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Recent Election in the Dominican Republic: Recent election in the Dominican Republic
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Portrait of a Decade, 1930-1940
This book is a catalog of an exhibition held at the Museo Nacional de Arte, Mexico City, Nov. 28, 1996-Feb. 16, 1997, the Santa Barbara Museum of Art, Mar. 8-May 11, 1997, and the Museum of Fine Arts, Houston, June 1-July 22, 1997.
Paralelismos plásticos en México (¡para niños!)
En cualquier época y lugar del mundo, los artistas no sólo representan su entorno social o sus emociones, sino que también buscan un horizonte que esté a la altura de sus circunstancias y sus propios deseos. Lograr esto no es tarea fácil, pero en este libro, adaptado del catálogo original de la exhibición Paralelismos plásticos en México. Cuatro décadas en la colección BBVA se muestra un camino para que niños de hasta 12 años vivan ese proceso que formó a múltiples artistas que vivieron en México (entre 1960 y 1990). Cada capítulo resume un movimiento o una corriente artística y muestra la obra de dos artistas que lo/la representan. Tomando como ejemplo sólo una obra de ellos, se proponen actividades para que los niños se diviertan con lo que esté a su alcance: lápices, colores, acuarelas, crayolas, cajas, telas, platos, papel, cuadernos… ¡Las posibilidades son infinitas con el poder de la imaginación!
Paralelismos plásticos en México
El proceso de continuidad y renovación en el lenguaje plástico mexicano, desde 1960 hasta 1990, se hace manifiesto en la exposición "Paralelismos plásticos en México. Cuatro décadas en la Colección BBVA (1960 - 1990)", que la Fundación BBVA pone a su disposición en este catálogo digital. El libro contiene diez fotogalerías con más de 70 imágenes, distribuidas en dos grandes capítulos que permiten al lector explorar la evolución del lenguaje plástico en el México contemporáneo.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Diego Rivera
In 1931, Diego Rivera was the subject of The Museum of Modern Art's second monographic exhibition, which set attendance records in its five-week run. The Museum brought Rivera to NewYork six weeks before the opening and provided him a studio space in the building. There he produced five 'portable murals' - large blocks of frescoed plaster, slaked lime and wood that feature bold images drawn from Mexican subject matter and address themes of revolution and class inequity. After the opening, to great publicity, Rivera added three more murals, taking on NewYork subjects through monumental images of the urban working class. Published in conjunction with an exhibition that brings together key works from Rivera's 1931 show and related material, this vividly illustrated catalogue casts the artist as a highly cosmopolitan figure who moved between Russia, Mexico and the United States and examines the intersection of art-making and radical politics in the 1930s.
Diego Rivera, acuarelas
The present exhibition was part of the national homage celebrations that mark the 50th anniversary of the death of Diego Rivera, presenting a selection of more than 50 watercolors gathered from private collections and cultural institutions that include the Museo Dolores Olmedo and Museo Franz Mayer. The collection, which includes works created through diverse time periods and in different styles "will surprise" -as curator Maria Esther Duarte comments- the public when they discover a rarely seen facet of "the most universal of the Mexican painters". Exhibition curated by María Esther Duarte and Américo Sánchez.
