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A state-of-the-art anthology of postcolonial theory and practice in the Latin American context.
Liquid Borders provides a timely and critical analysis of the large-scale migration of people across borders, which has sent shockwaves through the global world order in recent years. In this book, internationally recognized scholars and activists from a variety of fields analyze key issues related to diasporic movements, displacements, exiles, "illegal" migrants, border crossings, deportations, maritime ventures, and the militarization of borders from political, economic, and cultural perspectives. Ambitious in scope, with cases stretching from the Mediterranean to Australia, the US/Mexico border, Venezuela, and deterritorialized sectors in Colombia and Central America, the various contributions are unified around the notion of freedom of movement, and the recognition of the need to think differently about ideas of citizenship and sovereignty around the world. Liquid Borders will be of interest to policy makers, and to researchers across the humanities, sociology, area studies, politics, international relations, geography, and of course migration and border studies.
In The Monster as War Machine, European monster tradition intersects with American mass-media production and new philosophical approaches to examine topics of community, political power, alternative representations of race and gender, identity, hybridity, political agency, and collective subjectivity. In this book, cultural theory, close readings of literary texts, and interpretations of visual materials come together, covering a wide and diversified cultural territory. Some of the authors included in this study are Agamben, Badiou, Baudrillard, Deleuze, Esposito, Foucault, Freud, Haraway, Hardt, Kristeva, Marx, Negri, and Zizek, whose works illuminate the disruptive and at times emancipatory role of monstrosity as a representation of excess, instinct, evil, truth, and rebelliousness. This book is an important resource for those studying film, contemporary literature, and popular culture. This book is in the Cambria Latin American Literatures and Cultures Series headed by Román de la Campa, the Edwin B. and Lenore R. Williams Professor of Romance Languages at the University of Pennsylvania.
Bringing together contributions from top specialists in Hispanic studies - both Peninsular and Latin American - this volume explores a variety of critical issues related to the historical, political, and ideological configuration of the field. Dealing with Hispanism in both Latin America and the United States, the book's multidisciplinary essays range from historical studies of the hegemonic status of Castillian language in Spain and America to the analysis of otherness and the uses of memory and oblivion in various nationalist discourses on both sides of the Atlantic.
Essays focus on Baroque as a concept and category of analysis which has been central to an understanding of Hispanic cultures during the last several hundred years
Essays by intellectuals and specialists in Latin American cultural studies that provide a comprehensive view of the specific problems, topics, and methodologies of the field vis-a-vis British and U.S. cultural studies.
DIVArgues for the saliency of the category of the subaltern over that of class./div
An interdisciplinary tour de force that examines past and present to consider how new forms of knowledge production, epistemic plurality, and intellectual and political movements are bringing sweeping change today.
Imagining the Postcolonial is the first book dedicated to comparative analysis of Latin American and francophone postcolonial identity. Jaime Hanneken examines the disciplinary, theoretical, and political stakes involved in postcolonial identification in non-anglophone cultural spheres through readings of José Lezama Lima and Édouard Glissant's poetics of place, the symbolic value of Paris in modernista writing and in Congolese Sociétés des Ambianceurs et Personnes Élégantes (sape) rituals, and the scandals surrounding Rigoberta Menchú and Yambo Ouologuem. Hanneken argues that reorienting comparative critique to the priority of the object of study can transform rather than replicate existing conceptual formats of postcoloniality.
Analyzes literary and cultural representations of iconic Mexican women to explore how these reimaginings can undermine or perpetuate gender norms in contemporary Mexico. In Troubled Memories, Oswaldo Estrada traces the literary and cultural representations of several iconic Mexican women produced in the midst of neoliberalism, gender debates, and the widespread commodification of cultural memory. He examines recent fictionalizations of Malinche, Hernán Cortéss indigenous translator during the Conquest of Mexico; Sor Juana Inés de la Cruz, the famous Baroque intellectual of New Spain; Leona Vicario, a supporter of the Mexican War of Independence; the soldaderas of the Mexican Revolution;...