of uncomfortable realities, dismantle stereotypes and reflect reality with precision. Women’s issues and female experiences depicted in contemporary fiction may provide an explanation for past and present gender dynamics, revealing a pathway for further renegotiation of gender roles and the achievement of equilibrium and equality between sexes. These works might help to seal and heal wounds both old and new and offer solutions to the quandaries of tomorrow.
